SlintTweez

Label:

Touch And Go – TG138

Format:

Vinyl , LP, Album, Reissue, Repress

Country:

Released:

Genre:

Rock

Style:

Post Rock

Tracklist

Bemis
A1 Ron
A2 Nan Ding
A3 Carol
A4 Kent
Gerber
B1 Charlotte
B2 Darlene
B3 Warren
VocalsEdgar Blossom
B4 Pat
B5 Rhoda

Companies, etc.

  • Copyright ©Slint
  • Phonographic Copyright ℗Touch And Go
  • Recorded AtStudiomedia
  • Mixed AtStudiomedia

Credits

  • ArtworkLisa Owen
  • BassEthan Buckler
  • DrumsBritt Walford
  • EngineerSome Fuckin Derd Niffer*
  • GuitarDavid Pajo
  • Guitar, VocalsBrian McMahan
  • Photography By [Cover Photo]Joe Oldham

Notes

Reissue dating from around 2016, repressed from plates originating from the 1993 Touch And Go reissue. The barcode is found on a sticker. This LP includes a poster and a coupon for a free of the entire album in MP3 format.

Side A is titled "Bemis", side B "Gerber" on back cover and labels.

Recorded and mixed at Studiomedia, Evanston, Illinois, fall of 1987.

On back cover and label side B:
© 1989 Slint ℗ 1993 Touch And Go Records

"Previously available on Jennifer Hartman Records" (bottom right)

Barcode and Other Identifiers

  • Barcode (Text on sticker): 0 36172 08381 7
  • Matrix / Runout (Runout side A): MPO [crossed out] TG-138⋅A JHR 138 A1 S-27590 9123.1
  • Matrix / Runout (Runout side B): MPO [crossed out] TG-138 B JHR 138 B¹ S-27591 9123.2

Other Versions (5 of 34)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Tweez (LP, Album) Jennifer Hartman Records 138 US 1989
New Submission
Tweez (LP, Album) Jennifer Hartman Records 138 Europe 1989
Recently Edited
Tweez (LP, Album, Reissue) Touch And Go TG138LP US 1993
New Submission
Tweez (Cassette, Album, Promo, Reissue) Touch And Go TG138 UK 1993
New Submission
Tweez (CD, Album, Reissue) Touch And Go TG138CD UK 1993

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Reviews

  • pretentiousedgelord's avatar
    my copy came with a code for Big Black - Songs About Fucking instead of a code for Tweez, lol. hell i'll take it!
    • MyCatSellsRecords's avatar
      Edited 5 years ago
      Not as bad as many will tell you it is. These are pretty great tunes, strange as they may be. It's just that Slint hadn't found their distinct voice yet. Or if they did, Mr. Albini (ittedly as he regrets) stifled it with his influence in the studio. It does sound an awful lot like a Rapeman/Big Black hybrid. This reissue is dead quiet and mastered perfectly.

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