LoveForever Changes

Label:

Mobile Fidelity Sound Lab – MFSL 2-402

Series:

Original Master Recording

Format:

2 x Vinyl , 12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition, Stereo , 180g, Gatefold

Country:

US

Released:

Genre:

Folk, World, & Country

Style:

Folk Rock

Tracklist

A1 Alone Again Or
VocalsBryan Maclean
Written-ByMaclean*
A2 A House Is Not A Motel
A3 Andmoreagain
B1 The Daily Planet
B2 Old Man
VocalsBryan Maclean
Written-ByMaclean*
B3 The Red Telephone
C1 Maybe The People Would Be The Times Or Between Clark And Hilldale
C2 Live And Let Live
C3 The Good Humor Man He Sees Everything Like This
D1 Bummer In The Summer
D2 You Set The Scene

Companies, etc.

  • Phonographic Copyright ℗Elektra Entertainment Group
  • Published ByTrio Music Company
  • Published ByGrass Roots Productions
  • Published ByBMG Rights Management (US) LLC
  • Published ByBreadcrust Music
  • Published ByThree Wise Boys Music
  • Licensed FromElektra Entertainment Group
  • Manufactured ByRhino Entertainment Company
  • Distributed ByMobile Fidelity Sound Lab
  • Mastered AtMobile Fidelity Sound Lab
  • Lacquer Cut AtMobile Fidelity Sound Lab
  • Pressed ByRecord Technology Incorporated – 26101

Credits

  • Arranged ByDavid Angel (3) (tracks: A1, B2)
  • Artwork [Front Cover Art]Bob Pepper
  • BassKen Forssi
  • Design [Cover]William S. Harvey
  • GuitarJohn Echols
  • Guitar, VocalsBryan Maclean
  • Guitar, Vocals, Written-ByArthur Lee
  • Lacquer Cut ByKW*
  • Mastered ByKrieg Wunderlich
  • Mastered By [Assisted By]Rob LoVerde
  • Orchestrated ByDavid Angel (3) (tracks: A2, A3, B1, B3, C1 to D2)
  • PercussionMichael Stuart*
  • Photography By [Inside Photo]Ronnie Haran
  • ProducerBruce Botnick
  • Supervised By [Production Supervisor]Jac Holzman

Notes

℗ 1967 & 2016 Elektra Entertainment Group

Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl
Special Static Free - Dust Free Inner Sleeve
Heavy Duty Protective Packaging
Mastered From The Original Master Tapes
1/4" / 15 IPS analog master to DSD 256
Misprint On Backcover: Bryan Maclean´s Songwriting And Vocal-Credits For A1 "Alone Again Or" Were Mistakenly Attributed To A2 "A House Is Not A Motel", Which Was Written And Sung By Arthur Lee.

Barcode and Other Identifiers

  • Barcode (Text): 8 21797 24021 5
  • Barcode (Scanned): 821797240215
  • Matrix / Runout (Runout, Etched Side A): MFSL 2-402 A1 KW@MoFi 26101.1(3)...
  • Matrix / Runout (Runout, Etched Side B): MFSL 2-402 B1 KW@MoFi 26101.2(3)...
  • Matrix / Runout (Runout, Etched Side C): MFSL2-402C1 KW@MoFi 26101.3(3)...
  • Matrix / Runout (Runout, Etched Side D): MFSL 2-402 D1 KW@MoFi 26101.4(3)...

Other Versions (5 of 169)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Forever Changes (LP, Album, Stereo, Allentown Pressing) Elektra EKS-74013 US 1967
New Submission
Forever Changes (LP, Album) Elektra EKS 74013 Canada 1967
Recently Edited
Forever Changes (LP, Album, Stereo, Monarch Pressing) Elektra EKS 74013 US 1967
Recently Edited
Forever Changes (LP, Album, Mono, Allentown Pressing) Elektra EKL-4013 US 1967
New Submission
Forever Changes (LP, Album, Stereo) Elektra EKS-74013 New Zealand 1967

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Reviews

  • PixelMaker1's avatar
    PixelMaker1
    This does sound great, and this might be the best I've heard Alone Again Or, but overall I think the Bellman cut is a bit better and realistic. The MOFI rounds some of the album's edges off, and sometimes that's nice. Personally I think some of the strings are a bit sharp at times, as noticeable on the Bellman. But the MOFI rounds it a bit too much, especially with it's added low-mids that make it a bit muddy sounding. I do like how the MOFI has a slightly narrower soundstage compared to the Bellman, which makes some of that very hard panning a bit easier to hear. This is seen most on the previously mentioned Alone Again Or, where the intro panned guitar sounds more discernable near the beginning on the MOFI. But the panning is often very similar. Although Bellman's cut retains that edge while adding more low-end that doesn't go too far, and has more air overall. The strings really shine in comparison. Personally I hope that there's a pressing sometime in the future that meets in the middle as the Bellman still is a little bit too edgy but I bet that's just me or my system. Not a huge difference, but if you don't own the Bellman I really recommend picking it up. Plus it's a 33!
    • Nosdam's avatar
      Nosdam
      AMAZING!!! forget convenience, the horns on Alone Again Or will cut your fckin head off
      • dragmity's avatar
        dragmity
        The latest repress should be a separate release due to differences in back cover.
        • Sergekdesign's avatar
          Sergekdesign
          Best sounding version of this album! 45 rpm gives so much bigger space and soundstage than regular edition, and MOFI mastering gives such a different listening experience.
          • ptfm15's avatar
            ptfm15
            I don't think this is the best 'modern' pressing, the 45th to my ear sounds marginally better and also costs less and more convenient.
            • AndrewMontreal's avatar
              AndrewMontreal
              Listened to the Mofi version for the first time tonight… my first Mofi experience. I am in awe. Stunning. Silent. Majestic. Spacious. Lush. I’m in love.
              • Donelaitis's avatar
                Donelaitis
                Edited 2 years ago
                Does anyone have a spare disc 2 they’re willing to part with? Just realized that my copy has two disc 1s. SMH. Please message me if you do.
                • Andrewslattery's avatar
                  Andrewslattery
                  Managed to snag a copy for. Music direct after being on back order for ages. This is easily one of the best sounding records I've ever heard. Tunes, silent vinyl, massive trippy soundstage, clarity. Absolutely perfect. 10/10. Easily one of the best Mofi albums I own. Maybe the people is just WOW!
                  • Nyjeffy1967's avatar
                    Nyjeffy1967
                    At the end of The Good Humor Man there is a digital malfunction. The music stops and sort of skips it's weird. Other than that the album is flawless.this proves that it's digitally sourced. As long as it sounds good it doesn't matter to me but at these prices there should be no slip ups
                    • mmh175's avatar
                      mmh175
                      My take is that both the Rhino and this Mofi pressing are great in their own way. Depends on tastes I guess. The mofi definitely has more low end and just a larger, more separated sound stage. It sounds like every bit of sonics have been gleaned from the tapes, er, I mean DSD. The Rhino is AAA, and seems a bit more accurate to the original (though I can't prove that w/o an original myself; just sounds more "60's"). So I suppose if you are looking for the ultimate in audiophile quality, go for the mofi, otherwise I think the Rhino is probably a bit more true ti the era... Just my 2 cents.

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