Hans Zimmer – Interstellar (Original Motion Picture Soundtrack)
Label: |
Sony Classical – MOVATM023 |
|---|---|
Series: |
At The Movies |
Format: |
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Country: |
Europe |
Released: |
|
Genre: |
Stage & Screen |
Style: |
Soundtrack |
Tracklist
| A1 | Hans Zimmer– | Dreaming Of The Crash | 3:50 |
| A2 | Hans Zimmer– | Cornfield Chase | 2:05 |
| A3 | Hans Zimmer– | Dust | 5:38 |
| A4 | Hans Zimmer– | Day One | 3:16 |
| A5 | Hans Zimmer– | Message From Home | 1:40 |
| B6 | Hans Zimmer– | Stay | 6:50 |
| B7 | Hans Zimmer– | The Wormhole | 1:29 |
| B8 | Hans Zimmer– | Afraid Of Time | 2:31 |
| B9 | Hans Zimmer– | A Place Among The Stars | 3:27 |
| B10 | Hans Zimmer– | No Time For Caution | 3:59 |
| C11 | Hans Zimmer– | Murph | 11:14 |
| C12 | Hans Zimmer– | Detach | 6:38 |
| D13 | Hans Zimmer– | Running Out | 1:53 |
| D14 | Hans Zimmer– | Tick-Tock | 8:12 |
| D15 | Hans Zimmer– | Where We're Going | 7:35 |
| D16 | Mackenzie Foy– | Do Not Go Gentle Into That Good Night | 1:28 |
Companies, etc.
- Recorded At – Air Lyndhurst Hall
- Recorded At – Temple Church, London
- Mixed At – Remote Control Productions
- Phonographic Copyright ℗ – WaterTower Music
- Copyright © – WaterTower Music
- Copyright © – Warner Bros. Entertainment Inc.
- Copyright © – Paramount Pictures Corporation
- Licensed To – Sony Music Entertainment
- Manufactured By – Music On Vinyl B.V.
- Manufactured For – Sony Music Entertainment
- Pressed By – Record Industry – 11597
- Published By – Warner-Olive Music, LLC
- Published By – Paramount Allegra Music
- Distributed By – Music On Vinyl B.V.
Credits
- Art Direction, Coordinator [Soundtrack Coordination] – Sandeep Sriram
- Bass – Mary Scully
- Bassoon [1] – Richard Skinner (2)
- Bassoon [2] – Lorna West
- Bassoon [3], Contrabassoon [3] – Rachel Simms
- Bassoon [4], Contrabassoon [4] – Gordon Laing
- Booking [Air Studios Bookings] – Alison Burton
- Cello [First Cellist] – Caroline Dale
- Choir – London Voices
- Chorus Master [Choirmaster] – Terry Edwards (2)
- Clarinet [1] – Nicholas Bucknall
- Clarinet [2], Clarinet [High Eb, 2] – Nick Rodwell
- Clarinet [3], Bass Clarinet [C Extension, 3] – Martin Robertson
- Clarinet [4], Bass Clarinet [C Extension, 4] – Duncan Ashby
- Clarinet [5], Contrabass Clarinet [Eb Contrabass Clarinet, 5] – Dave Fuest*
- Clarinet [6], Contrabass Clarinet [Bb Contrabass Clarinet, 6] – Alan Andrews
- Conductor [Orchestra] – Richard Harvey (2)
- Contractor – Isobel Griffiths
- Engineer [Additional] – Seth Waldmann
- Engineer [Technical Score Engineer] – Stephanie McNally
- Engineer [Technical] – Matt Kingdon*
- Executive-Producer [Executive In Charge Of Music For Paramount Pictures] – Randy Spendlove
- Executive-Producer [Executive In Charge Of Music For Warner Bros. Pictures] – Paul Broucek
- Executive-Producer [Executive In Charge Of WaterTower Music] – Jason Linn
- Executive-Producer [Music Business Affairs Executive] – Lisa Margolis
- Flute [1] – Karen Jones (3)
- Flute [2], Piccolo Flute [2] – Helen Keen
- Flute [3], Piccolo Flute [3] – Paul Edmund-Davies*
- Flute [4], Piccolo Flute [4], Alto Flute [4] – Anna Noakes
- Flute [5], Alto Flute [5] – Rowland Sutherland
- Flute [6], Alto Flute [6] – Siobhan Grealy
- French Horn [First] – Richard Watkins
- Harp – Skaila Kanga
- Liner Notes – Hans Zimmer
- Management [Studio Manager For Remote Control Production] – Shalini Singh
