Nine Inch Nails – Hesitation Marks
Tracklist
| A1 | The Eater Of Dreams | 0:53 | |
| A2 | Copy Of A | 5:23 | |
| A3 | Came Back Haunted | 5:17 | |
| A4 | Find My Way | 5:16 | |
| B1 | All Time Low | 6:18 | |
| B2 | Disappointed | 5:44 | |
| B3 | Everything | 3:20 | |
| C1 | Satellite | 5:03 | |
| C2 | Various Methods Of Escape | 5:01 | |
| C3 | Running | 4:08 | |
| D1 | I Would For You | 4:33 | |
| D2 | In Two | 5:32 | |
| D3 | While I'm Still Here | 4:03 | |
| D4 | Black Noise | 1:28 | |
| CD-1 | The Eater Of Dreams | 0:53 | |
| CD-2 | Copy Of A | 5:23 | |
| CD-3 | Came Back Haunted | 5:17 | |
| CD-4 | Find My Way | 5:16 | |
| CD-5 | All Time Low | 6:18 | |
| CD-6 | Disappointed | 5:44 | |
| CD-7 | Everything | 3:20 | |
| CD-8 | Satellite | 5:03 | |
| CD-9 | Various Methods Of Escape | 5:01 | |
| CD-10 | Running | 4:08 | |
| CD-11 | I Would For You | 4:33 | |
| CD-12 | In Two | 5:32 | |
| CD-13 | While I'm Still Here | 4:03 | |
| CD-14 | Black Noise | 1:28 |
Companies, etc.
- Copyright © – The Null Corporation
- Phonographic Copyright ℗ – The Null Corporation
- Licensed To – Columbia Records
- Manufactured By – Columbia Records
- Distributed By – Columbia Records
- Record Company – Sony Music Entertainment
- Published By – Form And Texture
- Published By – Modwheelmusic, Inc.
- Published By – Sony/ATV Acuff Rose Music
- Recorded At – The Village Studios
- Recorded At – Joe's House Of Compression
- Mastered At – Precision Mastering
- Pressed By – United Record Pressing
Credits
- A&R [Publicity] – The Fun Star
- Arranged By – Trent Reznor
- Art Direction – Rob Sheridan (2)
- Artwork – Russell Mills
- Booking [At WME] – Marc Geiger
- Booking [Marc Geiger At] – WME
- Engineer [Additional Recording Engineered By] – Jun Murakawa
- Engineer [Drum Recording] – Jun Murakawa
- Engineer [Engineered By] – Jun Murakawa
- Lacquer Cut By – cB*
- Legal [At Ziffren Brittenham, LLP] – Gary Stiffelman
- Legal [Gary Stiffelman And David Byrnes At] – Ziffren Brittenham, LLP*
- Management – Rebel Waltz
- Management [Business Management, At Gelfand, Rennert And Feldman, LLP] – William "Bill" Harper*
- Management [Business Management, William "Bill" Harper And Michael Walsh At] – Gelfand, Rennert & Feldman, LLP*
- Management [Studio Manager], Coordinator [Project Coordination / Guy That Makes Everything Work] – Dustin Mosley
- Mastered By – Tom Baker (3)
- Mixed By – Alan Moulder
- Photography By [Digital Assitance By] – Michael Webster (3)
- Photography By [Photographed By] – Rob Sheridan (2)
- Producer [Produced By] – Trent Reznor
- Programmed By – Atticus Ross
- Programmed By [Programmed With] – Trent Reznor
- Recorded By [Drum Recording] – Joe Barresi
- Technician [Drum Technician] – Mike Fasano
- Written-By – Trent Reznor
Notes
All songs published by Form And Texture [ascap] except:
The Eater Of Dreams published by Form And Texture / Modwheelmusic, Inc. [ascap]
While I'm Still Here contains portions of 'Weary Blues From Waiting" [Hank Williams, Sr.]
Published by Sony/ATV Acuff Rose Music [bmi]
Additional Recording at the Village Studios, West LA
Drum Recording by Joe Barresi at Jhoc, Pasadena.
Mastered at Precision Mastering, Hollywood, CA.
