Clutch (3) – Psychic Warfare
Label: |
Weathermaker Music – WM042 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Blues Rock |
Tracklist
| A1 | The Affidavit | 0:25 | |
| A2 | X-Ray Visions | 3:42 | |
| A3 | Firebirds! | 3:00 | |
| A4 | A Quick Death In Texas | 3:57 | |
| A5 | Sucker For The Witch | 3:21 | |
| A6 | Your Love Is Incarceration | 3:14 | |
| B7 | Doom Saloon | 1:12 | |
| B8 | Our Lady Of Electric Light | 3:51 | |
| B9 | Noble Savage | 2:49 | |
| B10 | Behold The Colossus | 3:51 | |
| B11 | Decapitation Blues | 3:11 | |
| B12 | Son Of Virginia | 7:15 |
Companies, etc.
- Copyright © – Sea Gator Music
- Published By – Sea Gator Music
- Published By – BMG Rights Management (US) LLC
- Published By – BMG Chrysalis
- Recorded At – The Machine Shop, Austin, TX
- Recorded At – The Doom Saloon
- Mastered At – PLX Mastering
- Distributed By – RED Distribution
- Distributed By – Republic Of Music
- Distributed By – Rough Trade Distribution GmbH
- Distributed By – MGM Distribution
Credits
- [Worldwide istration] – Emi Horikawa
- Art Direction – Dan Winters (2)
- Artwork [Hand Drawing] – Dan Winters (2)
- Band [Clutch], Bass – Dan Maines
- Band [Clutch], Drums, Percussion – Jean-Paul Gaster*
- Band [Clutch], Guitar – Tim Sult
- Band [Clutch], Vocals, Guitar – Neil Fallon
- Booking [Booking Agents, Asia] – The Agency Group
- Booking [Booking Agents, Australia] – Wildfire Agency*
- Booking [Booking Agents, UK / Europe] – Tobbe Lorentz
- Booking [Booking Agents, USA / Canada / South America] – Tim Borror
- Crew [Road Crew], Engineer [Front Of House Engineer] – Lee Brintnall
- Crew [Road Crew], Merchandising [Merchandise Czar] – Sean Hammer
- Crew [Road Crew], Technician [Drums] – Thomas Richens
- Crew [Road Crew], Technician [Guitar], Stage Manager – Al Function*
- Crew [Road Crew], Tour Manager – Oscar Hernandez (5)
- Design – Andrew Massiatte López
- Engineer – Alberto De Icaza
- Engineer [Assistant] – Jeff Henson
- Engineer [Engineered By] – Machine (7)
- Legal [Legal Representation, At] – Lommen-Abdo*
- Legal [Legal Representation] – Tim Matson
- Lyrics By – Neil Fallon
- Management [Artist] – Jack Flanagan
- Management [Business, s Manager] – JoAnna Gaster
- Management [Business, Australia] – Slava Ha
- Management [Business, UK/Europe] – Synergy Business Management
- Management [Business, USA] – Scott Gordon, Esq.*
- Management [Distribution, Australia] – Mark Bolton (2)
- Management [Distribution, Europe] – Mathias "Botsch" Böttcher*
- Management [Distribution, UK] – Mark McQuillan
- Management [Distribution, USA/Canada] – Zac Mantell
- Management [Publishing] – Jack Flanagan
- Management [Weathermaker Music Label Manager] – Stefan Koster
- Mastered By – Paul Logus
- Photography By – The Library Of Congress
- Producer, Mixed By – Machine (7)
- Public Relations [Press Agents, Australia] – Stacy Piggott
- Public Relations [Press Agents, ] – Sylvie Atterer
- Public Relations [Press Agents, UK] – Kirsten Sprinks
- Public Relations [Press Agents, USA / Canada] – New Ocean Media
- Written-By – Tim Sult
Notes
Packaged in a gatefold sleeve.
