Hans Zimmer – Inception (Music From The Motion Picture)
Label: |
WaterTower Music – 524667-1 |
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Format: |
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Country: |
US |
Released: |
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Genre: |
Stage & Screen |
Style: |
Contemporary |
Tracklist
| A1 | Half ed Dream | 1:12 | |
| A2 | We Built Our Own World | 1:56 | |
| A3 | Dream Is Collapsing | 2:24 | |
| A4 | Radical Notion | 3:43 | |
| A5 | Old Souls | 7:44 | |
| A6 | 528491 | 2:24 | |
| A7 | Mombasa | 4:54 | |
| B1 | One Simple Idea | 2:28 | |
| B2 | Dream Within A Dream | 5:04 | |
| B3 | Waiting For A Train | 9:30 | |
| B4 | Paradox | 3:25 | |
| B5 | Time | 4:36 |
Companies, etc.
- Published By – Warner Olive Music
- Published By – Shapiro, Bernstein & Co.
- Licensed From – EMI Music Marketing
- Copyright © – Warner Bros. Entertainment Inc.
- Copyright © – Legendary Pictures
- Copyright © – Reprise Records
- Copyright © – WEA International Inc.
- Phonographic Copyright ℗ – Warner Bros. Entertainment Inc.
- Recorded By – Air Lyndhurst Studios
- Mixed At – Remote Control Productions
- Mastered At – Bernie Grundman Mastering
- Pressed By – GZ Digital Media – 88994E
Credits
- Art Direction [Package], Design [Package] – Mark Holley
- Bass Trombone – Dave Stewart (2)
- Cello [Principal] – Anthony Pleeth
- Conductor [Orchestra Conducted By] – Matt Dunkley
- Contractor [Orchestra] – Isobel Griffiths
- Coordinator [Score] – Andrew Zack
- Copyist [Music Preparation] – Jill Streeter*
- Double Bass [Principal Bass] – Mary Scully
- Engineer [Assistant] – Chris Barrett
- Engineer [Head Technical Score Engineer] – Thomas Broderick
- Engineer [Technical Score Engineer] – Chuck Choi
- Executive-Producer [Executive Album Producer] – Christopher Nolan
- French Horn – Richard Watkins
- Guitar – Johnny Marr
- Instruments [Digital Instrument Design] – Mark Wherry
- Liner Notes – Christopher Nolan
- Management [Executive In Charge Of Watertower Music] – Jason Linn
- Management [Executives In Charge Of Music For Warner Bros. Pictures] – Paul Broucek
- Management [Film Music Clearance] – Bobby Thornburg
- Management [Music Business Affairs] – Lisa Margolis
- Mastered By – Pat Sullivan*
- Mixed By [Score, Assisted By] – Daniel Kresco
- Mixed By [Score] – Alan Meyerson
- Music By – Hans Zimmer
- Music By [Additional Music] – Lorne Balfe
- Orchestrated By – Walter Fowler*
- Photography By [Still] – Stephen Vaughan (2)
- Producer [Music Produced By] – Lorne Balfe
- Programmed By [Sequencer Programming] – Nick Delaplane
- Programmed By [Synth Programming] – Howard Scarr
- Recorded By [Score] – Geoff Foster
- Score Editor [Assistant Music Editors] – Peter Oso Snell*
- Score Editor [Music Editor] – Ryan Rubin
- Score [Music Score Consultant] – Gavin Greenaway
- Sound Designer [Ambient Music Design] – Mel Wesson
- Supervised By [Supervising Music Editor] – Alex Gibson
- Supervised By [Supervising Orchestrator] – Bruce L. Fowler*
- Synthesizer – Hans Zimmer
- Technician [Music Production Services] – Steven Kofsky
- Technician [Sample Development] – Sam Estes
- Technician [Studio Managers For Remote Control Productions] – Shalini Singh
- Trombone [Tenor] – Richard Edwards (2)
- Tuba – Owen Slade
- Viola [Principal] – Peter Lale
- Violin [Principal] – Perry Montague-Maso*
Notes
Reprise Records, A Warner Music Group Company. 3300 Warner Blvd., Burbank, CA 91505-4694; 1290 Avenue Of The Americas, New York, NY 10104-0012. Motion Picture Artwork ©2010 Warner Bros. Entertainment Inc. Motion Picture Photography ©2010 Warner Bros. Entertainment Inc. and Legendary Pictures. ©2010 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S. ℗2010 Warner Bros. Entertainment Inc. Printed in CZ.
Published by Warner Olive Music (ASCAP). 'Half ed Dream' and 'Waiting For A Train' contain interpolations of "Non, Je Ne Regrette Rien," performed by Edith Piaf. Written by Charles Dumont and Michel Vaucaire and Published by Shapiro, Bernstein & Co. Inc. - Barclay Music Division o/b/o S.E.M.I./peermusic for the USA and Canada. Used courtesy of EMI Music , under license from EMI Music Marketing.
Score recorded at Air Lyndhurst, London, UK. Score mixed at Remote Control Productions.
