Keith Jarrett – The Köln Concert
Label: |
ECM Records – ECM 2-1064 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Post Bop |
Tracklist
| A | KÖLN, January 24, 1975 Part I | 26:15 | |
| B | KÖLN, January 24, 1975 Part II A | 15:00 | |
| C | KÖLN, January 24, 1975 Part II B | 19:19 | |
| D | KÖLN, January 24, 1975 Part II C | 6:59 |
Companies, etc.
- Produced For – ECM Records
- Distributed By – Warner Bros. Records Inc.
- Manufactured By – Warner Bros. Records Inc.
- Phonographic Copyright ℗ – ECM Records GmbH
- Copyright © – ECM Records GmbH
- Published By – Cavelight Music
- Recorded At – Oper Köln
- Pressed By – Wakefield Manufacturing – 34438
- Pressed By – Wakefield Manufacturing – 34439
- Lacquer Cut At – Wakefield Manufacturing
Credits
- Design [Cover Design] – B&B Wojirsch*
- Engineer – Martin Wieland
- Lacquer Cut By – JB*
- Photography By – Wolfgang Frankenstein
- Piano, Composed By – Keith Jarrett
- Producer – Manfred Eicher
Notes
Recorded live at the opera in Köln, , January 24, 1975.
(P)(C) 1975 ECM Records GmbH. Manufactured and distributed by Warner Bros. Records Inc. Printed in U.S.A.
Release is in a double album, Gatefold cover.
Reissue. Released sometime between 1978 and 1984 when WB had the US distribution rights and ECM used this label design.
Pressing by Wakefield Mfg. identified by the etched tulip in the runouts.
Runouts are etched except for the Wakefield Manufacturing Tulip symbol which is stamped
(P)(C) 1975 ECM Records GmbH. Manufactured and distributed by Warner Bros. Records Inc. Printed in U.S.A.
Release is in a double album, Gatefold cover.
Reissue. Released sometime between 1978 and 1984 when WB had the US distribution rights and ECM used this label design.
Pressing by Wakefield Mfg. identified by the etched tulip in the runouts.
Runouts are etched except for the Wakefield Manufacturing Tulip symbol which is stamped
Barcode and Other Identifiers
- Pressing Plant ID (Runouts etched): [tulip symbol]
- Rights Society: BMI / AMRA
- Matrix / Runout (Variant 1 A runout): #2 // [tulip symbol] 34438 // ECM-2-1064 A2 // [broken circle with triangular dot at top] GF
- Matrix / Runout (Variant 1 B runout): #2 // [tulip symbol] 34438 MO #5 // B / ECM-2-1064 B1
- Matrix / Runout (Variant 1 C runout): #8 // [tulip symbol] 34439 // B / ECM-2-1064 C1 MO #5
- Matrix / Runout (Variant 1 D runout): #8 // [tulip symbol] 34439 // MO #5 // B / ECM-2-1064 D1
- Matrix / Runout (Variant 2-A Runout): #8 [tulip symbol] 34438 ECM-2-1064 A2 Mo#7 [tulip symbol] GF
- Matrix / Runout (Variant 2-B Runout): #5 [tulip symbol] 34438 Mo#4 ECM-2-1064 B-3 AL
- Matrix / Runout (Variant 2-C Runout): #6 [tulip symbol] 34439 ECM-2-1064 C-2 AL
- Matrix / Runout (Variant 2-D Runout): # 2 [tulip symbol] 34439 ECM-2-1064 D-2 AL
- Matrix / Runout (Variant 3-A runout): ECM -2-1064-A9 JW 34438 [tulip symbol]
- Matrix / Runout (Variant 3-B runout): ECM -2-1064-B(6 strikethru)7 34438 P4 RS
- Matrix / Runout (Variant 3-C runout): ECM -2-1064-C6 [tulip symbol] 34439 RS
- Matrix / Runout (Variant 3-D runout): ECM -2-1064-D11 SM#1 34439 RS
Other Versions (5 of 150)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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The Köln Concert = ケルン・コンサート (2×LP, Album, Gatefold, Trio-Kenwood Corp.) | ECM Records | PA-6053~54 | Japan | 1975 | ||
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Recently Edited
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The Köln Concert (2×LP, Album, Stereo, Pitman Pressing) | ECM Records | ECM 1064/65 | US | 1975 | ||
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Recently Edited
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The Köln Concert (Cassette, Album, ) | ECM Records | ECM 2E5 1064 | US | 1975 | ||
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Recently Edited
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The Köln Concert (2×LP, Album) | ECM Records | ECM 1064/65 ST | 1975 | |||
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New Submission
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The Köln Concert (Cassette, Album, ) | ECM Records | ECM 2E5-1064 | US | 1975 |
Recommendations
Reviews
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The concert is an absolute knockout. Every minute is gorgeous, I loved it.
The pressing is clear, bright and like it was performed in the same room.
Near perfection. -
Edited 2 years agoI found this '78 pressing of this brilliant performance in near mint condition, for $5. It sounds wonderful. No complaints at all.
This is a highly developed stream of consciousness, spewing from a creative genius, interrupted only by three intermissions. If you are new to jazz, I would not start here. Or if you do pick this up, listen sparingly as you develop your critical ear. It will start to make sense.
For experienced jazz listeners, mix up your favorite drink, dab on your favorite Köln(see what I did there?), sit back, and expand your artistic brain.
Release
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Recently Edited
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