Hans Zimmer – Inception (Music From The Motion Picture)
Label: |
WaterTower Music – 544667-2 |
---|---|
Format: |
CD
, Album
|
Country: |
US |
Released: |
|
Genre: |
Stage & Screen |
Style: |
Contemporary |
Tracklist
1 | Half ed Dream | 1:12 | |
2 | We Built Our Own World | 1:56 | |
3 | Dream Is Collapsing | 2:24 | |
4 | Radical Notion | 3:43 | |
5 | Old Souls | 7:44 | |
6 | 528491 | 2:24 | |
7 | Mombasa | 4:54 | |
8 | One Simple Idea | 2:28 | |
9 | Dream Within A Dream | 5:04 | |
10 | Waiting For A Train | 9:30 | |
11 | Paradox | 3:25 | |
12 | Time | 4:36 |
Companies, etc.
- Copyright © – Warner Bros. Entertainment Inc.
- Copyright © – Legendary Pictures
- Copyright © – Reprise Records
- Copyright © – WEA International Inc.
- Phonographic Copyright ℗ – Warner Bros. Entertainment Inc.
- Published By – Warner Olive Music
- Recorded At – Air Lyndhurst Hall
- Mixed At – Remote Control Productions
- Mastered At – Bernie Grundman Mastering
- Glass Mastered At – SNA – M0065302
Credits
- Art Direction [Package], Design [Package] – Mark Holley
- Bass Trombone – Dave Stewart (2)
- Cello [Principal] – Anthony Pleeth
- Conductor [Orchestra Conducted By] – Matt Dunkley
- Contractor [Orchestra] – Isobel Griffiths
- Coordinator [Score] – Andrew Zack
- Copyist [Music Preparation] – Jill Streeter*
- Double Bass [Principal Bass] – Mary Scully
- Engineer [Assistant] – Chris Barrett
- Engineer [Head Technical Score Engineer] – Thomas Broderick
- Engineer [Technical Score Engineer] – Chuck Choi
- Executive-Producer [Executive Album Producer] – Christopher Nolan
- French Horn – Richard Watkins
- Guitar – Johnny Marr
- Instruments [Digital Instrument Design] – Mark Wherry
- Liner Notes – Christopher Nolan
- Management [Executive In Charge Of Watertower Music] – Jason Linn
- Management [Executives In Charge Of Music For Warner Bros. Pictures] – Paul Broucek
- Management [Film Music Clearance] – Bobby Thornburg
- Management [Music Business Affairs] – Lisa Margolis
- Mastered By – Pat Sullivan*
- Mixed By [Score, Assisted By] – Daniel Kresco
- Mixed By [Score] – Alan Meyerson
- Music By – Hans Zimmer
- Music By [Additional Music] – Lorne Balfe
- Orchestrated By – Walter Fowler*
- Photography By [Still] – Stephen Vaughan (2)
- Producer [Music Produced By] – Lorne Balfe
- Programmed By [Sequencer Programming] – Nick Delaplane
- Programmed By [Synth Programming] – Howard Scarr
- Recorded By [Score] – Geoff Foster
- Score Editor [Assistant Music Editors] – Peter Oso Snell*
- Score Editor [Music Editor] – Ryan Rubin
- Score [Music Score Consultant] – Gavin Greenaway
- Sound Designer [Ambient Music Design] – Mel Wesson
- Supervised By [Supervising Music Editor] – Alex Gibson
- Supervised By [Supervising Orchestrator] – Bruce L. Fowler*
- Synthesizer – Hans Zimmer
- Technician [Music Production Services] – Steven Kofsky
- Technician [Sample Development] – Sam Estes
- Technician [Studio Managers For Remote Control Productions] – Shalini Singh
- Trombone [Tenor] – Richard Edwards (2)
- Tuba – Owen Slade
- Viola [Principal] – Peter Lale
- Violin [Principal] – Perry Montague-Maso*
Notes
Reprise Records, A Warner Music Group Company. 3300 Warner Blvd., Burbank, CA 91505-4694; 1290 Avenue Of The Americas, New York, NY 10104-0012. Motion Picture Artwork ©2010 Warner Bros. Entertainment Inc. Motion Picture Photography ©2010 Warner Bros. Entertainment Inc. and Legendary Pictures. ©2010 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S. ℗2010 Warner Bros. Entertainment Inc. Made in U.S.A.