Tracks are listed sequentially on the rear and inner sleeves, plus on one of the vinyl labels (01 to 12). On the vinyl label and rear sleeve 'Side A' is indicated before Track 01 (The Affidavit), and 'Side B' is before Track 07 ('Doom Saloon').
Track times do not appear on the release.
Basic tracks recorded at The Machine Shop, Austin, TX.
Vocals and overdubs recorded at The Doom Saloon, Frederick, MD.
Mastered for PLX Mastering.
Publishing -
© 2015 Sea Gator Music (ASCAP), ascap.com.
All Rights istered by BMG Rights Management (US) LLC.
Worldwide istration - BMG Chrysalis, bmgchrysalis.com
Distribution:
USA / Canada - RED, redmusic.com
UK - Republic of Music, republicofmusic.com
Europe - Rough Trade, rough-trade.net
Australia - MGM Distribution, thegroovemerchants.com
Runouts are etched.
Tracks are listed sequentially on the rear and inner sleeves, plus on one of the vinyl labels (01 to 12). On the vinyl label and rear sleeve 'Side A' is indicated before Track 01 (The Affidavit), and 'Side B' is before Track 07 ('Doom Saloon').
Track times do not appear on the release.
Basic tracks recorded at The Machine Shop, Austin, TX.
Vocals and overdubs recorded at The Doom Saloon, Frederick, MD.
Mastered for PLX Mastering.
Publishing -
© 2015 Sea Gator Music (ASCAP), ascap.com.
All Rights istered by BMG Rights Management (US) LLC.
Worldwide istration - BMG Chrysalis, bmgchrysalis.com
Distribution:
USA / Canada - RED, redmusic.com
UK - Republic of Music, republicofmusic.com
Europe - Rough Trade, rough-trade.net
Australia - MGM Distribution, thegroovemerchants.com
Runouts are etched.
Barcode and Other Identifiers
- Barcode (Scanned): 896308002606
- Barcode (Text): 8 96308 00260 6
- Matrix / Runout (Side A, variant 1): WM042-A
- Matrix / Runout (Side B, variant 1): WM042-B
- Matrix / Runout (Side A, variant 2): WM042-A
- Matrix / Runout (Side B, variant 2): WM042-B2
- Rights Society: ASCAP
Other Versions (5 of 7)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Psychic Warfare (CD, Album) | Weathermaker Music | WM040 | US | 2015 | |||
| Psychic Warfare (LP, Album, White) | Weathermaker Music | WM044 | US | 2015 | |||
|
Recently Edited
|
Psychic Warfare (LP, Album, Limited Edition, Red Translucent) | Weathermaker Music | WM048 | US | 2015 | ||
|
Recently Edited
|
Psychic Warfare (LP, Album, Limited Edition, Blue) | Weathermaker Music | WM047 | UK | 2015 | ||
|
New Submission
|
Psychic Warfare (CD, Album, Unofficial Release) | Weathermaker Music (2) | WM040 | Russia | 2015 |
Recommendations
Reviews
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After reading the other posts here, I guess I'm lucky. For the most part, my copy sounds great. Overall, Clutch pressings are not great, but this one is better than the other ones I have. The sound is loud and clear, there are 2 pops in one song, but I haven't deep cleaned it yet. Something is definitely off center with the label though, as others have stated. Not sure who pressed it, but they may need to look into something different than the private pressings they've been doing for some time. Overall, this is a good one, so grab it if you can.
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Centre hole is poorly cut. I don't know where they get them pressed but many of my Clutch records have some sort of defect. -
Tons of static and surface noise even after multiple cleans. Very annoying. Spindle hole also way too small. -
My copy also has a spindle hole that is too small and is slightly off center. My copy has a ton of surface noise even after cleaning.
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Spindle hole on my copy was small enough that the vinyl got stuck on my turntable. Almost snapped it trying to get it off.
Punchy sound as per previous review, though lacks a bit of bass. -
Quiet, punchy, and clear. Every hit of the snare and kick sounds powerful on this record. Miles better than the CD release.
Release
See all versions
Recently Edited
Recently Edited
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