VariousBlue Break Beats Volume Two

Label:

Blue Note – 0777 7 89907 1 0

Series:

Blue Break Beats – VOLUME 2

Format:

2 x Vinyl , LP, Compilation, Stereo, Mono

Country:

UK & Europe

Released:

Genre:

Funk / Soul

Style:

Rhythm & Blues

Tracklist

A1 Donald Byrd Street Lady
Written-ByL. Mizell*
5:39
A2 Bobbi Humphrey Jasper Country Man
Written-ByL. Mizell*
5:16
A3 Eddie Henderson Kumquat Kids
Written-ByHenderson*
4:29
A4 Gene Harris Higga Boom
Written-ByH. Mason*
5:57
B1 Reuben Wilson Orange Peel
Written-ByR. Wilson*
6:35
B2 Jimmy McGriff The Worm
Written-BySheeus*
3:20
B3 Lou Donaldson The Caterpillar
Written-ByDonaldson*
6:50
B4 Lou Donaldson Pot Belly
Written-ByDonaldson*
8:05
C1 Grant Green Ain't It Funky Now
Written-ByBrown*
9:52
C2 Lonnie Smith Spinning Wheel
Written-ByD. C. Thomas*
7:30
C3 Bobby Hutcherson Ummh
Written-ByHutcherson*
7:48
D1 Blue Mitchell Good Humour Man
Written-ByMitchell*
5:40
D2 Donald Byrd Beale Street
Written-BySylvester Kyner
5:26
D3 Gerald Wilson Viva Tirado
Written-ByWilson*
5:44
D4 Duke Pearson The Phantom
Written-ByPearson*
10:18

Companies, etc.

  • Marketed ByEMI
  • Distributed ByEMI
  • Phonographic Copyright ℗Capitol Records, Inc.
  • Phonographic Copyright ℗Liberty Records (3)
  • Copyright ©EMI Records Ltd.
  • Manufactured ByEMI Records Ltd.

Credits

  • ArtworkP. Linard Marketing And Advertising Ltd.*
  • Compiled ByDean Rudland
  • Design [Cover]Graham Marsh (2)

Notes

Catalogue # "B1-89907" on labels, catalogue # "0777 7 89907 1 0" on spine.

"You Gotta Hear Blue Note To Dig Def Jam!!!"

Stereo except [B2] *Mono
(p) 1974 [A1, A2]
(p) 1975 [A3, A4]
(p) 1970 [B1, B4, C1, C2, C3]
(p) 1971 [B3]
(p) 1968 [D1]
(p) 1967 [D2]
(p) 1969 [D4]

The copyright in this sound recording is owned by Capitol Records, Inc. except [B2] Liberty Records, a division of Capitol Records Inc.
(c) 1993 The copyright in this compilation is owned by EMI Records Ltd.
(c) 1993 EMI Records Ltd.

Printed in U.K.
Place of manufacture as stated on label.
Marketed and distributed by EMI.

Manufactured in the UK by EMI Records Limited

Barcode and Other Identifiers

  • Barcode (Scanned): 077778990710
  • Barcode (Printed): 0 77778 99071 0
  • Other (F:): PM 520
  • Other (UK catalog#): B1 89907
  • Matrix / Runout (Label A): B1-89908 A
  • Matrix / Runout (Label B): B1-89908-B
  • Matrix / Runout (Label C): B1-89909 A
  • Matrix / Runout (Label D): B1-89909-B
  • Matrix / Runout (Runout A, stamped): B1-89908 A-01-1-1 D
  • Matrix / Runout (Runout B, stamped): B1-89908 B-01-1-1 D
  • Matrix / Runout (Runout C, stamped): B1-89909 A-01-1-1 D
  • Matrix / Runout (Runout D, stamped): B1-89909 B-01-1-1 D
  • Matrix / Runout (Runout A, stamped (Variant 2)): B1-89908 A-01-1-2 D

Other Versions (5 of 14)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Blue Break Beats Volume Two (2×LP, Compilation, Stereo, Mono) Blue Note 0777 7 89907 1 0 US 1993
Blue Break Beats Volume Two (CD, Compilation, Stereo, Mono) Blue Note 0777 7 89907 2 7, BNZ 311 Europe 1993
New Submission
Blue Break Beats Volume Two (CD, Compilation, Stereo, Mono) Blue Note TOCJ-5840 Japan 1993
New Submission
Blue Break Beats Volume Two (CD, Compilation) Blue Note CDP 0777 7 89907 2 7, 0777 7 89907 2 7 US 1993
Blue Break Beats Volume Two (CD, Compilation, Club Edition, Stereo, Mono) Blue Note CDP 589907 US 1993

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Reviews

  • Mr_Charles's avatar
    Mr_Charles
    Worth it for Worm break alone.

    To many samples to mention.

    One of the better sample focused compilations out there.

    The tracks themselves are better than you'd get on most "breaks" records, as in the musical compositions and recording quality as some known breaks are from novelty records and even random pop records with lower levels of overall musicianship than what's exhibited here.

    Sampling aside you can definitely kick back and enjoy this one.

    The press itself is OK, mine isn't a super quiet record but it's acceptable and the slight grit adds to the samples anyway. Overall acceptable.

    Some tracks would be better experienced in the context of there place within the album they were lifted from, but whoever compiled this tried their best, that's not picking really for a compilation though isn't it.

    Changes in volume track to track but I'd rather they be in their original form than messed with, they're all from different records so again that's just nit picking.

    Purchased to plunder for samples but ended up rather enjoying this one and soaked in all 4 sides of the 2 vinyl records to several cups of tea on rainy late Wednesday afternoon.

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