Led Zeppelin – Presence
Tracklist
| LP 1: Original Album | |||
| A1 | Achilles Last Stand | 10:30 | |
| A2 | For Your Life | 6:25 | |
| A3 | Royal Orleans | 2:59 | |
| B1 | Nobody's Fault But Mine | 6:27 | |
| B2 | Candy Store Rock | 4:11 | |
| B3 | Hots On For Nowhere | 4:44 | |
| B4 | Tea For One | 9:25 | |
| LP 2: Companion Audio | |||
| C1 | Two Ones Are Won (Achilles Last Stand) (Reference Mix) | 10:28 | |
| C2 | For Your Life (Reference Mix) | 6:28 | |
| D1 | 10 Ribs & All/Carrot Pod Pod (Pod) (Reference Mix) | 6:49 | |
| D2 | Royal Orleans (Reference Mix) | 3:00 | |
| D3 | Hots On For No One (Reference Mix) | 4:44 |
Companies, etc.
- Marketed By – Warner Music Group
- Manufactured By – Warner Music Group
- Phonographic Copyright ℗ – Atlantic Recording Corporation
- Copyright © – Atlantic Recording Corporation
- Pressed By – Optimal Media GmbH – BD33205
- Pressed By – Optimal Media GmbH – BE77369
- Recorded At – Musicland Studios
- Mixed At – Musicland Studios
Credits
- Design [2015 Album] – Studio Fury
- Engineer [Additional Engineering] – Drew Griffiths (tracks: C1 to D3)
- Engineer [Tape] – Jeremy Gee (tracks: A1 to B4)
- Engineer, Mixed By – Keith Harwood (tracks: A1 to B4)
- Executive-Producer – Peter Grant (tracks: A1 to B4)
- Mastered By – John Davis (4)
- Producer – Jimmy Page
- Sleeve [Original] – Hipgnosis (2)
- Written-By – Plant*
Notes
Includes insert
On sticker and insert:
This reissue ℗ & © 2015 Atlantic Recording Corporation
Printed in the EU.
On labels A and B:
℗ & © 1976 Atlantic Recording Corporation. Manufactured in .
On labels C and D:
℗ & © 2015 Atlantic Recording Corporation. Manufactured in .
"The Object" © 1976 Swan Song Inc.
Press Photo: © Pennie Smith. / Live Photo: © Neal Preston
Runouts are entirely etched and where Optimal Media GmbH's "faintly inscribed "geometric" marks" appear, these are mirrored:
Variant 2: Side A '=S', Side B '+ I h', Side C (also might be upside down) 'VJ', Side D (also might be upside down) 'VE'
On sticker and insert:
This reissue ℗ & © 2015 Atlantic Recording Corporation
Printed in the EU.
On labels A and B:
℗ & © 1976 Atlantic Recording Corporation. Manufactured in .
On labels C and D:
℗ & © 2015 Atlantic Recording Corporation. Manufactured in .
"The Object" © 1976 Swan Song Inc.
Press Photo: © Pennie Smith. / Live Photo: © Neal Preston
Runouts are entirely etched and where Optimal Media GmbH's "faintly inscribed "geometric" marks" appear, these are mirrored:
Variant 2: Side A '=S', Side B '+ I h', Side C (also might be upside down) 'VJ', Side D (also might be upside down) 'VE'
Barcode and Other Identifiers
- Barcode: 081227955748
- Matrix / Runout (A-side, etched, variant 1): BD33205-01 A1 A1 JOHND
- Matrix / Runout (B-side, etched, variant 1): BD33205-01 B4
- Matrix / Runout (C-side, etched, variant 1): BE77369-01 A4 A3 JD
- Matrix / Runout (D-side, etched, variant 1): BE77369-01 B3
- Matrix / Runout (A-side, etched, variant 2): BD33205-01 A1 A1 JohnD =S
- Matrix / Runout (B-side, etched, variant 2): BD33205-01 B4 + I h
- Matrix / Runout (C-side, etched, variant 2): BE77369-01 A4 VJ A3 JD
- Matrix / Runout (D-side, etched, variant 2): BE77369-01 B3 VE B3
Other Versions (5 of 389)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Presence (LP, Album, Stereo, Gatefold) | Swan Song | SSK 59402 | UK | 1976 | ||
|
Recently Edited
|
Presence (Cassette, Album) | Swan Song | M5A 8416 | New Zealand | 1976 | ||
| Presence (LP, Album, Stereo, RI - PRC Pressing, Embossed, Gatefold) | Swan Song | SS 8416 | US | 1976 | |||
|
New Submission
|
Presence (Cassette, Album) | Swan Song | SK 459402 | UK | 1976 | ||
| Presence = プレゼンス (LP, Album, Gatefold) | Swan Song | P-10160N | Japan | 1976 |
Recommendations
Reviews
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Mine has the pink info sticker on the front of the sleeve in French. Anyone else have this, is it a common occurrence?
-
So what people talk about when they think this sounds bad is most likely the digital mastering. I myself was expecting this to be a great sounding issue but after listening I felt like it was missing something and still prefererad my older 70s issue. I thought it had a lot of detail with a clean press but for some reason sounded very flat and sterile. If you are looking for the best sounding new versions of these albums I hear that the Classic Records releases are a good choice. They are very expensive but are made by people who really care and do great mastering for vinyl. I myself am getting one and doing a blind test to see which I think sounds best between the 70s issue, 2014 remaster and 2007 Classic Records version. In the end its a good record and if you dont mind that much its just a great deal, but personally I would go for many 70s reissues that are in NM condition over this.
Update:
The Classic Records release by Grundman are easily superior for some albums and closer with others, they are never worse than the 2014 reissues however.
Equipment used:
Rega RP1 with Nagaoka MP-110 Cartridge
Cyrus 2 Amplifier
Sustem Fidelity SF-3050 Tower Speakers
Custom made HQ Cables -
Sounds good!
Some left field tracks on this one, but some fantastic ones too. Side 2 has a nice "groove" to it, which perfectly sums up late era Zepp IMO.
Release
See all versions
Recently Edited
Recently Edited
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