Jethro TullA ion Play

Label:

Chrysalis – CHR 1040

Format:

Vinyl , LP, Album

Country:

UK

Released:

Genre:

Rock

Style:

Symphonic Rock

Tracklist

A A ion Play 23:07
B A ion Play 22:04

Companies, etc.

  • Record CompanyChrysalis Records Ltd.
  • Phonographic Copyright ℗Chrysalis Records Ltd.
  • Phonographic Copyright ℗Chrysalis Records
  • Copyright ©Ian Anderson Music Ltd.
  • Copyright ©Chrysalis Records
  • Published ByIan Anderson Music Ltd.

Credits

  • Arranged ByJethro Tull
  • Arranged By [Orchestra Arranged By], Conductor [Orchestra Conducted By]David Palmer (2)
  • Bass Guitar, VocalsJeffrey Hammond-Hammond
  • Composed By ["The Story Of The Hare Who Lost His Spectacles"]John Evan
  • Composed By [Interval Music, 1st & 2nd Dances Composed By]Rena Sanderone
  • Design [Design Consultants]CCS (2)
  • Design [Designed By]Harry Seamons
  • Design [Programme Design]Jennifer Ann (3)
  • Directed ByColin Beale (2)
  • Drums, Timpani, Glockenspiel [Glockenspeil], MarimbaBarriemore Barlow
  • Electric Guitar [Electric Guitars]Martin Barre
  • LightingEric Brooks (4)
  • Music By [Interval Music, Electronic Synthesis By]Christopher Amson
  • Music By, Lyrics ByIan Anderson
  • Photography By [Photographs By]Brian Ward (5)
  • Piano, Organ, Synthesizer [Synthesizers], SpeechJohn Evan
  • Vocals, Acoustic Guitar [Acoustic Guitars], Flute, Soprano Saxophone [Soprano Saxaphone], Sopranino Saxophone [Sopranino Saxaphone]Ian Anderson

Notes

Housed in a gatefold jacket with a theatre programme inserted into two slots inside the gatefold.
"The Story Of The Hare Who Lost His Spectacles" is a part of "A ion Play" and is located somewhere at the end of side A and the beginning of side B.

[Spine:]
℗ 1973 Chrysalis Records Printed in England.

[Gatefold inside:]
© 1973 Ian Anderson Music Ltd. Lyrics reprinted by permission. All rights reserved. CHR 1040. Printed in England.

[Programme p. 7:]
© 1973 Chrysalis Records CHR 1040.

[Rear sleeve:]
Chrysalis Records Ltd,. 388-396 Oxford Street, London, W.1.

[Label side B:]
Ian Anderson Music Ltd rights controlled by Chrysalis Music Ltd

[Both labels:]
℗ 1973 Chrysalis Records Ltd

Barcode and Other Identifiers

  • Matrix / Runout (Variant 1 - side A, machine stamped): CHR 1040 A-4U GT 1
  • Matrix / Runout (Variant 1 - side B, machine stamped): CHR 1040 B-4U GT 2
  • Matrix / Runout (Variant 2 - side A, machine stamped): CHR 1004 A-4U I 4
  • Matrix / Runout (Variant 2 - side B, machine stamped): CHR 1040 B-4U I 4
  • Matrix / Runout (Variant 3 - side A, machine stamped): CHR 1004 A-4U G
  • Matrix / Runout (Variant 3 - side B, machine stamped): CHR 1040 B-4U C 1
  • Matrix / Runout (Variant 4 - side A, machine stamped): CHR 1040 A-4U PA
  • Matrix / Runout (Variant 4 - side B, machine stamped): CHR 1040 B-4U 4
  • Matrix / Runout (Variant 5 - side A, machine stamped): CHR 1040 A-4U MA 1
  • Matrix / Runout (Variant 5 - side B, machine stamped): CHR 1040 B-4U MG 3
  • Matrix / Runout (Variant 6 - side A, machine stamped): CHR 1040 A-4U HL 3
  • Matrix / Runout (Variant 6 - side B, machine stamped): CHR 1040 B-4U LO 4
  • Matrix / Runout (Variant 7 - side A, machine stamped): CHR 1040 A-4U HL 1
  • Matrix / Runout (Variant 7 - side B, machine stamped): CHR 1040 B-4U AH 2

Other Versions (5 of 190)