Thank you: Abelton, Antiquity Music, Stephen Bannister and Joe Taupier from Westlake Pro, Gerry Barad, Karen Ciccone,
Alessandro Cortini, Adrian and Martha Belew, Michele Bernstein, Big City Music, Elena Dickstein and Preferred Travel,
Lon Cohen Studio Rentals, Tom Consolo, Markus Dravs, Erik Eger, Joshua Eustis, Robin Fink, Nicki Goldstein
and Midway Car Rental, Jeff Greenberg and Tina Morris at the Village, Toni Halliday, Izotope, Claudia Lagan,
Christina Lum, Mariqueen, Frank Mcdonough, Ian Montone, Joe Munns, Steve Nighingale, Samantha Sissons,
Rob Flemming, Olivia Hobbs, Hannah Neaves, Susie Ember and the rest of the Universal Music team, Native Instruments,
Amos Newman, Ruiaei O'Flaherty and PMC Ultimate Speakers, David ick, Maurice Patist, Michael Patterson,
Mark Picken, Tony Pinnick and Design FX Audio, Glen Pratley and SSL, Pete Prokopiw, Sandy Roberton, Ross Rosen,
Aaron Rubin, Ilan Rubin, Joe Ryan and Rock-It Cargo, Claudia Sarne, Angela Sidlow, Dave Sitek, Dave Smith,
and everyone at Dave Smith Instruments, Soundtoys, Seph Sowers, Rob Stringer, Ashley Newton, Mark Williams, Joel Klaiman,
Scott Greer, Erika Alfredson, Bryan Younce and the rest of the Columbia team, Marc Vangool, Irina Volodarsky,
Barbara West, Iwoa Wong and Selene Yen.
© & ℗ 2013 Null Corporation, under exclusive license to Columbia Records, a division of Sony Music Entertainment. / Manufactured and distributed by Columbia Records, a division of Sony Music Entertainment.
Gatefold Wallet.
The Eater Of Dreams published by Form And Texture / Modwheelmusic, Inc. [ascap]
While I'm Still Here contains portions of 'Weary Blues From Waiting" [Hank Williams, Sr.]
Published by Sony/ATV Acuff Rose Music [bmi]
Additional Recording at the Village Studios, West LA
Drum Recording by Joe Barresi at Jhoc, Pasadena.
Mastered at Precision Mastering, Hollywood, CA.
Thank you: Abelton, Antiquity Music, Stephen Bannister and Joe Taupier from Westlake Pro, Gerry Barad, Karen Ciccone,
Alessandro Cortini, Adrian and Martha Belew, Michele Bernstein, Big City Music, Elena Dickstein and Preferred Travel,
Lon Cohen Studio Rentals, Tom Consolo, Markus Dravs, Erik Eger, Joshua Eustis, Robin Fink, Nicki Goldstein
and Midway Car Rental, Jeff Greenberg and Tina Morris at the Village, Toni Halliday, Izotope, Claudia Lagan,
Christina Lum, Mariqueen, Frank Mcdonough, Ian Montone, Joe Munns, Steve Nighingale, Samantha Sissons,
Rob Flemming, Olivia Hobbs, Hannah Neaves, Susie Ember and the rest of the Universal Music team, Native Instruments,
Amos Newman, Ruiaei O'Flaherty and PMC Ultimate Speakers, David ick, Maurice Patist, Michael Patterson,
Mark Picken, Tony Pinnick and Design FX Audio, Glen Pratley and SSL, Pete Prokopiw, Sandy Roberton, Ross Rosen,
Aaron Rubin, Ilan Rubin, Joe Ryan and Rock-It Cargo, Claudia Sarne, Angela Sidlow, Dave Sitek, Dave Smith,
and everyone at Dave Smith Instruments, Soundtoys, Seph Sowers, Rob Stringer, Ashley Newton, Mark Williams, Joel Klaiman,
Scott Greer, Erika Alfredson, Bryan Younce and the rest of the Columbia team, Marc Vangool, Irina Volodarsky,
Barbara West, Iwoa Wong and Selene Yen.
© & ℗ 2013 Null Corporation, under exclusive license to Columbia Records, a division of Sony Music Entertainment. / Manufactured and distributed by Columbia Records, a division of Sony Music Entertainment.
Gatefold Wallet.
