Tracklist
| A1 | Worms Of The Senses/Faculties Of The Skull | |
| A2 | Liberation Frequency | |
| A3 | The Deadly Rhythm | |
| B1 | Summerholidays Vs. Punkroutine | |
| B2 | Bruitist Pome #5 | |
| B3 | New Noise | |
| C1 | The Refused Party Program | |
| C2 | Protest Song '68 | |
| C3 | Refused Are Fuckin Dead | |
| D1 | The Shape Of Punk To Come | |
| D2 | Tannhä / Derivè | |
| D3 | The Apollo Programme Was A Hoax |
Companies, etc.
- Licensed To – Epitaph Records
- Manufactured By – Epitaph Records
- Distributed By – Epitaph Records
Notes
Originally pressed on single LP, this album was remastered for vinyl and split into two LPs so it can be experienced in its fullest sonic quality.
No DVD included in this version.
No DVD included in this version.
Barcode and Other Identifiers
- Barcode: 0 45778 69811 0
- Matrix / Runout (Side A): EPITAPH 86981-1RM 2010 A
- Matrix / Runout (Side B): EPITAPH 86981-1RM 2010 B
- Matrix / Runout (Side C): EPITAPH 86981-1RM 2010 C
- Matrix / Runout (Side D): EPITAPH 86981-1RM 2010 D
Other Versions (5 of 49)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) (CD, Album, Stereo) | Startracks | BHR 071, BHR071 | Sweden | 1998 | |||
|
Recently Edited
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The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) (LP, Album) | Startracks | BHR MoCliff 013 | Sweden | 1998 | ||
|
Recently Edited
|
The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) (LP, Album) | Startracks | 82001-1 | US | 1998 | ||
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Recently Edited
|
The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) (CD, Album) | Burning Heart Records | 82001-2 | US | 1998 | ||
|
Recently Edited
|
The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) (CD, Album) | Shock (2) | BHR 071 | Australia | 1998 |
Recommendations
Reviews
-
Edited 7 months agoColor me surprised at how good this sounds. I came in with the assumption that the mix was going to be unlistenably hot and the cymbals (which are so heavy in the mix) would be a mess. But, they're not. I was preparing to shrug and say, "I don't know what I expected. Why would this sound any good on vinyl?" But, it really, really does. Perfectly clear, fantastic mix, brutal noise.
Edit: Why a 4/5? Because, I tend to reserve 5's for something where it's so good that it's a unique experience and you really aught to listen to this particular release and not the digital copy, and that's not really true here. It sounds really, really good, but it doesn't bring a wholly different experience than does my trashed CD from the 90s. -
Edited 4 years agothis particular pressing sounds f'n fantastic. i grew up pumping this album as loud as my speakers could handle, and this is as good as it has sounded. so glad to own this piece of history. so glad to have the airwavvves back. -
Hello,
i can't find a version of the copy I have, which says it 2010 and it on black 180g. The first side matrix runout is:
86981-1A (looks like a sideways peace sign) and than JW100304 and S-72000
Has anyone else come across this? The runout matches the blue swirl but mine is not blue swirl.
Thanks in advance -
One of the best hardcore records from the 90's. There is a significant amount of surface noise between tracks and in the quiet ages... which are minimal at best. When the songs are rolling, you won't care because this album is loud and in your face & more important... in your ears!!! Sound quality is deep and dynamic. Nice mastering and worth the purchase.
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