Mastodon – Blood Mountain
Label: |
Reprise Records – 1-44364 (K1) |
|---|---|
Format: |
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Country: |
US |
Released: |
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Genre: |
Rock |
Style: |
Heavy Metal |
Tracklist
| A1 | The Wolf Is Loose | 3:34 | |
| A2 | Crystal Skull | 3:27 | |
| A3 | Sleeping Giant | 5:36 | |
| A4 | Capillarian Crest | 4:25 | |
| A5 | Circle Of Cysquatch | 3:19 | |
| A6 | Bladecatcher | 3:21 | |
| B7 | Colony Of Birchmen | 4:20 | |
| B8 | Hunters Of The Sky | 3:52 | |
| B9 | Hand Of Stone | 3:31 | |
| B10 | This Mortal Soil | 5:00 | |
| B11 | Siberian Divide | 5:32 | |
| B12 | Pendulous Skin | 5:04 |
Companies, etc.
- Recorded At – Studio Litho
- Recorded At – Red Room Studio
- Recorded At – Jupiter Studios
- Recorded At – 60 Psycho Hum
- Mixed At – Sony Music Studios, New York City
- Mastered At – Sony Music Studios, New York City
- Copyright © – Release Relapse Music
- Copyright © – Reprise Records
- Phonographic Copyright ℗ – Reprise Records
- Copyright © – WEA International Inc.
- Phonographic Copyright ℗ – WEA International Inc.
- Pressed By – Record Industry – 86117
Credits
- A&R – Craig Aaronson
- Art Direction, Artwork, Design – Paul A. Romano*
- Backing Vocals – Brann Dailor
- Booking [North & South America] – Scott Sokol
- Booking [Rest of World] – K2 Agency LTD*
- Engineer [Assistant] – Ben Verellen
- Engineer [Cedric Bixler-Zavala's Vocals] – Jonathan Debaun* (tracks: B11)
- Engineer [Joshua Homme's Vocals] – Alain Moschulski (tracks: B7)
- Legal – David W. Prasse, P.C.*
- Management – The Rick Sales Entertainment Group
- Management [Business Management] – Robert Polay
- Mastered By – Vlado Meller
- Mastered By [Assisted By] – Mark Santangelo
- Mixed By – Rich Costey
- Mixed By [Assisted By] – Pablo Arraya
- Music By, Lyrics By – Mastodon
- Producer – Matt Bayles
- Producer [Preproduction By] – Vert, LLC
- Recorded By – Matt Bayles
- Recorded By [Additional Transition Bits] – Jim Keller
- Recorded By [Isaiah Ikey Owens] – Nobody (tracks: B12)
- Recorded By [Scott Kelly's Vocals] – Doug Hill (tracks: A2)
- Technician [Studio Drum Tech] – Chris Common
Notes
Marketed as "solid yellow / transparent green" colored, comes in single pocket jacket with full color insert sheet.
Recorded by Matt Bayles at Studio Litho, Red Room Recording, & Jupiter Studios.
Recorded by Doug Hill at 60 Psycho Hum Studios, Medford, OR.
Mixed at Sony Music Studios, NY.
Mastered at Sony Music Studios, NY.
Scott Kelly appears courtesy of Neurot Recordings.
Joshua Homme appears courtesy of Interscope Records.
Cedric Bixler-Zavala appears courtesy of Universal Records.
Tracks are listed sequentially on the release.
44364-1 from spine and labels, 1-44364 (K1) from sticker on front of shrink.
© 2006 Release Relapse Music (BMI)
© 2010 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S.
℗ 2006 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S.
Recorded by Matt Bayles at Studio Litho, Red Room Recording, & Jupiter Studios.
Recorded by Doug Hill at 60 Psycho Hum Studios, Medford, OR.
Mixed at Sony Music Studios, NY.
Mastered at Sony Music Studios, NY.
Scott Kelly appears courtesy of Neurot Recordings.
Joshua Homme appears courtesy of Interscope Records.
Cedric Bixler-Zavala appears courtesy of Universal Records.
Tracks are listed sequentially on the release.
44364-1 from spine and labels, 1-44364 (K1) from sticker on front of shrink.
© 2006 Release Relapse Music (BMI)
© 2010 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S.
℗ 2006 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S.
Barcode and Other Identifiers
- Barcode (Sticker on back shrink): 0 93624 92938 3
- Barcode (Printed, back of jacket): 0 9362-49679-1 0
- Matrix / Runout (Side A runout, etched): 1-44364-A
- Matrix / Runout (Side B runout, etched): 1-44364-B
- Matrix / Runout (Side A runout, stamped): 86117 1A
- Matrix / Runout (Side B runout, stamped): 86117 1B
- Rights Society: BMI
Other Versions (5 of 47)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Blood Mountain (CD, Album) | Relapse Records | 9362-44364-2, 936244364-2 | Europe | 2006 | |||
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Recently Edited
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Blood Mountain (CD, Album) | Relapse Records | CDW 44364 | Canada | 2006 | ||
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Recently Edited
|
Blood Mountain (LP, Album, Limited Edition, White, Gatefold) | Reprise Records | RR 6676-1 | US | 2006 | ||
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Recently Edited
|
Blood Mountain (CD, Album, DVD, DVD-Video, NTSC) | Relapse Records | 44450-2 | US | 2006 | ||
| Blood Mountain (CD, Album) | Relapse Records | 44364-2 | US | 2006 |
Recommendations
Reviews
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This pressing is honestly very good. For how eclectic this album is, the mixing and mastering here does all the tracks justice. -
Record sounds good to me. I’m sure if I had a chance to compare to 45 version I would choose the 45. But I still say this sounds good, and alot less money. I ittedly don’t love this band so much that I’m willing spend what the 45 rpm versions are going for anyway. -
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I feel like I was spoiled by starting my Mastodon collection with the 45rpm pressing of Remission- it’ll knock your socks off! This pressing is a slight step down from that, a bit more light surface noise (but not nearly enough to be really distracting at all), and the drums seem to sound a bit compressed, but that might just be the intent of the mastering. I think other than some light compression, this pressing is really solid! It’s punchy, dynamic and more spacious than expected- just make sure to give it a few wet cleans to optimize how good it can sound. This pressing is also a bit on the quiet side imo, and really shines when you turn it up. -
Edited 6 years agoOne of the worst records I've ever heard (as far as sound quality). Obviously an already loud / compressed CD (which is alright for a CD) pressed onto wax with no care or concern. I bought it directly from the Warner Bros website with the light blue Crack the Skye which is an equal travesty. -
This record is DEAD. QUIET. I'm very impressed with it. The dynamic range is as close to perfection as is humanly possible. Killer mastering. -
this is the second and last mastodon album I will ever buy on vinyl, sound is not good especially the last tracks of each side.
tis a shame those magnificent gibson guitars come across so muddy and distorted .
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