Academy Of St. Martin-In-the-Fields* – Amadeus (Original Soundtrack Recording)
Label: |
Fantasy – WAM-1791 |
|---|---|
Format: |
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Country: |
US |
Released: |
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Genre: |
Stage & Screen |
Style: |
Soundtrack |
Tracklist
| A1 | Symphony No. 25 In G Minor (K. 183; 1st Movement) | 7:46 | |
| A2 | Stabat Mater (Quando Corpus Morietur And Amen) | 4:13 | |
| A3 | Bubak And Hungaricus | 1:17 | |
| A4 | Serenade For Winds (K. 361; 3rd Movement) | 6:09 | |
| A5 | The Abduction From The Seraglio (Turkish Finale) | 1:23 | |
| A6 | Symphony No.29 In A (K. 201; 1st Movement) | 5:39 | |
| B1 | Concerto For Two Pianos (K. 365; 3rd Movement) | 7:11 | |
| B2 | Mass In C Minor (K. 427, Kyrie) | 6:27 | |
| B3 | Symphonie Concertante (K. 364; 1st Movement) | 13:31 | |
| C1 | Piano Concerto In E Flat (K. 482; 3rd Movement) | 11:04 | |
| C2 | The Marriage Of Figaro (Act III, Ecco La Marcia) | 2:26 | |
| C3 | The Marriage Of Figaro (Act IV, Ah Tutti Contenti) | 2:33 | |
| C4 | Don Giovanni (Act II, Commendatore Scene) | 6:57 | |
| D1 | Zaide (Aria, Ruhe Sanft) | 6:23 | |
| D2 | Requiem (K. 626); Introitus | 0:58 | |
| D3 | Requiem (K. 626); Dies Irae | 1:51 | |
| D4 | Requiem (K. 626); Rex Tremendae Majestatis | 2:03 | |
| D5 | Requiem (K. 626); Confutatis | 2:17 | |
| D6 | Requiem (K. 626); Lacrymosa | 3:44 | |
| D7 | Piano Concerto In D Minor (K. 466; 2nd Movement) | 9:51 |
Companies, etc.
- Recorded At – EMI Studios
- Mixed At – Fantasy Studios
- Mastered At – Fantasy Studios
- Distributed By – Fantasy, Inc.
- Phonographic Copyright ℗ – The Saul Zaentz Company
- Copyright © – The Saul Zaentz Company
Credits
- Composed By – Wolfgang Amadeus Mozart (tracks: A1, A4 to D7)
- Composed By [Early 18th Century Gypsy Music] – Traditional (tracks: A3)
- Conductor – Neville Marriner*
- Engineer [Album] – Danny Kopelson
- Engineer [Session] – Eric Tomlinson
- Mastered By – George Horn
- Orchestra – Academy Of St. Martin-In-the-Fields*
- Producer [Album] – John Strauss
- Producer [Session] – Erik Smith
- Remix – Todd Boekelheide
- Technician – John Meyer
Notes
A3 - Played on instruments of the period.
Runouts are etched, except for last "D" in side A of variant 3.
Runouts are etched, except for last "D" in side A of variant 3.
Barcode and Other Identifiers
- Barcode (Text): 0 2521-81791-1
- Matrix / Runout (Side A, var. 1): A WAM 1791 A11RE1 C5 G1
- Matrix / Runout (Side B, var. 1): A WAM 1791 B12 RE1 S -1 SLM∆7803-X A6
- Matrix / Runout (Side C, var. 1): A WAM 1791 C12XRE1S 1-2 SLM∆7864 A 3
- Matrix / Runout (Side D, var. 1): A WAM 1791 D12 RE1 S 1-1 SLM∆7864-X A1
- Matrix / Runout (Side A, var. 2): P B A WAM 1791 A6 RE1-9X SLM ∆7863 1-2
- Matrix / Runout (Side B, var. 2): WAM 1791 B6 RE1SX SLM ∆7863-X 1-
- Matrix / Runout (Side C, var. 2): A WAM 1791 C1 RE1 S 1-2 B SLM∆7864
- Matrix / Runout (Side D, var. 2): WAM 1791 D3 RE1 A16 G
- Matrix / Runout (Side A, var. 3): W WAM 1791 A7 RE 1 G D
- Matrix / Runout (Side B, var. 3): WAM 1791 B6 RE1 S X SLM ∆7863-X 1-A6
- Matrix / Runout (Side C, var. 3): A WAM 1791 C7 RE1 S 1-2 B 5 SLM∆7864
- Matrix / Runout (Side D, var. 3): WAM 1791 D3 RE1 A5 G1
- Matrix / Runout (Side A, var. 4): M WAM 1791 A7 RE1 D G1
- Matrix / Runout (Side B, var. 4): A WAM 1791 B8 RE1 A3 CG1
- Matrix / Runout (Side C, var. 4): A WAM 1791 C7RE1S 1-2 B9 SLM∆7864
- Matrix / Runout (Side D, var. 4): A WAM 1791 D7 RE1 MG1 A5
- Matrix / Runout (Side A, var. 5): P C A WAM 1791 A6 RE1-SX SLM ∆7863 1-2
- Matrix / Runout (Side B, var. 5): M WAM 1791 B4 RE1 C 5 G1
- Matrix / Runout (Side C, var. 5): M WAM 1791 C6 RE1 C 12 G1
- Matrix / Runout (Side D, var. 5): WAM 1791 D3 RE1 D1 G1
- Matrix / Runout (Side A, var. 6): A WAM 1791 A12 xxRE1 S SLM ∆ 7863 1-1
- Matrix / Runout (Side B, var. 6): A WAM 1791 B11 RE1 S A1 SLM ∆ 7863-X 1-1
- Matrix / Runout (Side C, var. 6): A WAM 1791 C12 RE1 S A1 SLM ∆ 7864 1-1
- Matrix / Runout (Side D, var. 6): A WAM 1791 D9 RE1 S SLM ∆ 7864-X 1-1 A5
Other Versions (5 of 104)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Amadeus (Original Soundtrack Recording) (2×LP, Album) | Metronome | 825 126-1 ME | 1984 | |||
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Recently Edited
|
Amadeus (Bande Originale Du Film) (2×LP, Compilation, Gatefold) | Carrere | 66.197/198 | 1984 | |||
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Recently Edited
|
Amadeus (Original Soundtrack Recording) (2×LP, Album, Gatefold) | Fantasy | WAM-1791 | Scandinavia | 1984 | ||
|
New Submission
|
Amadeus (Original Soundtrack Recording) (2×LP, Album, Gatefold) | A&M Records | SP 91001 | Canada | 1984 | ||
|
New Submission
|
Amadeus (Original Soundtrack Recording) (2×LP) | London Records | LONDP 6, 825 126-1 | UK | 1984 |
Recommendations
Reviews
-
Edited 11 months agoI have this SLM pressing and it sounds outstanding.
In the auditorium. Sounds fantastic! Great movie too -
Edited 2 years agoIf you loved the movie Amadeus, you will want to have this soundtrack. Otherwise, if you are a classical music fan but not a full-fledged Mozartophile, this is a nice broad sampler of some of his works. And, if you are NEITHER, but in your 20s and some of these pieces sound vaguely familiar, it is quite possible your parents used to put you in your crib with a 'Baby Mozart' video on repeat.
Sir Neville Mariner and The Academy of St Martin-in-the-Fields have hit a home run here, with several brilliant performances, stunningly executed and recorded.
Now run out and find Vol 2 with excerpts from The Magic Flute.
Good pressing. Recommended.
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