Kansas (2) – Monolith
Tracklist
A1 | On The Other Side | 6:23 | |
A2 | People Of The South Wind | 3:40 | |
A3 | Angels Have Fallen | 6:36 | |
A4 | How My Soul Cries Out For You | 5:18 | |
B1 | A Glimpse Of Home | 7:10 | |
B2 | Away From You | 4:20 | |
B3 | Stay Out Of Trouble | 4:12 | |
B4 | Reason To Be | 3:50 |
Companies, etc.
- Distributed By – CBS Records
- Distributed By – CBS Records Inc.
- Pressed By – Columbia Records Pressing Plant, Terre Haute
- Recorded At – Axis Sound Studio
- Recorded At – Apogee Studios
- Mixed At – Capricorn Sound Studios
- Mastered At – Sterling Sound
- Mastered At – Customatrix
- Copyright © – Corn & Blood, Inc.
- Phonographic Copyright ℗ – CBS Inc.
- Published By – Don Kirshner Music, Inc.
- Published By – Blackwood Music Inc.
Credits
- Art Direction, Design – Tom Drennon
- Bass – Dave Hope
- Design Concept [Album Package Concept] – Kansas (2)
- Drums, Percussion – Phil Ehart
- Engineer – Davy Moire*
- Engineer [Assistant, Axis Studios] – Les Horn
- Engineer [Assistant, Capricorn Studios] – Steve Tillish*
- Guitar – Richard Williams*
- Guitar, Keyboards – Kerry Livgren
- Illustration – Bruce Wolfe
- Management – Budd Carr
- Photography By – Neal Preston
- Producer – Kansas (2)
- Vocals, Keyboards – Steve Walsh
- Vocals, Violin – Robby Steinhardt
Notes
Released with a gatefold and an inner lyrics-sleeve
Recorded at Axis Studios, Atlanta, Georgia. Apogee Studios, Atlanta, Georgia
Mixed at Capricorn Studios, Macon, Georgia.
© 1979 Corn & Blood, Inc.
℗ 1979 CBS Inc.
All songs published by Don Kirshner Music/Blackwood Music Publishing (BMI)
Recorded at Axis Studios, Atlanta, Georgia. Apogee Studios, Atlanta, Georgia
Mixed at Capricorn Studios, Macon, Georgia.
© 1979 Corn & Blood, Inc.
℗ 1979 CBS Inc.
All songs published by Don Kirshner Music/Blackwood Music Publishing (BMI)
Barcode and Other Identifiers
- Pressing Plant ID (Etched in runouts): T1
- Rights Society: BMI
- Matrix / Runout: AL 36008
- Matrix / Runout: BL 36008
- Matrix / Runout (Side A runout, variant 1): T1 AL-36008-1J STERLING
- Matrix / Runout (Side B runout, variant 1): T1-BL36008-1J STERLING
- Matrix / Runout (Side A runout, variant 2): o T1 AL-36008-1G A2 STERLING
- Matrix / Runout (Side B runout, variant 2): o T1 BL-36008-1C C8 STERLING
- Matrix / Runout (Side A runout, variant 3): o T1 AL-36008-1C D STERLING
- Matrix / Runout (Side B runout, variant 3): o T1 BL-36008-1C F STERLING
- Matrix / Runout (Side A runout, variant 4): o T1 AL-36008-1J B STERLING
- Matrix / Runout (Side B runout, variant 4): o T1 BL-36008-1C F27 STERLING
- Matrix / Runout (Side A runout, variant 5): o T1 AL-36008-1C D11 STERLING
- Matrix / Runout (Side B runout, variant 5): o T1 BL-36008-1C C4 STERLING
Other Versions (5 of 80)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Monolith (LP, Album, Stereo, Gatefold) | Kirshner | KIR 83644 | Europe | 1979 | |||
Recently Edited
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Monolith (LP, Album, Stereo, Gatefold) | Epic | EPC 83644 | Italy | 1979 | ||
Recently Edited
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Monolith (LP, Album, Gatefold) | Kirshner | FZ 36008 | Canada | 1979 | ||
New Submission
|
Monolith (Cassette, Album) | Kirshner | FZT 36008 | US | 1979 | ||
Monolith (LP, Album, Gatefold) | Epic | EPIC-154, EPCT-154 | Venezuela | 1979 |
Recommendations
Reviews
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As Kerry Livgren stated in a quite recent interview, Kansas began a prolonged down slope in of quality post "Point of Know Return". The 1979's release "Monolith" is a very mannered, unfocused and stale offering from a band that just before positioned itself at the top of american progressive music, suffering from ideas badly molded together from which you can feel a drain of inspiration and an evident fatigue in the Kansas' camp. Some of the tracks are easily the worst of the original line-up, such as "People of the south wind", "Angels have fallen" and "How my soul cries out for you", connoted by weird or poorly refined arrangements. Livgren is the usual band's benchmark and is able to deliver the best tunes of this selection: the opener "On the other side" has a gigantic epic riff, a nice arpeggio and gracious moments in which Steve Walsh vocals stand out beautifully; "A glimpse of home", with its operistic colorful coda, is the most convincing prog construction of the album, albeit the big guitar chords repetitiveness is a bit crudely attached to a song that should have gone somewhere else; "Reason to be" is quite pleasing but it 's no more than a too simplistic "Dust in the wind"-wannabe ballad. Steve Walsh' best output is the lively but busy "Away from you" and the more playful "Stay out of trouble", but they are definitely sub-standard for Kansas. 2,5/5.
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In total agreement! It wasn't that way for my first 20+ years of Kansas fandom, but this album has crept up on me. Now stands right there along with all the prior greatness before it. Listen deeply.
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It's not difficult to make a case for this being Kansas' finest hour. This is such an amazing record! One of the best album covers of all time too. Find an original copy-- they are not hard to find, and it's worth it. No modern reissue will ever equal the excellence of a AAA original pressing.
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