Miles Davis – Jack Johnson (Original Soundtrack Recording)
Tracklist
Right Off | 26:54 | ||
Yesternow | 25:36 |
Credits (11)
- Michael HendersonBass [Fender]
- Teo MaceroDirected By [Musical Director]
- Billy CobhamDrums
- John McLaughlinGuitar
- Herbie HancockKeyboards
- Miles DavisLiner Notes
Notes
Recording Period: Feb 1970 - Apr 1970
Billboard Jazz Albums Peak Position: 11
Miles Davis, Trumpet
Steve Grossman, Soprano Saxophone
John McLaughlin, Electric Guitar, Guitar
Herbie Hancock, Organ
Michael Henderson, Electric Bass
Billy Cobham, Drums
Teo Macero, Conductor
Brock Peters, Narration
Bennie Maupin, Bass Clarinet
Sonny Sharrock, Guitar
Chick Corea, Electric Piano
Dave Holland, Electric Bass
Jack DeJohnette, Drums
Stan Tonkel, Engineer
A Tribute to Jack Johnson is a studio album by American jazz musician Miles Davis, released February 24, 1971 on Columbia Records. It also serves as the soundtrack for a documentary by Bill Cayton about the heavyweight world champion boxer Jack Johnson.
The first major recording session for the album, which took place on April 7, 1970, was almost accidental: John McLaughlin, awaiting Miles's arrival, began improvising riffs on his guitar, and was shortly ed by Michael Henderson and Billy Cobham. Meanwhile, the producers brought in Herbie Hancock, who had been ing through the building on unrelated business, to play the Farfisa organ. Miles arrived at last and began his solo at about 2:19 on the first track.
The album's two long tracks were assembled in the editing room by producer Teo Macero. "Right Off" is constructed from several takes and a solo by Davis recorded in November 1969. It contains a riff from Sly and the Family Stone's "Sing a Simple Song". Much of the track "Yesternow" is built around a slightly modified version of the bassline from the James Brown song "Say It Loud - I'm Black and I'm Proud"; this may be a deliberate allusion to the song's Black Power theme as it relates to the film's subject. "Yesternow" also incorporates a brief excerpt of "Shhh/Peaceful" from Davis's 1969 album In a Silent Way and a 10-minute section comprising several takes of the tune "Willie Nelson" from a session on 18 February 1970.
Billboard Jazz Albums Peak Position: 11
Miles Davis, Trumpet
Steve Grossman, Soprano Saxophone
John McLaughlin, Electric Guitar, Guitar
Herbie Hancock, Organ
Michael Henderson, Electric Bass
Billy Cobham, Drums
Teo Macero, Conductor
Brock Peters, Narration
Bennie Maupin, Bass Clarinet
Sonny Sharrock, Guitar
Chick Corea, Electric Piano
Dave Holland, Electric Bass
Jack DeJohnette, Drums
Stan Tonkel, Engineer
A Tribute to Jack Johnson is a studio album by American jazz musician Miles Davis, released February 24, 1971 on Columbia Records. It also serves as the soundtrack for a documentary by Bill Cayton about the heavyweight world champion boxer Jack Johnson.
The first major recording session for the album, which took place on April 7, 1970, was almost accidental: John McLaughlin, awaiting Miles's arrival, began improvising riffs on his guitar, and was shortly ed by Michael Henderson and Billy Cobham. Meanwhile, the producers brought in Herbie Hancock, who had been ing through the building on unrelated business, to play the Farfisa organ. Miles arrived at last and began his solo at about 2:19 on the first track.
The album's two long tracks were assembled in the editing room by producer Teo Macero. "Right Off" is constructed from several takes and a solo by Davis recorded in November 1969. It contains a riff from Sly and the Family Stone's "Sing a Simple Song". Much of the track "Yesternow" is built around a slightly modified version of the bassline from the James Brown song "Say It Loud - I'm Black and I'm Proud"; this may be a deliberate allusion to the song's Black Power theme as it relates to the film's subject. "Yesternow" also incorporates a brief excerpt of "Shhh/Peaceful" from Davis's 1969 album In a Silent Way and a 10-minute section comprising several takes of the tune "Willie Nelson" from a session on 18 February 1970.