View All
Title (Format) Label Cat# Country Year
Recently Edited
A ion Play (LP, Album, Stereo, Gatefold) Chrysalis CHR 1040 1973
Recently Edited
A ion Play (LP, Album, Stereo, Gatefold) Chrysalis 6307 518, CHR 1040 1973
Recently Edited
A ion Play (LP, Album, Stereo, Gatefold, Booklet) Chrysalis CHR 1040 US 1973
Recently Edited
A ion Play (LP, Album, Stereo, Gatefold) Chrysalis 5C 062-94 404, 5C 062-94404 Netherlands 1973
New Submission
A ion Play (LP, Album, Promo, Stereo) Chrysalis CHR 1040 US 1973

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Reviews

  • Beyahsvinyl's avatar
    Beyahsvinyl
    Really good songs and a great pressing however my main complaint would be the mixing and weird stereo sound...thankfully quite an easy record to find in charity shops.
    • RaelSunrise's avatar
      RaelSunrise
      I bought it when it first came out and loved it then, and still do! It's a Prog Masterpiece but is not quite as phenomenal as Thick As A Brick or Aqualung for very good reasons.
      To properly understand the somewhat disted nature (in spots) of the album you have to understand how it was recorded and then released.
      TAAB was recorded in one long uninterrupted inspired session where the band was on a roll and confident with their contributions and performances.
      APP was first started on location at a famous Chateau studio in where the band actually slayed and slept during the recording process. Numerous technical problems , including infestations of bed bugs (!) ensued, causing the band to flee back to the U.K. to scrap all of the recordings and start all over.
      Thus the second attempt to compose and record the LP was rushed and tainted by the aggravations caused by the Chateau disaster. The band was rushed because they were now behind schedule on recording, with an already booked tour looming in the near future. (Subsequently the initial recordings which were later released after the fact, and were dubbed as the "Chateau d'Isaster" tapes).
      Regardless, I ( and a host of other Prog Rock fans) still think its a masterpiece, though challenging and a bit disted at times, and holds up well over 50 years later as a brilliant piece of Prog HIstory!
      Enjoy! I sincerely doubt we will ever live to hear anything remotely like this again! So creative, so complex, and so rewarding once you get a feel for it. (Not unlike say Larks Tongues in Aspic by King Crimson which I think most would agree, is not exactly the most accessible album to appreciate upon first listening!).
      • mitsmag's avatar
        mitsmag
        Edited 3 years ago
        Best record l ever heard. A masterpiece. I've been listening to it with the same excitement for the last 48 years. And l love "The Hare..."
        • zeppoantigone's avatar
          zeppoantigone
          Tull made a name for themselves as a hard-gigging blues band with a flautist standing on one leg (although he did have two fully functioning lower limbs). They went on to sell a shed load of albums throughout the 70's, had a No. 1 lp in Stand Up, and even had a few Christmas hits as well. For some strange reason, one of my favourite records of theirs is A ion Play, the forgotten little sister to the behemoth that was Thick As A Brick.
          Playing catchup with bands that were big before you were can have its pitfalls. Instead of first hearing albums chronologically, it depended on when they were begged, borrowed, stolen or even purchased as to the order of their listening. In the old days, with no easily available opinion formers, the opportunity to listen without preconceptions was available.
          Thus I got to hear A ion Play long before I heard TAAB, and this has obviously coloured my judgement. Although structurally similar, it does not have a running motif, and is altogether a harder listen. There is the infuriating Story of the Hare Who Has Lost His Spectacles topping and tailing the break, an attempt to subvert the medium of the album or a space filler; you decide. The record is long enough as it is, clocking in at 40+ minutes, and would probably be improved without it. The Jethros have obviously bought some new kit, as there are quite a few strange bleeps, blips and squelches randomly interspersed along the way. Jazz even sticks its oar in mid-way through side two. A veritable smorgasbord of an album, it probably pleases no one, and yet I like it.
          It suffers from being at the end of a long line of consistently classic Tull albums, from This Was to TAAB, and they would only sporadically hit those heights again. Early editions come with g/f sleeve and booklet on the green Chrysalis label, and are still reasonably priced.
          • alanrohner9's avatar
            alanrohner9
            SMOKIN"! smokin'! SMOKIN'! SMOKIN'! smokin'! SMOKIN'! SMOKIN'! ouch SMOKIN !

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