The Who – Odds & Sods
Label: |
Track Record – 2406 116 |
|---|---|
Format: |
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Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
Pop Rock |
Tracklist
| A1 | Postcard | |
| A2 | Now I'm A Farmer | |
| A3 | Put The Money Down | |
| A4 | Little Billy | |
| A5 | Too Much Of Anything | |
| A6 | Glow Girl | |
| B1 | Pure And Easy | |
| B2 | Faith In Something Bigger | |
| B3 | I'm The Face | |
| B4 | Naked Eye | |
| B5 | Long Live Rock |
Companies, etc.
- Record Company – Polydor Records Ltd.
- Phonographic Copyright ℗ – Track Records Ltd.
- Phonographic Copyright ℗ – Track Records (9)
- Copyright © – Track Records Ltd.
- Copyright © – Whistle Rhymes Ltd.
- Copyright © – Fabulous Music Ltd.
- Copyright © – Campbell-Connelly Ltd.
- Remixed At – Nova Sound Studios, London
- Produced At – Nova Sound Studios, London
- Remixed At – Scorpio Sound
- Produced At – Scorpio Sound
- Produced At – Eel Pie Studios
- Produced At – Ramport Studios
- Produced At – Olympic Studios
- Produced At – I.B.C. Studios
- Produced At – De Lane Lea Studios
- Produced At – CBS Studios, London
- Produced At – Fontana Studios
- Published By – Whistle Rymes
- Published By – Fabulous Music
- Published By – Campbell Connelly & Co.
- Lacquer Cut At – Phonodisc Ltd.
- Pressed By – Phonodisc Ltd.
- Distributed By – Polydor Ltd.
- Printed By – Gothic Print Finishers Ltd.
- Made By – Gothic Print Finishers Ltd.
Credits
- Design Concept [Sleeve] – Roger Daltrey
- Design, Photography By – Graham Hughes (2)
- Engineer [Re-Mix Engineering] – J.J. (26)
- Liner Notes – Peter Townshend*
- Mixed By [Final Re-Mixing], Producer [Final Production] – John Entwistle
- Written-By – Peter Meaden (tracks: B3)
Notes
Cover die-cut on the front and embossed in Braille on rear, including a 12" × 18" colour poster of The Who on the North American Tour, November 1973, and an 11" × 22" gatefold insert with lyrics and track-by-track notes by Pete Townshend, with a black-and-white photo of the front cover.
Sleeve:
Track A1 - Produced at Eel Pie Sound Studios 1969, finished at Ramport Studios 1974
Track A2, B4 - Produced at Eel Pie Sound Studios 1969
Track A3, A5, B5 - Produced at Olympic Studios May 1972
Track A4 - Produced at IBC Studios 1968
Track A6 - Produced at De Lane Lea Studios Jan 1968
Track B1 - Produced at Olympic Studios May 1971
Track B2 - Produced at CBS Studios Jan 1968
Track B3 - Produced at Fontana Studios 1964
Final Re-Mixing and Production at Nova Sound on 4th July 1974
Sleeve printed and made in England by Gothic Print Finishers Ltd., London SE9.
Song Titles are also printed in Braille.
℗ 1974 © Track Records Ltd.
Distributed by Polydor Limited
Labels:
Final Re-mixing & Production at Scorpio Sound on 4th July, 1974
A-side - ℗ 1974 Track Records
B-side - B3. ℗ 1965. B1, B2, B4, B5. ℗ 1974 Track Records
Label track recording details:
Tracks A1, A2, B4: Produced at Eel Pie Sound Studios in 1969.
Tracks A3, A5, B5: Produced at Olympic Studios in May, 1972.
Track A4: Produced at I.B.C. Studios in 1968.
Track A6: Produced at De Lane Lea Studios in January, 1968
Track B1: Produced at Olympic Studios in May, 1971.
Track B2: Produced at C.B.S. Studios in January, 1968.
Track B3: Produced at Fontana Studios in 1964.
Publishers on labels:
A1 - Whistle Rymes
A2 to B2, B4, B5 - Fabulous Music
B3 - C. Connelly & Co.
Made in Gt Britain
Track B3 producer misspelled as "Chris Parmenter" on label.
Re-mix engineer appears as "J.J." on labels, "JJ" on back cover.
Foldout insert:
A1: © 1974 Whistle Rymes Ltd.
A2, A3, A6, B2: © 1974 Fabulous Music Ltd.
A4: © 1968 Fabulous Music Ltd.
A5, B1, B4: © 1971 Fabulous Music Ltd.
B3: © 1964 Campbell Connelly Ltd.
B5: © 1973 Fabulous Music Ltd.
Printed in England by Gothic Print Finishers Ltd., London, SE9 2EQ.
All tracks previously unreleased.
All runout variants are stamped.
Sleeve:
Track A1 - Produced at Eel Pie Sound Studios 1969, finished at Ramport Studios 1974
Track A2, B4 - Produced at Eel Pie Sound Studios 1969
Track A3, A5, B5 - Produced at Olympic Studios May 1972
Track A4 - Produced at IBC Studios 1968
Track A6 - Produced at De Lane Lea Studios Jan 1968
Track B1 - Produced at Olympic Studios May 1971
Track B2 - Produced at CBS Studios Jan 1968
Track B3 - Produced at Fontana Studios 1964
Final Re-Mixing and Production at Nova Sound on 4th July 1974
Sleeve printed and made in England by Gothic Print Finishers Ltd., London SE9.