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Jack Johnson (Original Soundtrack Recording)
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Columbia Masterworks – S 30455 | US | 1971 | US — 1971 |
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CBS – S 30455 | UK | 1971 | UK — 1971 |
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Columbia – SR 30455 | US | 1971 | US — 1971 |
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CBS – S 30455 | Netherlands | 1971 | Netherlands — 1971 |
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Columbia – CR 30455 | US | 1971 | US — 1971 | ||||
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Jack Johnson (Original Soundtrack Recording)
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Columbia – 30455 | US | 1971 | US — 1971 |
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Columbia – KC 30455 | US | 1971 | US — 1971 |
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CBS – S 30455 | New Zealand | 1971 | New Zealand — 1971 |
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Jack Johnson (Colonna Sonora Originale Del Film)
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CBS – S 70089 | Italy | 1971 | Italy — 1971 |
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Columbia Masterworks – S 30455 | US | 1971 | US — 1971 |
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Jack Johnson (Original Soundtrack Recording)
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Columbia Masterworks – S 30455 | US | 1971 | US — 1971 |
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CBS/Sony – SOPN-99 | Japan | 1974 | Japan — 1974 |
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Jack Johnson (Colonna Sonora Originale Del Film)
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CBS – 70089 | Italy | 1976 | Italy — 1976 |
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Columbia – 30455 | US | 1977 | US — 1977 |
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Columbia – KC 30455 | Canada | 1977 | Canada — 1977 |
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A Tribute To Jack Johnson
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Columbia – 30455 | US | 1977 | US — 1977 |
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A Tribute To Jack Johnson
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Columbia – KC 30455 | Canada | 1978 | Canada — 1978 |
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CBS/Sony – 20AP 1405 | Japan | 1979 | Japan — 1979 | ||||
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CBS – CBS 70216 | Europe | 1982 | Europe — 1982 |
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CBS/Sony – 32DP 709 | Japan | 1987 | Japan — 1987 |
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CBS/Sony – CSCS 5153 | Japan | 1990 | Japan — 1990 |
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Legacy – 471003 2 | Europe | 1992 | Europe — 1992 |
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Legacy – CK 47036 | US | 1992 | US — 1992 |
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Legacy – CK 47036 | US | 1992 | US — 1992 |
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Legacy – CT 47036 | US | 1992 | US — 1992 |
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Legacy – WCT 47036 | Canada | 1992 | Canada — 1992 |
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Recommendations
Reviews
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This is vinyl perfection.
I dropped the needle on this 2020 reissue of Miles Davis – A Tribute To Jack Johnson and my jaw hit the floor. Dead silent background, absolutely no pops, no crackle — just pure, clean sound. And when the music kicks in? It’s punchy, rich, and full of life.
The bass is deep and tight, Miles’ trumpet cuts through like a razor, and every detail is crystal clear. You can feel the dynamics, the space, the groove — it’s all there. This isn’t just a reissue; it’s a masterclass in how a vinyl should sound.
If you’re into jazz or fusion, this one is a must-have. Totally worth it. -
The sound on this LP is great, however there is crackling in spots and even a loud pop in the first couple minutes of side 2.
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What can I say? Sounds absolutely brilliant. Everything you’d expect from a vintage full analog pressed record. Exceptional clarity and very dynamic.
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File Name | Format | SR | Word Length | Max. TPL | LUFSi | DR (PMF) |
01-01 Right Off | .aiff | 44.1k | 16 | +0.41 | -14.39 | 12 |
01-02 Yesternow | .aiff | 44.1k | 16 | +0.01 | -16.67 | 13 |
Number of EP/Album Files: 2
Official EP/Album DR: 12 -
File Name | Format | SR | Word Length | Max. TPL | LUFSi | DR (PMF) |
01-01 Right Off | .aiff | 44.1k | 16 | -0.29 | -14.23 | 11 |
01-02 Yesternow | .aiff | 44.1k | 16 | -0.19 | -15.62 | 12 |
Number of EP/Album Files: 2
Official EP/Album DR: 12 -
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This sounds incredible. Especially for the price. It’s hard to imagine the mofi copy being much better.
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