Pink Floyd – The Wall
Tracklist
A1 | In The Flesh? | |
A2 | The Thin Ice | |
A3 | Another Brick In The Wall Part 1 | |
A4 | The Happiest Days Of Our Lives | |
A5 | Another Brick In The Wall Part 2 | |
A6 | Mother | |
B1 | Goodbye Blue Sky | |
B2 | Empty Spaces | |
B3 | Young Lust | |
B4 | One Of My Turns | |
B5 | Don't Leave Me Now | |
B6 | Another Brick In The Wall Part 3 | |
B7 | Goodbye Cruel World | |
C1 | Hey You | |
C2 | Is There Anybody Out There? | |
C3 | Nobody Home | |
C4 | Vera | |
C5 | Bring The Boys Back Home | |
C6 | Comfortably Numb | |
D1 | The Show Must Go On | |
D2 | In The Flesh | |
D3 | Run Like Hell | |
D4 | Waiting For The Worms | |
D5 | Stop | |
D6 | The Trial | |
D7 | Outside The Wall |
Companies, etc.
- Manufactured By – Columbia Records
- Manufactured By – CBS Inc.
- Phonographic Copyright ℗ – Pink Floyd Music Ltd.
- Copyright © – Pink Floyd Music Ltd.
- Copyright © – Pink Floyd Music Publishers Ltd.
- Recorded At – Super Bear Studios
- Recorded At – Columbia Recording Studios
- Recorded At – Producers Workshop
- Mastered At – The Mastering Lab
- Pressed By – Columbia Records Pressing Plant, Pitman
Credits
- Arranged By [Orchestra] – Michael Kamen
- Backing Vocals – Toni Tennille
- Co-producer, Engineer – James Guthrie
- Design [Sleeve Design], Design [Illustration] – Gerald Scarfe
- Engineer – Rick Hart
- Performer – Richard Wright
- Performer, Design [Sleeve Design], Producer – Roger Waters
- Performer, Producer – David Gilmour
- Producer, Arranged By [Orchestra] – Bob Ezrin
- Technician [Sound Equipment] – Phil Taylor (5)
Notes
Pitman pressing.
Some copies gold promo stamped on back cover.
Comes with loose, printed black on white "Pink Floyd The Wall 36183" insert held in place by the factory shrinkwrap.
'TML-X' and its accompanying digit, and 'P' stamped in runouts. The rest etched.
Right inside of gatefold cover:
"Produced By:
David Gilmour,
Bob Ezrin
Roger Waters" as the topmost printed credit.
Later copies list
"Written By:
Roger Waters ..." at the top.
Right inside of gatefold cover has no writer credits for all , only Roger Waters, Gilmour and Ezrin.
No barcode.
Recorded at Superbear, Miravel, . CBS, New York. Producers Workshop, Los Angeles. Between April and November, 1979.
Toni Tennille appears courtesy of Casablanca Record And Filmworks, Inc.
All songs ©1979 Pink Floyd Music Publishers, Ltd. (BMI)
℗1979 Pink Floyd Music Ltd.
©1979 Pink Floyd Music Ltd.
Manufactured by Columbia Records/CBS Inc.
Inner sleeves contain lyrics.
Some copies gold promo stamped on back cover.
Comes with loose, printed black on white "Pink Floyd The Wall 36183" insert held in place by the factory shrinkwrap.
'TML-X' and its accompanying digit, and 'P' stamped in runouts. The rest etched.
Right inside of gatefold cover:
"Produced By:
David Gilmour,
Bob Ezrin
Roger Waters" as the topmost printed credit.
Later copies list
"Written By:
Roger Waters ..." at the top.
Right inside of gatefold cover has no writer credits for all , only Roger Waters, Gilmour and Ezrin.
No barcode.
Recorded at Superbear, Miravel, . CBS, New York. Producers Workshop, Los Angeles. Between April and November, 1979.
Toni Tennille appears courtesy of Casablanca Record And Filmworks, Inc.
All songs ©1979 Pink Floyd Music Publishers, Ltd. (BMI)
℗1979 Pink Floyd Music Ltd.
©1979 Pink Floyd Music Ltd.
Manufactured by Columbia Records/CBS Inc.
