Love – Forever Changes
Label: |
Mobile Fidelity Sound Lab – MFSL 2-402 |
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Series: |
Original Master Recording |
Format: |
2 x
Vinyl
, 12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered, Special Edition, Stereo
, 180g, Gatefold
|
Country: |
US |
Released: |
|
Genre: |
Folk, World, & Country |
Style: |
Folk Rock |
Tracklist
A1 | Alone Again Or | |
A2 | A House Is Not A Motel | |
A3 | Andmoreagain | |
B1 | The Daily Planet | |
B2 | Old Man | |
B3 | The Red Telephone | |
C1 | Maybe The People Would Be The Times Or Between Clark And Hilldale | |
C2 | Live And Let Live | |
C3 | The Good Humor Man He Sees Everything Like This | |
D1 | Bummer In The Summer | |
D2 | You Set The Scene |
Companies, etc.
- Phonographic Copyright ℗ – Elektra Entertainment Group
- Published By – Trio Music Company
- Published By – Grass Roots Productions
- Published By – BMG Rights Management (US) LLC
- Published By – Breadcrust Music
- Published By – Three Wise Boys Music
- Licensed From – Elektra Entertainment Group
- Manufactured By – Rhino Entertainment Company
- Distributed By – Mobile Fidelity Sound Lab
- Mastered At – Mobile Fidelity Sound Lab
- Lacquer Cut At – Mobile Fidelity Sound Lab
- Pressed By – Record Technology Incorporated – 26101
Credits
- Arranged By – David Angel (3) (tracks: A1, B2)
- Artwork [Front Cover Art] – Bob Pepper
- Bass – Ken Forssi
- Design [Cover] – William S. Harvey
- Guitar – John Echols
- Guitar, Vocals – Bryan Maclean
- Guitar, Vocals, Written-By – Arthur Lee
- Lacquer Cut By – KW*
- Mastered By – Krieg Wunderlich
- Mastered By [Assisted By] – Rob LoVerde
- Orchestrated By – David Angel (3) (tracks: A2, A3, B1, B3, C1 to D2)
- Percussion – Michael Stuart*
- Photography By [Inside Photo] – Ronnie Haran
- Producer – Bruce Botnick
- Supervised By [Production Supervisor] – Jac Holzman
Notes
℗ 1967 & 2016 Elektra Entertainment Group
Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl
Special Static Free - Dust Free Inner Sleeve
Heavy Duty Protective Packaging
Mastered From The Original Master Tapes
1/4" / 15 IPS analog master to DSD 256
Misprint On Backcover: Bryan Maclean´s Songwriting And Vocal-Credits For A1 "Alone Again Or" Were Mistakenly Attributed To A2 "A House Is Not A Motel", Which Was Written And Sung By Arthur Lee.
Production and Mastering by Mobile Fidelity Sound Lab
Specially Plated and Pressed on 180 grams of High Definition Vinyl
Special Static Free - Dust Free Inner Sleeve
Heavy Duty Protective Packaging
Mastered From The Original Master Tapes
1/4" / 15 IPS analog master to DSD 256
Misprint On Backcover: Bryan Maclean´s Songwriting And Vocal-Credits For A1 "Alone Again Or" Were Mistakenly Attributed To A2 "A House Is Not A Motel", Which Was Written And Sung By Arthur Lee.
Barcode and Other Identifiers
- Barcode (Text): 8 21797 24021 5
- Barcode (Scanned): 821797240215
- Matrix / Runout (Runout, Etched Side A): MFSL 2-402 A1 KW@MoFi 26101.1(3)...
- Matrix / Runout (Runout, Etched Side B): MFSL 2-402 B1 KW@MoFi 26101.2(3)...
- Matrix / Runout (Runout, Etched Side C): MFSL2-402C1 KW@MoFi 26101.3(3)...
- Matrix / Runout (Runout, Etched Side D): MFSL 2-402 D1 KW@MoFi 26101.4(3)...
Other Versions (5 of 169)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
|
Forever Changes (LP, Album, Stereo, Allentown Pressing) | Elektra | EKS-74013 | US | 1967 | ||
New Submission
|
Forever Changes (LP, Album) | Elektra | EKS 74013 | Canada | 1967 | ||
Recently Edited
|
Forever Changes (LP, Album, Stereo, Monarch Pressing) | Elektra | EKS 74013 | US | 1967 | ||
Recently Edited
|
Forever Changes (LP, Album, Mono, Allentown Pressing) | Elektra | EKL-4013 | US | 1967 | ||
New Submission
|
Forever Changes (LP, Album, Stereo) | Elektra | EKS-74013 | New Zealand | 1967 |
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-
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-
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Reviews
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This does sound great, and this might be the best I've heard Alone Again Or, but overall I think the Bellman cut is a bit better and realistic. The MOFI rounds some of the album's edges off, and sometimes that's nice. Personally I think some of the strings are a bit sharp at times, as noticeable on the Bellman. But the MOFI rounds it a bit too much, especially with it's added low-mids that make it a bit muddy sounding. I do like how the MOFI has a slightly narrower soundstage compared to the Bellman, which makes some of that very hard panning a bit easier to hear. This is seen most on the previously mentioned Alone Again Or, where the intro panned guitar sounds more discernable near the beginning on the MOFI. But the panning is often very similar. Although Bellman's cut retains that edge while adding more low-end that doesn't go too far, and has more air overall. The strings really shine in comparison. Personally I hope that there's a pressing sometime in the future that meets in the middle as the Bellman still is a little bit too edgy but I bet that's just me or my system. Not a huge difference, but if you don't own the Bellman I really recommend picking it up. Plus it's a 33!
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Best sounding version of this album! 45 rpm gives so much bigger space and soundstage than regular edition, and MOFI mastering gives such a different listening experience.
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I don't think this is the best 'modern' pressing, the 45th to my ear sounds marginally better and also costs less and more convenient.
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Listened to the Mofi version for the first time tonight… my first Mofi experience. I am in awe. Stunning. Silent. Majestic. Spacious. Lush. I’m in love.
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Edited 2 years agoDoes anyone have a spare disc 2 they’re willing to part with? Just realized that my copy has two disc 1s. SMH. Please message me if you do.
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Managed to snag a copy for. Music direct after being on back order for ages. This is easily one of the best sounding records I've ever heard. Tunes, silent vinyl, massive trippy soundstage, clarity. Absolutely perfect. 10/10. Easily one of the best Mofi albums I own. Maybe the people is just WOW!
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At the end of The Good Humor Man there is a digital malfunction. The music stops and sort of skips it's weird. Other than that the album is flawless.this proves that it's digitally sourced. As long as it sounds good it doesn't matter to me but at these prices there should be no slip ups
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My take is that both the Rhino and this Mofi pressing are great in their own way. Depends on tastes I guess. The mofi definitely has more low end and just a larger, more separated sound stage. It sounds like every bit of sonics have been gleaned from the tapes, er, I mean DSD. The Rhino is AAA, and seems a bit more accurate to the original (though I can't prove that w/o an original myself; just sounds more "60's"). So I suppose if you are looking for the ultimate in audiophile quality, go for the mofi, otherwise I think the Rhino is probably a bit more true ti the era... Just my 2 cents.
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