The Horace Silver Quintet – Further Explorations
Tracklist
| A1 | The Outlaw | |
| A2 | Melancholy Mood | |
| A3 | Pyramid | |
| B1 | Moon Rays | |
| B2 | Safari | |
| B3 | Ill Wind |
Companies, etc.
- Record Company – Blue Note Records
- Recorded At – Van Gelder Studio, Hackensack, New Jersey
- Pressed By – Plastylite
- Published By – Ecaroh Music
- Published By – Mills Music
Credits
- Bass – Teddy Kotick
- Drums – Louis Hayes
- Lacquer Cut By – RVG*
- Liner Notes – Leonard Feather
- Photography By [Cover Photo] – Francis Wolff
- Piano – Horace Silver
- Producer – Alfred Lion
- Recorded By [Recording By] – Rudy Van Gelder
- Tenor Saxophone – Cliff Jordan*
- Trumpet – Art Farmer
- Written-By – Silver* (tracks: A1 to B2)
Notes
Recorded on January 13, 1958.
This mono issue issue has:
- blue and white Blue Note Records - 47 West 63rd - NYC on A side label (no Inc., no ®)
- blue and white deep groove Blue Note Records Inc. - 47 West 63rd - NYC on B side label (with ®)
- RVG stamped in the dead wax, both sides
- P, wrongly called "ear", for Plastylite plant etched in the dead wax, both sides
- no address on back-cover
- front laminated cover
- printed spine
This kind of labels has been approximately used between the early 1960 and the beginning 1962.
A1 to B2 published by Ecaroh Music, ASCAP
B3 published by Mills Music, ASCAP
This mono issue issue has:
- blue and white Blue Note Records - 47 West 63rd - NYC on A side label (no Inc., no ®)
- blue and white deep groove Blue Note Records Inc. - 47 West 63rd - NYC on B side label (with ®)
- RVG stamped in the dead wax, both sides
- P, wrongly called "ear", for Plastylite plant etched in the dead wax, both sides
- no address on back-cover
- front laminated cover
- printed spine
This kind of labels has been approximately used between the early 1960 and the beginning 1962.
A1 to B2 published by Ecaroh Music, ASCAP
B3 published by Mills Music, ASCAP
Barcode and Other Identifiers
- Rights Society: ASCAP
- Matrix / Runout (Label A): BNLP-1589-A
- Matrix / Runout (Label B): BNLP-1589-B
- Matrix / Runout (Runout A, RVG stamped): BNLP-1589-A RVG 9M Ear (Plastylite P)
- Matrix / Runout (Runout B, RVG stamped): BNLP-1589-B RVG 9M Ear (Plastylite P)
Other Versions (5 of 42)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Further Explorations (LP, Album, Mono) | Blue Note | BLP 1589 | US | 1958 | ||
|
New Submission
|
Further Explorations (LP, Album, Test Pressing, Mono) | Blue Note | BLP 1589 | US | 1958 | ||
|
New Submission
|
Further Explorations (LP, Album, Repress, Mono, Microgroove) | Blue Note | BLP 1589 | US | 1959 | ||
|
New Submission
|
Further Explorations (LP, Album, Repress, Mono, Microgroove) | Blue Note | BLP 1589 | US | 1962 | ||
|
New Submission
|
Further Explorations (LP, Album, Reissue, Mono, Microgroove) | Blue Note | BLP 1589 | US | 1966 |
Recommendations
Reviews
-
My copy matches this exactly, but without the Plastylite P/ear on either side, and I’ve looked very closely. My side 1 also has a very faint “114” etched before the main etched number. Although not clear, it seems like 114 is a Liberty era indicator (well after 1960) and the lack of Playstylite P/ear also suggest comfortably after 1960.
But how to reconcile the labels? I know there were many instances of leftover labels being used by Liberty, but none of the variants in Discogs have the combination that I have. I realize that may mean (or probably means) I just have a variant that’s not yet listed.
But I’m curious if anyone has other thoughts.
Release
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Data Correct
Data Correct
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2 copies from $40.00