MelvinsHoudini

Label:

Third Man Records – TMR295

Format:

Vinyl , LP, Album, Reissue, Remastered , Gatefold, 180g

Country:

US

Released:

Genre:

Rock

Style:

Heavy Metal

Tracklist

A1 Hooch
A2 Night Goat
A3 Lizzy
A4 Going Blind
A5 Honey Bucket
A6 Hag Me
B1 Set Me Straight
B2 Sky Pup
B3 Joan Of Arc
B4 Teet
B5 Copache
B6 Pearl Bomb
B7 Rocket Reducer #62 (Rama Lama Fa Fa Fa)

Companies, etc.

  • Licensed FromAtlantic Recording Corporation
  • Phonographic Copyright ℗Atlantic Recording Corporation
  • Copyright ©Atlantic Recording Corporation
  • Manufactured ByRhino Entertainment Company
  • Record CompanyWarner Music Group
  • Marketed ByThird Man Records
  • Recorded AtBrilliant Studios
  • Recorded AtRazor's Edge Recording
  • Recorded AtLaundry Room Studio
  • Recorded AtHyde Street Studios
  • Recorded AtPrairie Sun Recording Studios
  • Pressed ByUnited Record Pressing
  • Lacquer Cut AtNashville Record Productions

Credits

  • BassLorax (2)
  • Bass, Lead GuitarBill Bartell
  • Drums, Bass, VocalsDale Crover
  • EngineerWolf Kessler
  • GuitarKurt Cobain
  • Guitar, Bass, VocalsKing Buzzo
  • Illustration [Original Illustrations]Frank Kozik
  • Lacquer Cut ByWG*
  • LayoutMackie Osborne
  • ProducerThe Melvins*
  • Written-ByConnell* (tracks: A4)

Notes

Remastered directly from the original analog tapes.
Pressed on 180gram black vinyl in a gatefold jacket.
Comes in poly-lined inner sleeve.

B7 is an exclusive vinyl track.

Pressing plant and lacquer cut by uncredited, derived from matrix info. Manufacturer confirmed from label's website.

Catalog number TMR-295 on spine.
Catalog number TMR295 on disk labels.

Tracks are numbered sequentially regardless of side on back cover, and numbered with regard to side on disk labels.

Studios: Brilliant Studios/SF, Razors Edge/SF, Laundry Room/Seattle, Hyde Street Studios/SF, & Prarie [sic] Sun/Cotati,CA

Runouts are etched.

Barcode and Other Identifiers

  • Barcode (Scanned, sticker): 813547021618
  • Barcode (Text, sticker): 8 13547 02161 8
  • Matrix / Runout (Runout side A, variant 1): TMR-295-A II NINETEEN NINETY-THREE/TWENTY FIFTEEN WG/NRP Ⓤ -
  • Matrix / Runout (Runout side B, variant 1): TMR-295-B II SPREAD EAGLE BEAGLE BYE-BYE WG/NRP Ⓤ
  • Matrix / Runout (Runout side A, variant 2): TMR-295-A NINETEEN NINETY-THREE/TWENTY FIFTEEN WG/NRP Ⓤ
  • Matrix / Runout (Runout side B, variant 2): TMR-295-B SPREAD EAGLE BEAGLE BYE-BYE WG/NRP Ⓤ
  • Matrix / Runout (Runout side A, variant 3): TMR-295-A NINETEEN NINETY-THREE/TWENTY FIFTEEN WG/NRP Ⓤ
  • Matrix / Runout (Runout side B, variant 3): TMR-295-B II SPREAD EAGLE BEAGLE BYE-BYE WG/NRP Ⓤ

Other Versions (5 of 46)

View All
Title (Format) Label Cat# Country Year
Houdini (LP, Album, Gatefold) Amphetamine Reptile Records AMREP 532-1 US 1993
Recently Edited
Houdini (LP, Album, Gatefold) Atlantic 7567-82532-1 1993
Recently Edited
Houdini (CD, Album) Atlantic 7 82532-2, 82532-2 US 1993
New Submission
Houdini (Cassette, Album, Yellow) Atlantic 82532-4 US 1993
Recently Edited
Houdini (CD, Album) Atlantic 756782532-2 Australia 1993