Inner sleeves contain lyrics.
Barcode and Other Identifiers
- Matrix / Runout (Side A, label): AL 36184
- Matrix / Runout (Side B, label): BL 36184
- Matrix / Runout (Side C, label): AL 36185
- Matrix / Runout (Side D, label): BL 36185
- Other (Cat# Record One): C 36184
- Other (Cat# Record Two): C 36185
- Rights Society: BMI
- Matrix / Runout (Side A, runout, variant 1): PAL-36184-1F P TML-X
- Matrix / Runout (Side B, runout, variant 1): PBL-36184-1AK TML-S
- Matrix / Runout (Side C, runout, variant 1): PAL-36185-1AF P TML-S
- Matrix / Runout (Side D, runout, variant 1): PBL 36185-1D TML-M
- Matrix / Runout (Side A, runout, variant 2): PAL-36184-1E TML-S
- Matrix / Runout (Side B, runout, variant 2): PBL-36184-1F TML-X C 3
- Matrix / Runout (Side C, runout, variant 2): PAL-36185-1D TML-S I D
- Matrix / Runout (Side D, runout, variant 2): PBL-36185-1E TML-X G 3
- Matrix / Runout (Side A, runout, variant 3): PAL-36184-1F TML-X P ]
- Matrix / Runout (Side B, runout, variant 3): PBL-36184-1BE B TML-S P
- Matrix / Runout (Side C, runout, variant 3): PAL 36185-1D TML-S I C P
- Matrix / Runout (Side D, runout, variant 3): PBL-36185-1F TML-X P
- Matrix / Runout (Side A, runout, variant 4): PAL 36184-1D TML-X P
- Matrix / Runout (Side B, runout, variant 4): PBL-36184-1E TML-S P
- Matrix / Runout (Side C, runout, variant 4): PAL 36185-1D TML-S
- Matrix / Runout (Side D, runout, variant 4): PBL-36185-1E TML-X
- Matrix / Runout (Side A, runout, variant 5): PAL 36184-1E TML-S X G
- Matrix / Runout (Side B, runout, variant 5): PBL-36184-1F TML-X D
- Matrix / Runout (Side C, runout, variant 5): PAL-36185-1D TML-S I D
- Matrix / Runout (Side D, runout, variant 5): PBL-36185-1F TML X
- Matrix / Runout (Side A, runout, variant 6): PAL-36184-1E TML-S
- Matrix / Runout (Side B, runout, variant 6): PAL-36184-1F TML-X C
- Matrix / Runout (Side C, runout, variant 6): PAL-36185-1D TML-S 1
- Matrix / Runout (Side D, runout, variant 6): PBL 36185-1D TML-M
- Matrix / Runout (Side A, runout, variant 7): PAL-36184-1D TML-X P
- Matrix / Runout (Side B, runout, variant 7): PBL-36184-1F TML-X 2 A P
- Matrix / Runout (Side C, runout, variant 7): PAL36185-1D TML-S 1 P
- Matrix / Runout (Side D, runout, variant 7): PBL 36185-1E TML-X E 2 P
- Matrix / Runout (Side A, runout, variant 8): PAL-36184-1F TML-X P
- Matrix / Runout (Side B, runout, variant 8): PBL-36184-1E TML-S
- Matrix / Runout (Side C, runout, variant 8): PAL 36185-1F TML-S C
- Matrix / Runout (Side D, runout, variant 8): PBL 36185-1E TML-X P
- Matrix / Runout (Side A, runout, variant 9): PAL-36184-1E TML-S P
- Matrix / Runout (Side B, runout, variant 9): PBL-36184-1F TML-X P
- Matrix / Runout (Side C, runout, variant 9): PAL-36185-1F TML-S P
- Matrix / Runout (Side D, runout, variant 9): PBL-36185-1E TML-X P
- Matrix / Runout (Side A, runout, variant 10): PAL-36184-1F TML-X P D
- Matrix / Runout (Side B, runout, variant 10): PBL-36184-1E TML-S P B
- Matrix / Runout (Side C, runout, variant 10): PAL-36185-1AC TML-M P B
- Matrix / Runout (Side D, runout, variant 10): PBL-36185-1AE TML-M P B
- Matrix / Runout (Side A, runout, variant 11): PAL-36184-1F TML-X P
- Matrix / Runout (Side B, runout, variant 11): PAL-36184-1F TML-X P
- Matrix / Runout (Side C, runout, variant 11): PAL-36185.1D TML S P
- Matrix / Runout (Side D, runout, variant 11): PAL-36185-1E TML-X P
- Matrix / Runout (Side A runout, variant 12): PAL-36184-1F TML-X 0 P
- Matrix / Runout (Side B runout, variant 12): PBL-36184-1BE TML-S A P
- Matrix / Runout (Side C runout, variant 12): PAL-36185-1AD TML-S P
- Matrix / Runout (Side D runout, variant 12): PBL-36185-1D TML-M P