Published by Warner Olive Music (ASCAP). 'Half ed Dream' and 'Waiting For A Train' contain interpolations of "Non, Je Ne Regrette Rien," performed by Edith Piaf. Written by Charles Dumont and Michel Vaucaire and Published by Shapiro, Bernstein & Co. Inc. - Barclay Music Division o/b/o S.E.M.I./peermusic for the USA and Canada. Used courtesy of EMI Music , under license from EMI Music Marketing.
Score recorded at Air Lyndhurst, London, UK. Score mixed at Remote Control Productions.
Soundtrack album mastered at Bernie Grundman Mastering, Hollywood, CA.
Published by Warner Olive Music (ASCAP). 'Half ed Dream' and 'Waiting For A Train' contain interpolations of "Non, Je Ne Regrette Rien," performed by Edith Piaf. Written by Charles Dumont and Michel Vaucaire and Published by Shapiro, Bernstein & Co. Inc. - Barclay Music Division o/b/o S.E.M.I./peermusic for the USA and Canada. Used courtesy of EMI Music , under license from EMI Music Marketing.
Score recorded at Air Lyndhurst, London, UK. Score mixed at Remote Control Productions.
Soundtrack album mastered at Bernie Grundman Mastering, Hollywood, CA.
Barcode and Other Identifiers
- Barcode: 0 93624 96016 4
- Matrix / Runout: M0065302 1 / 9362496016
- Mastering SID Code: ifpi L595
- Mould SID Code: IFPI 1A19
Other Versions (5 of 13)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Inception (Music From The Motion Picture) (CD, Album) | WaterTower Music | 524667-2 | US | 2010 | ||
Inception (Music From The Motion Picture) (LP, Album, Clear) | WaterTower Music | 524667-1 | US | 2010 | |||
Inception (Music From The Motion Picture) (CD, Album, Stereo) | WaterTower Music | 9362-49650-3 | Europe | 2010 | |||
New Submission
|
Inception (Music From The Motion Picture) (CD, Album) | WaterTower Music | 9362-49650-3 | Australia | 2010 | ||
New Submission
|
Inception (Music From The Motion Picture) (12×File, MP3) | Reprise Records | none | 2010 |
Recommendations
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2009 USCD —Album, Limited Edition
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2008 UK, Europe & USBox Set —Compilation, Limited Edition
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2016 USCD —Album, Deluxe Edition, Stereo
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Reviews
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Edited 6 years agoOK so I am dissing - again on the pressing - I totally agree - but I am huge fan of all soundtracks so arousing and all Hans Zimmer's works - The Last Samurai needs a proper amazing - Rain Man for personal reasons LOL all amazing -
Time is gorgeous - I could listen this and sell a lot of my collection because real emotion is here
Mombasa is great powerful track like techno
- I even made an acid edit of Mombasa - -
I got a copy with some surface noise, you can only notice it at high volume or during near silent parts of the OST.
Considering it's as cheap as it is, not a bad deal at all. I've enjoyed listening to it. -
Edited 10 years agore the lp vinyl ,,,,the latest available stocks are not needs be a second pressing,,,,could be a quantity of withheld original 1000 pressings or a further held back from putting on the market further copies of 1000 printed at the same time,,,, no one ive talked to has definite info ...not even those stocking it,,to me they seem to be ''deadstock'' someone held onto,,no one should be calling it a reissue or repress till theres a genuine info source that deems it so ,,,
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