Various – Blue Break Beats Volume Three
Label: |
Blue Note – B1 54360 |
|---|---|
Series: |
The Blue Series (2) |
Format: |
|
Country: |
UK & Europe |
Released: |
|
Genre: |
Funk / Soul |
Style: |
Funk |
Tracklist
| A1 | Cannonball Adderley– | Walk Tall |
| A2 | Lou Rawls– | You've Made Me So Very Happy |
| A3 | Lou Donaldson– | Ode To Billy Joe |
| A4 | Reuben Wilson– | Sho' Nuff Mellow |
| A5 | Jeremy Steig– | Howling For Judy |
| B1 | Shirley Bassey– | Light My Fire |
| B2 | Lou Donaldson– | It's Your Thing |
| B3 | The Three Sounds– | Put On Train |
| B4 | Blue Mitchell– | Flat Backing |
| B5 | Grant Green– | Down Here On The Ground |
| C1 | Gene Harris– | Don't Call Me Nigger Whitey |
| C2 | Bobbi Humphrey– | Blacks And Blues |
| C3 | Donald Byrd– | Dominoes |
| C4 | Ronnie Foster– | Mystic Brew |
| D1 | Thad Jones & The Mel Lewis Orchestra*– | Get Out Of My Life Woman |
| D2 | Bobby Hutcherson– | Going Down South |
| D3 | Duke Pearson– | Ground Hog |
| D4 | Jackie McLean– | Soul |
Companies, etc.
- Phonographic Copyright ℗ – EMI Records Ltd.
- Copyright © – EMI Records Ltd.
- Pressed By – EMI Records
- Manufactured By – EMI
- Distributed By – EMI
Credits
- Compiled By – Tony Harlow
- Coordinator [Series] – Wendy Furness
- Design [Cover], Illustration – Graham Marsh (2)
- Sleeve Notes – Tony Harlow
Notes
You Gotta Hear Blue Note to Dig Def Jam!!!
A1 ℗ 1970, from "The Cannonball Adderley Quintet - Country Preacher" Capitol SKAO 404
A2 ℗ 1969, from "Lou Rawls - You've Made Me So Very Happy" Capitol ST 427
A3 ℗ 1968, from "Lou Donaldson - Mr. Shing-A-Ling"
A4 ℗ 1971, from "Reuben Wilson - Set Us Free" BST 84377
A5 ℗ 1967, from "Jeremy Steig - Legwork" Solid State
B1 ℗ 1970, from "Shirley Bassey - Something" UAS 29100
B2 ℗1969, from "Lou Donaldson - Hot Dog" BST 84318
B3 ℗1971, from "Gene Harris, The Three Sounds - Gene Harris The 3 Sounds" BST 84378
B4 ℗1969, from "Blue Mitchell - Bantu Village" BST 84324
B5 ℗1970, from "Grant Green - Alive!" BLP 84360
C1 ℗ 1974, from "Gene Harris - Astralsignal" BNLA 313G
C2 ℗1973, from "Bobbi Humphrey - Blacks And Blues" BNLA 142G
C3 ℗1976, from "Donald Byrd - Places And Spaces" BNLA 549G
C4 ℗1972, from "Ronnie Foster - Two Headed Freap" BST 84382
D1 ℗1966, from "Joe Williams And Thad Jones & Mel Lewis, The Jazz Orchestra - Presenting Joe Williams And Thad Jones • Mel Lewis, The Jazz Orchestra" CDP 8304542
D2 ℗1971, from "Bobby Hutcherson Featuring Harold Land - San Francisco" BST 84362
D3 ℗1968, from "Duke Pearson's Big Band - Introducing Duke Pearson's Big Band" BST 84267
D4 ℗1968, from "Jackie McLean - 'Bout Soul" BST 84284
Track title A3 also known as “Ode To Billie Joe”.
Track title A4 misspelled as “Sho’ Nuff Melon”.
Track title C3 also known as “(Fallin’ Like) Dominoes”.
This compilation is dedicated to the memory of Marts Andrups [1965-1995] without whom Break Beats would not have existed.
℗ 1996 The copyright in this compilation is owned by EMI Records Ltd. © 1996 EMI Records Ltd.
Printed in UK
Made in UK.
