Tracklist
A1 | Alone Again Or | 3:15 | |
A2 | A House Is Not A Motel | 3:25 | |
A3 | Andmoreagain | 3:15 | |
A4 | The Daily Planet | 3:25 | |
A5 | Old Man | 2:57 | |
A6 | The Red Telephone | 4:45 | |
B1 | Maybe The People Would Be The Times Or Between Clark And Hilldale | 3:30 | |
B2 | Live And Let Live | 5:24 | |
B3 | The Good Humor Man He Sees Everything Like This | 3:00 | |
B4 | Bummer In The Summer | 2:20 | |
B5 | You Set The Scene | 6:49 |
Companies, etc.
- Pressed By – Allentown Record Co. Inc.
- Published By – Grass Roots Music
- Published By – Maclean-Breadcrust
Credits
- Arranged By – David Angel (3) (tracks: A1, A5)
- Artwork [Front Cover Art] – Bob Pepper
- Bass – Ken Forssi
- Design [Cover] – William S. Harvey
- Guitar – John Echols
- Guitar, Vocals – Bryan Maclean
- Lacquer Cut By – REH*
- Orchestrated By – David Angel (3) (tracks: A2 to A4, A6, B1 to B5)
- Percussion – Michael Stuart*
- Photography By [Back Cover Photo] – Ronnie Haran
- Producer [Produced By] – Arthur Lee
- Producer [Produced With] – Bruce Botnick
- Supervised By [Production Supervisor] – Jac Holzman
- Written-By – Arthur Lee
Notes
Gold labels with stereo printed on both sides of label. Runouts are etched.
"AL" and "ARC" in the runouts means a pressing from Allentown Record Corp. of Allentown, PA.
[On rear cover, bottom]:
All songs written and sung by Arthur Lee and published by Grass Root Music BMI, except where noted.
[On rear cover, bottom-right corner]:
PRINTED IN U.S.A.
[On spine]:
EKS-74013 LOVE/FOREVER CHANGES ELEKTRA
"AL" and "ARC" in the runouts means a pressing from Allentown Record Corp. of Allentown, PA.
[On rear cover, bottom]:
All songs written and sung by Arthur Lee and published by Grass Root Music BMI, except where noted.
[On rear cover, bottom-right corner]:
PRINTED IN U.S.A.
[On spine]:
EKS-74013 LOVE/FOREVER CHANGES ELEKTRA
Barcode and Other Identifiers
- Rights Society: BMI
- Matrix / Runout (Label A): EKS-74013-A
- Matrix / Runout (Label B): EKS-74013-B
- Matrix / Runout (Variant 1, A-side): EKS-74013A (AL) ARC 121417
- Matrix / Runout (Variant 1, B-side): EKS 74013B (AL) ARC 12417
- Matrix / Runout (Variant 2, A-side): EKS-74013A (AL)
- Matrix / Runout (Variant 2, B-side): EKS 74013B (AL-1)
- Matrix / Runout (Variant 3, A-side): EKS-74013 A (AL) REH ARC 11/30/7
- Matrix / Runout (Variant 3, B-side): EKS 74013 B (AL) ARC11/ 30/7REH
- Matrix / Runout (Variant 4, A-side): EKS-74013A (AL) REH
- Matrix / Runout (Variant 4, B-side): EKS-74013B (AL) REH
- Matrix / Runout (Variant 5, A-side): EKS-74013A (AL) Reh
- Matrix / Runout (Variant 5, B-side): EKS-74013B (AL) Reh
- Matrix / Runout (Variant 6, A-side): EKS - 74013A (AL-1) ARC 12-12-68 RH
- Matrix / Runout (Variant 6, B-side): EKS - 74013B (AL-1) RH
- Matrix / Runout (Variant 7, A-side): EKS-74013A (AL) Reh 12116/ux
- Matrix / Runout (Variant 7, B-side): EKS-74013B (AL) Reh AL) ( 9/45/9
Other Versions (5 of 169)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission
|
Forever Changes (LP, Album) | Elektra | EKS 74013 | Canada | 1967 | ||
Recently Edited
|
Forever Changes (LP, Album, Stereo, Monarch Pressing) | Elektra | EKS 74013 | US | 1967 | ||
Recently Edited
|
Forever Changes (LP, Album, Mono, Allentown Pressing) | Elektra | EKL-4013 | US | 1967 | ||
New Submission
|
Forever Changes (LP, Album, Stereo) | Elektra | EKS-74013 | New Zealand | 1967 | ||
Recently Edited
|
Forever Changes (LP, Album, Mono) | Elektra | EKL-4013 | US | 1967 |
Recommendations
Reviews
-
I picked up an original pressing for $8 today at a local shop and at first was disappointed at the surface noise considering it didn’t look bad visually, but now understand that’s pretty common.
In all honesty while I’m glad to have the original pressing in my collection, I’ll spin the reissue just because it sounds so much better.
-
I've been listening to this album for twenty some years and continue to unearth new layers of meaning and pleasure with each listen. An absolute treasure. My original Allentown pressing is clean as a whistle, no marks and full gloss. Has a minor dish warp but plays quite well, with some surface noise a bit more noticeable on side two. "You Set the Scene" sounds slightly compressed, but overall very dynamic pressing.
-
On a 1967 pressing, mono VS stereo? And what specific pressing sounds the best?
I find this album sounds like psychedelic Simon and Garfunkel without two people harmonising. Very good album. -
-
Easily one of the top best written records off all time. The inclusion of the background orchestra, the hispanic influence, the addition of surf rock and the lyrics of the famous Arthur Lee; make this album spectacular. The album is a work of art through and through, and is a must have for any serious psych record collector. The feelings each song gives you create such and intense imagery within yourself and your surroundings. Arthur Lee's voice echoes in my mind even after his untimely death in 2006.
-
The Allentown pressing plays with little crackling here and there. Depends on the quality of the pressing. Bought a sealed copy and many years after I bought a NM copy and both plays with light crackling sound. Still worth picking up the original Allentown pressing of this masterpiece IMO!
-
This Mono release has some revelations in sound on it. Horn sections and vocals stand out as more "up front". For $20? I like it. Quiet pressing too.
-
I don't think it's hyperbolic to say that Forever Changes is probably the greatest albums ever produced. Like many other people I do feel the album keeps getting better and better after every listen. I'm 55, and first fell in love with the album when I was 22. I've
directly realised just how dark the album really is. Take the first track, a beautiful positive and happy tune. Yet the lyrics are extremely dark, bleak and depressing. The genius of this album comes from the juxtapose between the positivity of the tune and the resigned bleakness of the lyrics. Someone told me that people are the greatest fun. I love everyone, and have so much love to give. Yet tonight I will be alone.The beauty, darkness, and transcendent nature of the album makes sense when you know that Arthur Lee really believed he was dying as he wrote the album. Forever Changes is his epitaph. In Arthur's own words ""When I did that album I thought I was going to die at that particular time, so those were my last words."
Well, this is my TOP 1 album for the desert island...
-
The best album ever made, no questions , no answers, the best music has to offer is in this album, orchestral indie rock. has its own genre
-
I can't find the exact release date for this album anywhere. All i can find is that it was released in november 1967. Help! I want to know!
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
33 copies from $11.98