Tracklist
A1 | Slip Kid | |
A2 | However Much I Booze | |
A3 | Squeeze Box | |
A4 | Dreaming From The Waist | |
A5 | Imagine A Man | |
B1 | Success Story | |
B2 | They Are All In Love | |
B3 | Blue Red And Grey | |
B4 | How Many Friends | |
B5 | In A Hand Or A Face |
Companies, etc.
- Phonographic Copyright ℗ – Polydor International
- Copyright © – Eel Pie Publishing
- Copyright © – Whistle Rymes
- Recorded At – Ramport Studios
- Recorded At – Eel Pie Studios
- Recorded By – Island Mobile
- Mixed At – Island Studios
- Mastered At – The Mastering Lab
- Pressed By – Phonodisc Ltd.
- Printed By – MacNeill Press Ltd.
- Made By – MacNeill Press Ltd.
- Published By – Eel Pie Publishing
- Published By – Whistle Rhymes Music Ltd.
Credits
- Artwork [Cover Drawing] – John Entwistle
- Composed By – Pete Townshend (tracks: A1 to A5, B2 to B5)
- Mastered By – Doug Sachs*
- Piano – Nicky Hopkins
- Producer – Glyn Johns
Notes
Individually numbered on the back cover.
First catalogue number on sleeve, second on labels.
Runouts stamped.
First catalogue number on sleeve, second on labels.
Runouts stamped.
Barcode and Other Identifiers
- Price Code: DE LUXE
- Matrix / Runout (Side A label): 2490-129 A
- Matrix / Runout (Side B label): 2490-129 B
- Matrix / Runout (Variant 1, side A): 2490129 A//2 ML 1 3 1 TML-S
- Matrix / Runout (Variant 1, side B): 2490129 B//2 ML 1 2 2 TML-S
- Matrix / Runout (Variant 2, side A): 2490129 A//2 ML 1 3 5 TML-S
- Matrix / Runout (Variant 2, side B): 2490129 B//1 ML 1 3 TML-S 1
- Matrix / Runout (Variant 3, side A): 2490129 A//2 ML 1 2 4 TML-S
- Matrix / Runout (Variant 3, side B): 2490129 B//1 ML 1 5 TML-S 3
- Matrix / Runout (Variant 4, side A): 2490129 A//2 ML 12 4 TML-S
- Matrix / Runout (Variant 4, side B): 2490129 B//1 ML 13 TML-M 2
- Matrix / Runout (Variant 5, side A): 2490129 A//1 ML 13 TML-M 3
- Matrix / Runout (Variant 5, side B): 2490129 B//1 ML 14 TML-M 1
- Matrix / Runout (Variant 6, side A): 2490129 A//1 ML 1 1 3 TML-M
- Matrix / Runout (Variant 6, side B): 2490129 B//2 ML 1 2 7 TML-S
- Matrix / Runout (Variant 7, side A): 2490129 A//1 ML 7 1 3 TML-M
- Matrix / Runout (Variant 7, side B): 2490129 B//1 ML 14 TML-M 8
Other Versions (5 of 156)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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The Who By Numbers (LP, Album) | MCA Records | MCA-2161 | Canada | 1975 | ||
The Who By Numbers (LP, Album, Numbered) | Polydor | 2490 129 | Netherlands | 1975 | |||
Recently Edited
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The Who By Numbers (LP, Album, Stereo) | Neon (3) | NEN 00021 | Italy | 1975 | ||
The Who By Numbers (LP, Album) | Polydor | 2480 309 | 1975 | ||||
Recently Edited
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The Who By Numbers (Cassette, Album) | Polydor | 3194 283 | 1975 |
Recommendations
Reviews
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Not commenting on the quality of the different vinyl versions . Just to say I really like this album. It's the who entered their 30s period less aggressive but still great songs well executed
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I got my copy of this in 1976 and it remains one of my favourite albums from the band. A criminally overlooked & neglected record IMO.
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i just got my ORIGINAL FIRST UK pressing of this semi who classic that was released in october 1975, this is an original uk pressing as stated below as later pressings starting as early as 1976 where pressed in holland, there where a couple of more uk reissue pressings in the 80s as well BUT this one cat # 2490-129 is the original uk copy that states PRINTED IN ENGLAND on the label..... also this lp is rather thick for a 1975 pressing!!!! this was a very overlooked great WHO record.... no not hard rock/ not mod either....
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why is this labeled as a hard rock album? If this is hard rock, what's a black sabbath album?
this is pure "classic rock" with ballads. One can add "mod", but not necessarily -
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this copy i got today is the original numbered 1975 uk pressing of this lp wich states right on the label MADE IN ENGLAND. funny becouse my number is #514, would have been a blast if it was 515
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Produced by Glyn Johns [the first Who recording produced solely by Johns; previously he had only been listed as "associate producer" to The Who] at the Shepperton Sound Stage on Ronnie Lane's Mobile Studio. [the original album says it was produced at Ramport Studios, Island Mobile and Eel Pie Studios, mixed at Island Studios and Sunset Sound and mastered by Doug Sachs at the Mastering Lab, Los Angeles]
Cover Drawing by John Entwistle. [John: "The cover only took me an hour, but the dots took about three hours. I took it down to the studio while we were mixing and got the worst artist in the room to fill it in. Discovered I'd left two inside legs out."]
All the tracks on The Who By Numbers were recorded at the Shepperton Sound Stage on Ronnie Lane's mobile studio during April and May of 1975. Recording began with a jam session on April 4, continued throughout May and overdubs were done in June. Mixing was done at Island Records' Basing Street Studios in London's Notting Hill during July and August.
Released as Polydor 2490 129 [as part of their break with Kit Lambert and Chris Stamp's management, The Who refused to release this record on their own Track label] on October 18, 1975. It reached #7 in the U.K. It hit the U.S. charts as MCA 2161 on October 25, 1975 and reached #8. [The RIAA gave the record "gold" status for 500,000 in U.S. sales on December 10, 1975. It was upgraded to "platinum," 1 million in sales, in 1993.]
The first vinyl pressings in the U.K. were individually numbered on the back cover. [Pete, who was suffering from writer's block during much of the period he wrote this album, later said The Who recorded practically every song he had written for The Who By Numbers. Other songs written around this time were "To Barney Kessell," a jazz guitar instrumental released on Pete's Scoop album and "Girl In A Suitcase" which was submitted to The Who and rejected. It later appeared on Pete's Another Scoop album.] -
Release
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