Song Titles are also printed in Braille.
℗ 1974 © Track Records Ltd.
Distributed by Polydor Limited
Labels:
Final Re-mixing & Production at Scorpio Sound on 4th July, 1974
A-side - ℗ 1974 Track Records
B-side - B3. ℗ 1965. B1, B2, B4, B5. ℗ 1974 Track Records
Label track recording details:
Tracks A1, A2, B4: Produced at Eel Pie Sound Studios in 1969.
Tracks A3, A5, B5: Produced at Olympic Studios in May, 1972.
Track A4: Produced at I.B.C. Studios in 1968.
Track A6: Produced at De Lane Lea Studios in January, 1968
Track B1: Produced at Olympic Studios in May, 1971.
Track B2: Produced at C.B.S. Studios in January, 1968.
Track B3: Produced at Fontana Studios in 1964.
Publishers on labels:
A1 - Whistle Rymes
A2 to B2, B4, B5 - Fabulous Music
B3 - C. Connelly & Co.
Made in Gt Britain
Track B3 producer misspelled as "Chris Parmenter" on label.
Re-mix engineer appears as "J.J." on labels, "JJ" on back cover.
Foldout insert:
A1: © 1974 Whistle Rymes Ltd.
A2, A3, A6, B2: © 1974 Fabulous Music Ltd.
A4: © 1968 Fabulous Music Ltd.
A5, B1, B4: © 1971 Fabulous Music Ltd.
B3: © 1964 Campbell Connelly Ltd.
B5: © 1973 Fabulous Music Ltd.
Printed in England by Gothic Print Finishers Ltd., London, SE9 2EQ.
All tracks previously unreleased.
All runout variants are stamped.
Barcode and Other Identifiers
- Price Code: SUPER
- Matrix / Runout (Runout A, variant 1): 2406116 A//1 420 0 1 1 1 0
- Matrix / Runout (Runout B, variant 1): 2406116 B//1 420 0 1 1 9
- Matrix / Runout (Runout A, variant 2): 2406116 A//1 420 0 1 4 4
- Matrix / Runout (Runout B, variant 2): 2406116 B//1 420 0 1 4 3
- Matrix / Runout (Runout A, variant 3): 2406116 A//1 420 0 1 1 4
- Matrix / Runout (Runout B, variant 3): 2406116 B//1 420 0 1 2 2
- Matrix / Runout (Runout A, variant 4): 2406116 A//1 420 0 1 1 1
- Matrix / Runout (Runout B, variant 4): 2406116 B//1 420 0 1 1 1
- Matrix / Runout (Runout A, variant 5): 2406116 A//1 420 0 2 1 6
- Matrix / Runout (Runout B, variant 5): 2406116 B//1 420 0 1 1 4
- Matrix / Runout (Runout A, variant 6): 2406116 A//1 420 0 2 1 5
- Matrix / Runout (Runout B, variant 6): 2406116 B//1 420 0 1 1 6
- Matrix / Runout (Runout A, variant 7): 2406116 A//1 420 0 2 1 11
- Matrix / Runout (Runout B, variant 7): 2406116 B//1 420 0 1 1 18
- Matrix / Runout (Runout A, variant 8): 2406116 A//1 420 0 1 1 9
- Matrix / Runout (Runout B, variant 8): 2406116 B//1 420 0 1 1 2
Other Versions (5 of 113)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Odds & Sods (LP, Compilation, Stereo, Gloversville Press) | MCA Records | MCA-2126 | US | 1974 | |||
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Recently Edited
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Odds And Sods (8-Track Cartridge, Compilation, Stereo, 3-Pin Shell) | MCA Records | MCAT-2126 | US | 1974 | ||
| Odds & Sods (LP, Album, Stereo) | Track Record | 2406 116 | 1974 | ||||
| Odds & Sods (LP, Album, Compilation, Club Edition, Stereo, Audio Club Of Britain) | Polydor | ACB 254 | UK | 1974 | |||
|
New Submission
|
Odds & Sods (LP, Compilation) | Track Record | 2406 116 | Australia | 1974 |
Recommendations
Reviews
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I’ve always thought the original US release of this album was one of the best sounding Who albums, until hearing this original UK release which sounds better to my ears.
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Shouldn’t this album be listed as a compilation ? Seeing as there are songs on it from 1965 - 1974?
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Can anyone tell me why the cover appears to look damaged? Of course, that's how it's supposed to look, but for what reason? -
Got a Scandinavian pressing, NCB on labels. UK sleeve, 2406 116, no laser cutting. Not on discogs.
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hi there, I have this vinyl, but the strange thing is that the poster "cardboard" is pasted with cover seam to be formed in trifold. back cover has embossed writings for the blind. can you tell me if it is like this or mispress? the poster doesn't remove is part of the cover and has the same measure of the cover
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Original issues have sleeve split front and rear. Front compartment (behind the cut-out front cover) housed the colour poster. The centre separating has a duplicate of the poster printed on it which can still be seen when the poster is removed. The rear compartment holds the LP and the lyric sheet. The titles on the rear of the cover are also printed in braille.
Release
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Recently Edited
Recently Edited
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