A1 ℗ 1970, from "The Cannonball Adderley Quintet - Country Preacher" Capitol SKAO 404
A2 ℗ 1969, from "Lou Rawls - You've Made Me So Very Happy" Capitol ST 427
A3 ℗ 1968, from "Lou Donaldson - Mr. Shing-A-Ling"
A4 ℗ 1971, from "Reuben Wilson - Set Us Free" BST 84377
A5 ℗ 1967, from "Jeremy Steig - Legwork" Solid State
B1 ℗ 1970, from "Shirley Bassey - Something" UAS 29100
B2 ℗1969, from "Lou Donaldson - Hot Dog" BST 84318
B3 ℗1971, from "Gene Harris, The Three Sounds - Gene Harris The 3 Sounds" BST 84378
B4 ℗1969, from "Blue Mitchell - Bantu Village" BST 84324
B5 ℗1970, from "Grant Green - Alive!" BLP 84360
C1 ℗ 1974, from "Gene Harris - Astralsignal" BNLA 313G
C2 ℗1973, from "Bobbi Humphrey - Blacks And Blues" BNLA 142G
C3 ℗1976, from "Donald Byrd - Places And Spaces" BNLA 549G
C4 ℗1972, from "Ronnie Foster - Two Headed Freap" BST 84382
D1 ℗1966, from "Joe Williams And Thad Jones & Mel Lewis, The Jazz Orchestra - Presenting Joe Williams And Thad Jones • Mel Lewis, The Jazz Orchestra" CDP 8304542
D2 ℗1971, from "Bobby Hutcherson Featuring Harold Land - San Francisco" BST 84362
D3 ℗1968, from "Duke Pearson's Big Band - Introducing Duke Pearson's Big Band" BST 84267
D4 ℗1968, from "Jackie McLean - 'Bout Soul" BST 84284
Track title A3 also known as “Ode To Billie Joe”.
Track title A4 misspelled as “Sho’ Nuff Melon”.
Track title C3 also known as “(Fallin’ Like) Dominoes”.
This compilation is dedicated to the memory of Marts Andrups [1965-1995] without whom Break Beats would not have existed.
℗ 1996 The copyright in this compilation is owned by EMI Records Ltd. © 1996 EMI Records Ltd.
Printed in UK
Made in UK.
Barcode and Other Identifiers
- Barcode (Text): 7 24385 43601 7
- Barcode (Scanned): 0724385436017
- Label Code: LC0148
- Price Code (I): none
- Price Code (F): PM
- Other (catalog# UK): B1 54360
- Matrix / Runout (Label A&B): 7243 8 54361 1 6
- Matrix / Runout (Label C&B): 7243 8 54362 1 5
- Matrix / Runout (Label A): B1 54360 1A
- Matrix / Runout (Label B): B1 54360 1B
- Matrix / Runout (Label C): B1 54360 2A
- Matrix / Runout (Label D): B1 54360 2B
- Matrix / Runout (Runout A, stamped): B1 543601 A-1-1-1 D
- Matrix / Runout (Runout B, stamped): B1 543601 B-1-1-1 D
- Matrix / Runout (Runout C, stamped): B1 543602 A-1-1-1 D
- Matrix / Runout (Runout D, stamped): B1 543602 B-1-1-1 D
Other Versions (5 of 9)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Needs Changes
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Blue Break Beats Volume Three (CD, Compilation, Stereo, EMI Uden Pressing) | Blue Note | 7243 8 54360 2 4, CDP 8543602 | UK & Europe | 1996 | ||
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New Submission
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Blue Break Beats Volume 3 (CD, Compilation) | Blue Note | 7243 8 54360 2 4 | US | 1997 | ||
|
Recently Edited
|
Blue Break Beats Volume Three (2×LP, Compilation) | Blue Note | 7243 8 54360 1 7 | US | 1997 | ||
|
New Submission
|
Blue Break Beats Volume Three (CD, Compilation, Reissue) | Blue Note | TOCJ-6269 | Japan | 1998 | ||
|
New Submission
|
Blue Break Beats Volume Three (CD, Compilation, Reissue, Stereo) | Blue Note | TYCJ-60045 | Japan | 2014 |
Recommendations
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1997 UKVinyl —LP, Compilation -
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2000 UKVinyl —LP, Compilation -
Reviews
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Edited 12 months agoAnd this is where it all falls apart unfortunately.
You think you'r on to a winner with that early Lou Donaldson breakbeat.
Then you get slapped in the face by a few medicore filler tracks, and then...
Shirley Bassey - Light My Fire
Shirley Bassey - Light My bluddie Fire
If your going to sample Shirley Bassey - Light My god dam Fire, no offence, but you mite aswell just purchase dollar bin compilations, and there's nothing wrong with that, but this is supposed to be a product god dam it!
And then they go and slap Shirley Bassey - Light My effing Fire on the "best of" compilation aswell, sorry but get the hell out of here!
There's a few gems sprinkled sparingly here an there, far less than the previous two volumes.
This could of been 1 LP rather than 2.
At this point in the series you become struck by the harsh reality that the catalogue is wearing thin. An empty void engulfs you, as you precariously linger around you stylus for ever growing longer periods of time before being finally blessed with diminishing amounts sample based goodness.
It's a bit like that girl you dated from Peckham ten years ago, back then she was absolute flames, but now she's a bit worse for wear, I mean you still would, but it's just not the product it once was.
Whether or not its worth it is your personal call, but the legendary Blue Break Beats Volume One, or even the still respectful Volume two, this is not.
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