- Matrix / Runout (Side A runout, variant 13): PAL-36184-1F TML-X D
- Matrix / Runout (Side B runout, variant 13): PBL-36184-1AK TML-S D
- Matrix / Runout (Side C runout, variant 13): PAL-36185-1F TML-S
- Matrix / Runout (Side D runout, variant 13): PBL-36185-1D TML-M P
Other Versions (5 of 980)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
The Wall (2×LP, Album, Reissue, Stereo, Gatefold) | Harvest | 1A 158-63410, 1A 158-63411 | Netherlands | 1979 | ||
Recently Edited
|
The Wall (2×LP, Album, Stereo, Gatefold) | Harvest | 1C 198-63 410/11 | 1979 | |||
The Wall (2×LP, Album, Santa Maria, Second Sleeve) | Columbia | PC2 36183, 36183 | US | 1979 | |||
Recently Edited
|
The Wall (2×LP, Album, Gatefold) | Harvest | 7C 156-63410, 7C 156-63410/11 | Scandinavia | 1979 | ||
Recently Edited
|
The Wall (2×LP, Album, Reissue) | Columbia | XPC2 36183 | Canada | 1979 |
Recommendations
Reviews
-
Edited 3 months agoWaited years to find a good copy of The Wall at a decent price. Finally found this version at my local record store for $30 in perfect shape. Felt like a steal. It really does sound incredible! I can’t imagine this album sounding any better. Great overall mastering, just an awesome find.
-
Edited 4 months agoFinally broke down and purchased a near mint copy of this version at a local record fair. They wanted $60 and I tried to get him closer to $40. He wouldn’t budge past $55 but I had to fully inspect deadwax. I may have overpaid, but I’ve yet to see one in such great condition (at first doubted the claimed pressing until I inspected) for this pressing.
Holy Hannah is the quality of the pressing and sound amazing! Even if I overpaid I absolutely don’t regret the purchase. The 2016 repress I have doesn’t compare and that gets great reviews.
If you find a version near VG+ this is absolutely the pressing to get… no questions asked. -
Yup, everyone already said it. This is the definitive edition of one of the greatest albums of all time. Even on lower end players (definitely not recommended, as you rob yourself of the full scope of this album) it still sounds incredible. Insane dynamics, loud as hell (in the good way) and you can hear distinctly every instrument, singer, etc. on the album.
Highly highly recommend this pressing of this album.
Fun fact: This record was pressed in Pitman, traveled across the country, and ended up back in Pitman :) -
Picked up my copy yesterday at the Austin Record Show. My version has the gold stamped promo, sticker and timing stamp. Record is near mint and was the pick up of the year for me.
-
I was another buyer of the 2016 Grundman re-press, which has it's merits, but this one sounds way, way better. Really happy I found it in good condition.
-
-
-
Edited 2 years agoReceived this as a hand-me-down from a close family friend and boy did I luck out. A "VG+" copy that is beautiful sounding and looking, echoing everything others have said. Just a masterful copy and one of the greatest records in my collection, if not *the* greatest.
-
Agree with others here. This pressing is absolutely incredible. The bass and drums are punchy and the soundstage is highly multidimensional. Just turn the lights out and let this thing play loudly - it's the way this album was meant to heard.
-
This is one of my favorite records. This was ed down by my older brother. I consider this one of the best sounding records I own. Fantastic mix and master. Bass is fantastic. Big, warm, and round. Going to spin this right now.
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
89 copies from $15.00