- Mixed By [Score Mix Assistant] – John Witt Chapman
- Mixed By [Score], Recorded By [Score] – Alan Meyerson
- Music By, Composed By, Piano, Synth [Programming] – Hans Zimmer
- Music Consultant – Czarina Russell
- Music Librarian – Jill Streater
- Musical Assistance [Assistant To Hans Zimmer] – Cynthia Park
- Musical Assistance [Music Preparation] – Booker T. White*
- Oboe [1] – David Theodore
- Oboe [2] – Matthew Draper
- Oboe [3], Cor Anglais [3] – Jane Marshall
- Oboe [4], Cor Anglais [4] – Janey Miller
- Orchestra [Leader Of The 1sts] – Thomas Bowes
- Orchestra [Leader Of The 2nds] – Roger Garland
- Orchestrated By [Orchestrator] – Walt Fowler
- Orchestrated By [Supervising Orchestrator] – Bruce L. Fowler*
- Organ [At Temple Church Performed By] – Roger Sayer
- Other [Booth Reader] – Chris Craker, Steve Mazzaro
- Other [Digital Instrument Design] – Mark Wherry
- Percussion [Tuned] – Frank Ricotti
- Photography By [Scoring Session Photography] – Jordan Goldberg
- Piano [Quartet] – Simon Chamberlain
- Producer [Score Produced By] – Hans Zimmer
- Producer [Soundtrack Album Produced By] – Hans Zimmer
- Production Manager [Music Production Services] – Steven Kofsky
- Programmed By [Sequencer Programming] – Steve Mazzaro
- Recorded By [ProTools Recordist At Lyndhurst Hall] – Chris Barrett
- Recorded By [ProTools Recordist At Studio 1] – Laurence Anslow
- Recorded By [ProTools Recordist At Temple Church] – John Prestage
- Recorded By [Score] – Geoff Foster
- Sampler [Sampling Team] – Taurees Habib
- Score Editor [Music Editor] – Ryan Rubin
- Score Editor [Supervising Music Editor] – Alex Gibson
- Sound Designer [Ambient Music Design] – Mario Reinsch
- Steel Guitar – Chas Smith
- Strings [Quartet] – Tim Gill*
- Technician [Assistant/Abbey Road Mobile] – Jon Alexander (3)
- Technician [Technical Assistant] – Leland Cox
- Viola [First] – Peter Lale
- Violin – Ann Marie Simpson
Notes
Pressed on 180 gram audiophile vinyl, housed in a high-gloss gatefold sleeve and includes a 4-page booklet, all protected in a custom PVC sleeve with stickers.
Score recorded at: Lyndhurst Hall, Air Studios and Temple Church, London.
Score mixed at: Remote Control Productions, Santa Monica CA.
Published by Warner-Olive Music, LCC and Paramount Allegra Music (ASCAP)
℗ & © 2014 WaterTower Music. Motion Picture Artwork and Photography © Warner Bros. Entertainment Inc. and Paramount Pictures Corporation. Under exclusive license to Sony Music Entertainment. Manufactured and distributed by Music On Vinyl B.V. for Sony Music Entertainment. Made in the EU.
Tracktitles listed sequentially on release.
There are no credits for track D16 on release.
Side designation (A,B,C,D) written in Morse code on labels.
First part of runout stamped (11597 1C MOVATM 023), rest is etched.
Score recorded at: Lyndhurst Hall, Air Studios and Temple Church, London.
Score mixed at: Remote Control Productions, Santa Monica CA.
Published by Warner-Olive Music, LCC and Paramount Allegra Music (ASCAP)
℗ & © 2014 WaterTower Music. Motion Picture Artwork and Photography © Warner Bros. Entertainment Inc. and Paramount Pictures Corporation. Under exclusive license to Sony Music Entertainment. Manufactured and distributed by Music On Vinyl B.V. for Sony Music Entertainment. Made in the EU.
Tracktitles listed sequentially on release.
There are no credits for track D16 on release.
Side designation (A,B,C,D) written in Morse code on labels.