Barcode and Other Identifiers
- Barcode (Text): 8 8883-74495-1 9
- Barcode (Scanned): 888837449519
- Other (Sticker): 88883744951 S1
- Other (Credit slip): 88883744951-I1
- Other (Inner sleeve, record 1): 88883744951-SV1
- Other (Inner sleeve, record 2): 88883744951-SV2
- Other (Center labels, all sides): C-374495
- Other (CD): CKA-374496
- Matrix / Runout (Runout, side A): 88883744951-A cB ⓤ
- Matrix / Runout (Runout, side B): 88883744951-B cB ⓤ
- Matrix / Runout (Runout, side C): 88883744951-C cB ⓤ
- Matrix / Runout (Runout, side D): 88883744951-D cB ⓤ
- Matrix / Runout (CD matrix): DIDX-1009836 2 A02
- Mastering SID Code (CD mastering SID code): IFPI L328
- Mould SID Code (CD mould SID code): IFPI 50F5
- Matrix / Runout (Label, side A): AL88883744951
- Matrix / Runout (Label, side B): BL88883744951
- Matrix / Runout (Label, side C): CL88883744951
- Matrix / Runout (Label, side D): DL88883744951
- Rights Society: ascap
- Rights Society: bmi
Other Versions (5 of 50)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Hesitation Marks (2×CD, Album, Deluxe Edition, Hardcover Book) | Polydor | 3743876 | Europe | 2013 | |||
| Hesitation Marks (CD, Album, Digipak) | Polydor | 3743875 | Europe | 2013 | |||
| Hesitation Marks (CD, Album, Digipak) | Columbia | 88883744952 | US | 2013 | |||
| Hesitation Marks (2×LP, Album, Stereo, 180 Gram, CD, Album, Stereo) | Polydor | 3744922, 3751784 | Europe | 2013 | |||
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Recently Edited
|
Hesitation Marks (2×CD, Album, Deluxe Edition, Stereo, Hardcover Book) | Columbia | 88883 74496 2 | US | 2013 |
Recommendations
Reviews
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Wonderful sounding vinyl. Clear and crisp. Mine has no surface noise to worry about. No warp either thankfully. -
This is the record that got me into vinyl! Trent's artwork and packaging is always superb, and the record itself sounds great. Really underrated NIN album; Various Methods of Escape is a standout track. -
Edited one year agoApart from some surface noise, this is an excellent pressing. I can deal with a little surface noise. What I can’t deal with is pops, clicks, and dirty sounding vinyl. Thankfully this pressing seems devoid of them. Seems to be mastered at a lower volume so though, so I have to increase the volume a bit when I spin this album but other than that it seems to be very well mastered. Sounds articulate to my ear. Plenty of bass but mids don’t suffer as a result
As far as the music, I think it’s an under appreciated album. I give credit to Reznor for branching out from the usual pit of self loathing, depression, and despair and experimenting with more upbeat pop and dance beats on this album. He still manages to keep one foot in the NIN we’ve all come to love -
Watch out kids! Crosley's new sellers are listing 2021 reissues instead of 2013 first press! Don't fall for it.... -
The copy I have is so noisy it seems like it was recorded on a windy day in a freshly harvested wheat field. Music is 5 Trent in 08’ biceps out of 5 Trent in 08’ biceps. But the sound quality is 2 skinny guys covered in mud out of 5 skinny guys covered in mud. -
Edited 5 years agoThis record still has the doom and gloom theme as other NIN productions but somehow, Reznor's voice seems lighter on this project - as he experiments with tinges of R&B and pop-sensibilities on his vocals over the most smooth instrumental selection other than "Bad Witch". Maybe it'ss because I heard a live youtube bootleg, this group always sounds better recorded on stage than in studio for me, unless we're talking the first few Halos.
Choice cuts :
- Copy Of
- Satellite
- #CVReview -
The sound on the vinyl is an improvement over the CD and the audiophile - you can hear more of the music and the sound quality is terrific. Unfortunately the discs I received have multiple issues. There are scuffs, scratches and dimples. Disc 2 has a minor warp that doesn't affect play. A replacement is on its way. -
Edited 8 years agoGot the record today. Both LPs are pretty badly warped. Is this a known issue for this pressing? I am about to order the replacement.
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