The Doors – Waiting For The Sun
Label: |
Elektra – EKS-74024 |
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Format: |
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Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Psychedelic Rock |
Tracklist
A1 | Hello, I Love You | 2:22 | |
A2 | Love Street | 3:06 | |
A3 | Not To Touch The Earth | 3:54 | |
A4 | Summer's Almost Gone | 3:20 | |
A5 | Wintertime Love | 1:52 | |
A6 | The Unknown Soldier | 3:10 | |
B1 | Spanish Caravan | 2:58 | |
B2 | My Wild Love | 2:50 | |
B3 | We Could Be So Good Together | 2:20 | |
B4 | Yes, The River Knows | 2:35 | |
B5 | Five To One | 4:22 |
Companies, etc.
- Copyright © – Nipper Music Co., Inc.
- Copyright © – Nipper Music
- Record Company – Elektra Records
- Pressed By – Columbia Records Pressing Plant, Terre Haute
Credits
- Art Direction, Design – William S. Harvey
- Bass [Occasional] – Douglas Lubahn*
- Drums – John Densmore
- Engineer – Bruce Botnick
- Guitar – Robby Krieger
- Keyboards – Ray Manzarek
- Photography By [Back Cover Photo] – Guy Webster
- Photography By [Front Cover Photo] – Paul Farrara*
- Producer [Produced By] – Paul A. Rothchild
- Supervised By [Production Supervisor] – Jac Holzman
- Vocals – Jim Morrison
- Written-By, Arranged By, Performer [Performed By] – The Doors
Notes
First pressing on brown/tan Elektra vinyl label. "Stereo" on the left hand side on the label in an elongated font.
Released in a (unipak) gatefold sleeve, with brown Elektra inner sleeve.
Some 1st pressings had a "Includes Hello, I Love You" sticker on cover.
Printed on rear artwork:
Copyright © by Nipper Music Co., Inc. Public performance cleared through ASCAP.
Printed on inner gatefold:
"Celebration of the Lizard" / Jim Morrison. Lyrics to a theatre composition by The Doors. Copyright © 1968 by Nipper Music Co., Inc.
Printed on labels:
Copyright © by Nipper Music ASCAP
Released in a (unipak) gatefold sleeve, with brown Elektra inner sleeve.
Some 1st pressings had a "Includes Hello, I Love You" sticker on cover.
Printed on rear artwork:
Copyright © by Nipper Music Co., Inc. Public performance cleared through ASCAP.
Printed on inner gatefold:
"Celebration of the Lizard" / Jim Morrison. Lyrics to a theatre composition by The Doors. Copyright © 1968 by Nipper Music Co., Inc.
Printed on labels:
Copyright © by Nipper Music ASCAP
Barcode and Other Identifiers
- Rights Society: ASCAP
- Pressing Plant ID (At end of runout): CTH
- Matrix / Runout (Side A etched, variant 1): EKS 74024A-CTH
- Matrix / Runout (Side B etched, variant 1): EKS 74024B-CTH
- Matrix / Runout (Side A etched, D stamped, variant 2): T EKS 74024A-CTH D4
- Matrix / Runout (Side B etched, C stamped, variant 2): T 1 EKS 74024B-CTH C4
- Matrix / Runout (Side A etched, variant 3): T c 5[backwards] EKS 74024A-CTH D4
- Matrix / Runout (Side B etched, variant 3): T c[backwards] I EKS 74024B-CTH-1 C5
- Matrix / Runout (Side A etched, Λ stamped, variant 4): T 1 EKS 74024A-CTH-1 Λ5
- Matrix / Runout (Side B etched, Λ stamped, variant 4): T 1 EKS 74024B-CTH-1 Λ11
- Matrix / Runout (Side A etched, variant 5): T 0 5[backwards] EKS 74024A-CTH D5
- Matrix / Runout (Side B etched, variant 5): T c[backwards] 1 EKS 74024B-CTH C1
- Matrix / Runout (Side A etched, variant 6): T o 1 EKS 74024A-CTH-1 D 2
- Matrix / Runout (Side B etched, variant 6): T o 1 EKS 74024B-CTH-1 D 17
- Matrix / Runout (Side A etched, variant 7): T - 5 EKS 74024A-CTH C6
- Matrix / Runout (Side B etched, variant 7): T 1 - EKS 74024B-CTH A9
- Matrix / Runout (Side A etched, variant 8): T 0 5[backwards] EKS 74024A-CTH C[backwards]14
- Matrix / Runout (Side B etched, variant 8): T 1 EKS 74024B-CTH Λ3D 3
- Matrix / Runout (Side A etched, variant 9): T 1 EKS 74024A-CTH-1 8
- Matrix / Runout (Side B etched, variant 9): T o 1 EKS 74024B-CTH B 22
Other Versions (5 of 397)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Waiting For The Sun (LP, Album, Stereo) | Disques Vogue | CLVLXEK. 277, CLVLXEK 277 | 1968 | |||
Recently Edited
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Waiting For The Sun (LP, Album, Stereo) | Elektra | EKS-74024, EKS 74 024 | 1968 | |||
New Submission
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Waiting For The Sun (LP, Album, Promo, Stereo) | Elektra | EKS 74024 | US | 1968 | ||
Recently Edited
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Waiting For The Sun (LP, Album, Stereo) | Elektra | EKS 74024 | UK | 1968 | ||
Waiting For The Sun (LP, Album, Stereo) | Elektra | EKS-74024, EKS 74024 | Israel | 1968 |
Recommendations
Reviews
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My personal favorite doors album with no skips
Best songs are
Spanish caravan
Not to touch the earth
And wintertime love -
I have a VG version of this record. I've washed it twice, but it still crackles like a campfire on some songs.
The sound is all in all like all Elektra Golden Label. Very good stereo mix with a perfect wall of sound. I have reduced the treble a little. -
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My original '68 Gold Label sounds awesome! I would say this is one to get if you can't get the Analogue Productions re-issue one.
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Edited 4 years agoHow many variant of EKS-74024 LP are out there, as regards the circular label on the record and what is the difference ??
price , quality , rarity ?? anyone any comments Why would anyone care less ??
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I have something similar to this one The Doors - Waiting For The Sun but the label texts looks a bit smaller and the etching on side 1 has EKS-74024-A-1A then a couple inches apart it has G1 Side 2 has EKS-74024-A-1A then G1. Can someone help me or is it entirely a new pressing?
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Edited 6 years agoAccording to a documentary I just watched. This album was originally planned to include Morrison's poetic medley "the celebration of the lizard" which can be heard on certain live recordings such as 'the doors in concert' 2x cd, 1991. But apparently the record label thought it too 'out there' or whatever and wanted the record to contain more pop songs. So what you end up with on this album is, in my opinion a lot of filler songs. I can only imagine how good this album would have been if songs like Wintertime Love, Summers Almost Gone, Yes the River Knows and We Could Be So Good Together were replaced with the beautiful celebration of the lizard. It could have been another masterpiece on par with their first two albums. It's a perfect example of how major record labels interfere with the creative vision of the artists because they're much more interested in selling records to the teeny boppers.
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One of the best albums from doors in my opinion. It was definitely the sound in 1968, watching different bands especially the early Steppenwolf singing the Pusher at the Matrix in 67
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