First part of runout stamped (11597 1C MOVATM 023), rest is etched.
Barcode and Other Identifiers
- Barcode (Text): 8 718469 538058
- Barcode (Scanned): 8718469538058
- Matrix / Runout (Side A runout - Variant 1): 11597 1A MOVATM 023 THe eND OF THe eARTH..
- Matrix / Runout (Side B runout - Variant 1): 11597 1B MOVATM 023 ...WILL NOT Be THe eND OF US
- Matrix / Runout (Side C runout - Variant 1): 11597 1C MOVATM 023 MANKIND'S NeXT STeP...
- Matrix / Runout (Side D runout - Variant 1): 11597 1D MOVATM 023 ...WILL Be OuR GReATeST
- Matrix / Runout (Side A runout - Variant 2): 11597 1A MOVATM 023 THe eND OF THe eARTH..
- Matrix / Runout (Side B runout - Variant 2): 11597 1B MOVATM 023 ...WILL NOT Be THe eND OF uS B
- Matrix / Runout (Side C runout - Variant 2): 11597 1C MOVATM 023 MANKIND'S NeXT STeP...
- Matrix / Runout (Side D runout - Variant 2): 11597 1D MOVATM 023 ...WILL Be OuR GReATeST C
- Rights Society: BIEM/STEMRA
- Rights Society: ASCAP
Other Versions (5 of 25)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Interstellar (Original Motion Picture Soundtrack) (CD, Album, Stereo, Digipak) | WaterTower Music | 88875048122 | Europe | 2014 | ||
| Interstellar (Original Motion Picture Soundtrack) (CD, Album) | WaterTower Music | WTM39546 | USA & Canada | 2014 | |||
|
Recently Edited
|
Interstellar (Original Motion Picture Soundtrack) (24×File, FLAC, Album, Deluxe Edition, Deluxe Version) | WaterTower Music | HD794043183218 | Europe | 2014 | ||
| Interstellar (Original Motion Picture Soundtrack) (CD, Album, CD, , Box Set, Limited Edition) | WaterTower Music | 794043181924 | US | 2014 | |||
|
New Submission
|
Interstellar (Original Motion Picture Soundtrack) (CD, Album) | WaterTower Music | SI-4368 | Japan | 2014 |
Recommendations
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2017 EuropeVinyl —LP, Album -
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2015 USVinyl —LP, Album, Reissue, Repress -
2016 UK, Europe & USVinyl —LP, Album, Etched, Special Cut -
Reviews
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Super klar und einfach nur eine beeindruckende Musik für die Leute die gerne in die Musik hineingezogen werden wollen -
First off I hate the PVC sleeve it comes in, the gatefold is hard to pull out sometimes as it gets stuck to the PVC sleeve.
The gatefold quality is phenomenal once you get it out. The photograph inside is breathtaking.
Both discs have phrases from the movie etched in them.
Surface noise is present on the entire record when listening with headphones. The mastering is also low so you’ll have to turn the volume up which helps drown out the noise slightly but it’s still there.
Once you filter out the noises, parts of the soundtrack come alive like “Descent” and “Tick Tock”.
A beautiful score fitting for a beautiful film -
Beautiful sound with plenty of dynamic range, but a lot of surface noise on Side A. Less noise on B. C and D have no noise on my copy. If Side A is a must, I'd stick with digital unless you can get it cheap.
Using:
Nagaoka MP-110 & Shure M75 Elip.
Technics SL-B3 -
Fabulous sounding soundtrack on vinyl although my pressing was somewhat noisy, however I took a chance on eBay and sent it off for ultrasonic cleaning and it’s now very quiet and sounds even better. Definitely getting myself an ultrasonic cleaner soon.
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Looking at the comments it's polarised between a great pressing and a terrible one. Alas, mine's the latter. I find this really frustrating, it's such a waste of resources and it makes me wonder how the quality can vary, although I'm fairly certain that another member could enlighten me on this. So, if you decide to purchase a copy, fingers crossed for you that you get a good one. -
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My copy is really pristine, completely silent, without noise and with excellent audio quality. I do not understand the negative comments. -
For my birthday, my darling bought me this double vinyl .. and what was my surprise when I opened the cover to discover the same record 2x !!! how can this happen ??? Back to the merchant, I'm waiting for the new shipment ...
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