Soundtrack album mastered at Bernie Grundman Mastering, Hollywood, CA.
On labels: Manufactured in CZ.
Includes single sided full color insert with credits and statement from Christopher Nolan.
Limited to 1,000 copies. An identical repress was issued in 2015.
Published by Warner Olive Music (ASCAP). 'Half ed Dream' and 'Waiting For A Train' contain interpolations of "Non, Je Ne Regrette Rien," performed by Edith Piaf. Written by Charles Dumont and Michel Vaucaire and Published by Shapiro, Bernstein & Co. Inc. - Barclay Music Division o/b/o S.E.M.I./peermusic for the USA and Canada. Used courtesy of EMI Music , under license from EMI Music Marketing.
Score recorded at Air Lyndhurst, London, UK. Score mixed at Remote Control Productions.
Soundtrack album mastered at Bernie Grundman Mastering, Hollywood, CA.
On labels: Manufactured in CZ.
Includes single sided full color insert with credits and statement from Christopher Nolan.
Limited to 1,000 copies. An identical repress was issued in 2015.
Barcode and Other Identifiers
- Barcode (Scanned, UPC-A): 093624964995
- Barcode (Text): 0 9362-49649-9 5
- Rights Society: ASCAP
- Matrix / Runout (Runout side A, variant 1): REPRISE 1 - 524667A 88994E1/B
- Matrix / Runout (Runout side B, variant 1): REPRISE 1 - 524667B 88994E2/C
- Matrix / Runout (Runout side A, variant 2): REPRISE 1 - 524667 A 88994E1/D
- Matrix / Runout (Runout side B, variant 2): REPRISE 1 - 524667 B 88994E2/E
Other Versions (5 of 13)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Inception (Music From The Motion Picture) (CD, Album) | WaterTower Music | 524667-2 | US | 2010 | ||
| Inception (Music From The Motion Picture) (CD, Album, Stereo) | WaterTower Music | 9362-49650-3 | Europe | 2010 | |||
| Inception (Music From The Motion Picture) (CD, Album) | WaterTower Music | 093624960164, 544667-2 | US | 2010 | |||
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New Submission
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Inception (Music From The Motion Picture) (CD, Album) | WaterTower Music | 9362-49650-3 | Australia | 2010 | ||
|
New Submission
|
Inception (Music From The Motion Picture) (12×File, MP3) | Reprise Records | none | 2010 |
Recommendations
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2015 EuropeVinyl —LP, Album, Deluxe Edition, Limited Edition -
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2015 USVinyl —LP, Album, Reissue, Repress -
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2016 UK, Europe & USVinyl —LP, Album, Etched, Special Cut -
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2022 USVinyl —LP, Album, Misprint, Stereo
Reviews
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My record sounded really bad out of the box (sealed). After two rounds of cleaning and antistatic treatment side A sounds great but side B is still bad, especially the first and last track. In the first (quieter) part of "Time", the surface noise is almost as loud as the music.
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Edited 2 years agoWhy would someone pay $200 for this? This is a great album however I just cant see why they are posted on eBay for $450 (2015 copy) and then some sold for stupid high prices here. -
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Edited 6 months agoIt's a pity that there is no vinyl on the record "Don't Think About Elephants"
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Edited 6 months agoHas there been a 2021 repress? Seems to be an influx of new copies.. -
I bought this today (brand new). It looks pretty good, but.... There are surface noise on first tracks and last tracks both of A and B sides. What a terrible. What happened this vinyl????
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Edited 6 months agoJust got a stray copy of this (brand new).... man, is it a crappy pressing. Really bad noise all over the place. I would say it's the worst in my collection, but I also picked up the deluxe version of Interstellar which was released in late 2020 and somehow that sounds even worse... What is it with Hans Zimmer and bad pressings? His music deserves so much better. Super disappointed. -
Edited 6 months agoIt appears copies of this are available again at some retailers. I managed to get a copy from Tower Records at below RRP.
Indeed copies are appearing on ebay and other online stores at a reasonable price now, massive reduction on discogs sales from £118 to as low as £13 now... Wow.
Upon inspection there is nothing distinguishing the copies available now from the 2015 repress. And prices are falling. -
Beautiful looking clear disc but Spartan packaging.
There is surface noise throughout as the others noted. Probably best to play on speakers versus headphones where the clicks are magnified during quiet sections.
Are the market prices worth it? To know this soundtrack is to love it as there is nothing quite like it. But the inherent faults of the pressing make it a difficult pill to swallow. But oh to hear that glorious theme blasting through the speakers with the warmth of vinyl! -
Edited 6 months agoAs others have said, the pressing quality is not great. That being said, it’s not unplayable.
If you’re not a hardcore audiophile and don’t mind a bit of surface noise, it’s worth getting in my opinion, but only if the price is right. I really love how all the tracks are mixed and seem to play as one continuous piece.
As sub par as the sound quality is for a Hans Zimmer album, it is among the top favorite records in my collection.
All in all, if you find it at a decent price and don’t mind the quality, it’s worth it in my opinion.
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