The Beatles – Let It Be
Label: |
Apple Records – PCS 7096 |
---|---|
Format: |
Vinyl
, LP, Album, Reissue, Stereo
|
Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
Pop Rock |
Tracklist
A1 | Two Of Us | 3:33 | |
A2 | Dig A Pony | 3:55 | |
A3 | Across The Universe | 3:51 | |
A4 | I Me Mine | 2:25 | |
A5 | Dig It | 0:51 | |
A6 | Let It Be | 4:01 | |
A7 | Maggie Mae | 0:39 | |
B1 | I've Got A Feeling | 3:38 | |
B2 | One After 909 | 2:52 | |
B3 | The Long And Winding Road | 3:40 | |
B4 | For You Blue | 2:33 | |
B5 | Get Back | 3:09 |
Companies, etc.
- Record Company – EMI Records Ltd.
- Manufactured By – EMI Records Ltd.
- Made By – Garrod & Lofthouse Ltd.
- Printed By – Garrod & Lofthouse Ltd.
- Published By – Northern Songs
- Published By – Harrisongs
- Published By – Startling Music
Credits
- Design – John Kosh
- Mastered By – HTM*
- Photography By – Ethan Russell
- Producer [Reproduced For Disc By] – Phil Spector
- Written-By – Lennon-McCartney (tracks: A1 to A3, A6, B1 to B3, B5)
Notes
4th UK issue
Side A was cut Feb 10 1982
Side B was cut Mar 29 1982
Reissue with Parlophone boxed logo on reverse (see pictures) of cover at bottom. This logo was typically a sign of an export release. While this release has an Apple LP inside, there is no Apple logo on back cover. Both LP and cover spine list this as PCS 7096.
Close to Let It Be but have "Manufactured in the UK by EMI Records limited" statement on rim of labels.
A1 to A3, A5 to B3,B5 to B7: Northern Songs. NCB
A4,B4, B5, B7: Harrisongs
B5, B7: Startling Music
℗ 1970
Thanks to George Martin / Glyn Johns / Billy Preston / Mal Davies / Peter Brown / Richard Hewson / Brian Rogers
Manufactured in England by E.M.I. Records (The Gramophone Company Ltd.)
Side A was cut Feb 10 1982
Side B was cut Mar 29 1982
Reissue with Parlophone boxed logo on reverse (see pictures) of cover at bottom. This logo was typically a sign of an export release. While this release has an Apple LP inside, there is no Apple logo on back cover. Both LP and cover spine list this as PCS 7096.
Close to Let It Be but have "Manufactured in the UK by EMI Records limited" statement on rim of labels.
A1 to A3, A5 to B3,B5 to B7: Northern Songs. NCB
A4,B4, B5, B7: Harrisongs
B5, B7: Startling Music
℗ 1970
Thanks to George Martin / Glyn Johns / Billy Preston / Mal Davies / Peter Brown / Richard Hewson / Brian Rogers
Manufactured in England by E.M.I. Records (The Gramophone Company Ltd.)
Barcode and Other Identifiers
- Matrix / Runout (Label: A-Side): YEX 773
- Matrix / Runout (Label: B-Side): YEX 774
- Matrix / Runout (Side A runout etched variant 1): YEX 773 - 4
- Matrix / Runout (Side B runout etchedvariant 1): YEX 774 - 5
- Matrix / Runout (Side A runout stamped variant 2): YEX 774-4
- Matrix / Runout (Side B runout stamped variant 2): YEX 774-5
- Matrix / Runout (Side A+B runout etched variant 2): HTM
Other Versions (5 of 748)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
Let It Be (LP, Album, Stereo, Winchester Pressing, Gatefold) | Apple Records | AR 34001 | US | 1970 | ||
Recently Edited
|
Let It Be (LP, Album, Repress, Stereo) | Apple Records | PCS 7096 | UK | 1970 | ||
Recently Edited
|
Let It Be (LP, Album, Box Set, Limited Edition, Book) | Apple Records | SOAL 6351 | Canada | 1970 | ||
Let It Be (LP, Album, Box Set, Limited Edition, Book) | Apple Records | PCSM 7096 | New Zealand | 1970 | |||
Recently Edited
|
Let It Be (LP, Album, Box Set, Limited Edition, Book) | Apple Records | PXS 1, PCS 7096 | UK | 1970 |
Recommendations
Reviews
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It is definitely one of the best sounding just for the fact that it was remastered by H. Moss in 1982 so at the height of analog audio systems before the advent of digital. Moss's work, excellent as usual, was to give a more current and modern sound from the original 1970 by Glyn Jones. So the sound is very elaborate, open and silky.
For those who want a full analog listening without tricks, full and satisfying, you can't go wrong in buying it, especially considering the price. This is the copy to have among all. -
It might be one of the best sounding vinyl release of the album(should still compare to the Japanese ones). Yet, pronounced annoying static noise is there on tracks B3-B5 and A1 here and there. Warped slightly on side 2(flat almost still). Bought it from the original owner in NM condition. The surface looks ideally under direct bulb light on both sides. Great sound engineering and mastering work. The print quality of the release is questionable for occasional pronounced side noises(vinyl material quality itself ?). Or, otherwise, it might be an exceptional case I ran into with my copy of the record.
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This is a really great sounding LP pressing...I got this one when I found a Beatles BC-13 Blue box from 1985 at my local indie store. I haven't listened to my red Apple Let It Be I found at a garage sale back in the late 70s in years but I can tell you this one sounds better...and I have been listening to the MFSL, 2012 Reissue LP, and a Japanese DMM (digital source) recently and this compares very favorably.
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Just got this. Sounds great but honestly, I'm no audiophile, but I can't tell much of a difference btw this and the US versions I have. Maybe this is a bit cleaner sounding, idk. My uk yellow submarine also sounds just like the US one I have. But white album down to please please me I prefer the UK copies hands down.
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