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Reviews

  • doomerianreviews's avatar
    Edited one month ago
    Much better than my old CD. Glad to have a copy.
    • iblk's avatar
      iblk
      I purchased this the other day, and I've been reading that this being a remaster from the original CD version I understand why it sounds so flat, I have other Melvins records from Boner and this definitely lacks of loudness and the mix is very bland, now I'm looking forward for the Music On Vinyl version lol
      • Flood2000's avatar
        Flood2000
        Edited one year ago
        Although I (believe) I own a slightly different pressing from this one (a different pressing by Third Man mind you) I'm gonna comment under here. I've seen this issue get a lot of hate but I honestly don't see it, my copy sounds absolutely amazing with an exception of a loud pop near the end of Lizzy but otherwise the record is almost free of surface noise and cracks are minimal. My copy is warped however playback isn't affected in the slightest in my case. It can be a bit quiet at points for my tastes but just turn the volume up and you're all set. Hell Third Man even got the idea to use a different material for the sleeve in which the record is housed in. I won't say this is a 100% flawless pressing as I did hear surface noise and I already mentioned that weird part at the end of Lizzy, plus I wish Spread Eagle Beagle was on here but I understand why it isn't. All in all I absolutely recommend the Third Man pressing of Houdini. Unless I'm on a road trip this is the only way I'm listening to the album from now on.
        • mikewilliamson's avatar
          mikewilliamson
          Anyone know why the cover art is not the original Kozik drawing? It's like it's sort of traced over, but not exactly, with lots of differences (fingernails, different arms, etc). It's also missing his signature in the lower right corner.
          • KrustWhaler's avatar
            KrustWhaler
            I think this pressing is a lot better than other ratings are giving it credit for. There’s not much surface noise and I find that the bassiness gives the tracks an extra punch that is much appreciated.

            I do think it could probably sound (a bit) cleaner, but I’m absolutely in love with this record. Only thing I’m a bit bummed about is that my copy *is* a bit tight on my turntable’s spindle.

            I wish I could give it 4.5 stars.
            • joneds's avatar
              joneds
              I don’t get the hate for this pressing. It’s nicely done IMO - poly lined inner, the artwork is well printed on a heavyweight gatefold sleeve, it’s pretty good value (£17 from the Third Man shop in London), and (most importantly) it sounds good. Granted, I don’t have another vinyl pressing to compare it to, but the dynamics are on a par with the CD version. Minimal IGD too.

              The only downside is that my record is very slightly warped. Not enough to affect playback, but worth noting.
              • HelloMilwaukee's avatar
                HelloMilwaukee
                Super clean dynamic pressing right up there with MOV Stoner Witch. I am a pig in all kinds of mud and feces over this, yes my label is off center but doesn’t affect the runout groove, and oh man you can tell Buzz and Dale and Co are having a blast. One of my favorite purchases of 2021. Poly-lined inner sleeve came all jacked and skewed creased just terrible, but the vinyl was pristine.. playing it without a spin-clean I’m so punk rock
                • ElectroSteak's avatar
                  ElectroSteak
                  Edited 4 years ago
                  My copy is definitely off center and that negatively effects the sound. Nice detail, but sounds a bit distorted. I also need to really crank this on my tube amp to be able to hear it. Maybe that's due to the length?
                  It's fun to now have this on vinyl, but I probably should have just stuck with the CD
                  • RonRec76's avatar
                    RonRec76
                    Edited 3 years ago
                    Sounds pretty good to me. I got a clean sounding copy, possibly pressed a tad off centre. Plenty of detail and nice clear sound stage as previous reviewer mentioned. A bit light on bass maybe, but I quite like the sound. I have the MOV Stoner Witch, I would say its on a par with this. I doubt the MOV Houdini sounds much better, if it does I need to get a copy!
                    • Mysterious_Frank's avatar
                      I feel like there could be more dynamic range, but the sound stage is crystal clear and the sluggish stoner feel is certainly preserved. I have only ever listened to this album via TIDAL and I'd say that this pressing certainly makes for a more interesting, warm, almost lo-fi feel with the lack of audio black background.

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