RefusedThe Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts)

Label:

Startracks – BHR MoCliff 013

Format:

Vinyl , LP, Album

Country:

Sweden

Released:

Genre:

Rock

Style:

Post-Hardcore

Tracklist

A1 Worms Of The Senses / Faculties Of The Skull
A2 Liberation Frequency
A3 The Deadly Rhythm
A4 Summerholidays Vs. Punkroutine
A5 Bruitist Pome #5
A6 New Noise
A7 The Refused Party Program
B1 Protest Song '68
B2 Refused Are Fuckin Dead
B3 The Shape Of Punk To Come
B4 Tannhä / Derivè
B5 The Apollo Programme Was A Hoax

Companies, etc.

  • Pressed ByAudiodisc AB
  • Lacquer Cut AtCutting Room

Credits

  • Bass [Upright]Jakob Munck
  • Bass, CelloMagnus Björklund
  • Drums, Guitar, MelodicaDavid*
  • Guitar, Bass, DrumsKristofer*
  • Guitar, SamplerJon*
  • Lacquer Cut ByPD*
  • Recorded By, Producer, Mixed By, Mastered ByRefused
  • TambourinePelle Henricsson
  • ViolinTorbjörn Näsbom
  • VocalsDennis*

Notes

The lower right live photo on the front cover of Dennis Lyxzén is unique for this pressing. On later pressings the live photo is changed to a photo of Jon Brännström playing guitar instead. Comes with insert and black inner sleeve.

Mastering studio and - engineer uncredited, identifed by the etched scheme in the matrix runout.
Pressing company uncredited, identifed by the etched name in the matrix runout.

Barcode and Other Identifiers

  • Barcode: 7391946079209
  • Matrix / Runout (Side A, etched): BHR 071 A PD-CR Audiodisc 980121
  • Matrix / Runout (Side B, etched): BHR 071 B PD-CR Audiodisc 980121

Other Versions (5 of 49)

View All
Title (Format) Label Cat# Country Year
The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) (CD, Album, Stereo) Startracks BHR 071, BHR071 Sweden 1998
Recently Edited
The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) (LP, Album) Startracks 82001-1 US 1998
Recently Edited
The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) (CD, Album) Burning Heart Records 82001-2 US 1998
Recently Edited
The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) (CD, Album) Shock (2) BHR 071 Australia 1998
New Submission
The Shape Of Punk To Come (A Chimerical Bombination In 12 Bursts) (CD, Album, Promo) Burning Heart Records BHR 071 Sweden 1998

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Reviews

  • historiunx's avatar
    historiunx
    one of the is a massive poser, keeps sending me nonsense i´ll slap up the silly cunt
    • killos's avatar
      killos
      Love the album, one of the best. It will never go out of style ;). Perfect sounding record. Compared the original to some american repress by Epitaph, and what to say when the one sounds flawless and the other just sucks giving you much worse experience then the really old MP3s, which you know by heart so you got no doubt. Can ice cream?
      • samaney's avatar
        samaney
        Does anyone know what the numbers after the track names refer to on the back? They don't appear to refer to seconds.
        • markpotato's avatar
          markpotato
          Still kind of a masterpiece. In response to an earlier review stating that it's not punk as its title states and that punk didn't end up sounding like this, the title is an homage to Ornette Coleman's The Shape of Jazz to Come, which similarly, was not what jazz ended up sounding like. That album was more like "The Shape of Ornette Coleman's Jazz to Come" because he carved such a unique niche for himself that even the most similar artists were not so similar. This album cover too is an homage to jazz album covers from the late 50s and early 60s which was a major turning point in the genre. The title signifies change, transformation, progression.
          • rchecka's avatar
            rchecka
            They can call it punk in the title, but this is NOT a punk record. It's one thing to have some cross genre fusion elements injected into it for the sake of the evolution of sound, but it's an entirely different thing to throw the baby out with the bathwater, drop even the simplest most basic foundations of punk music and then act like this is how punk is from now on. If it was truly "future" punk as they so boldly implied, it certainly didn't catch on, because even now no real punk sounds anything like that. It's got to look like a duck and talk like a duck to be a duck.

            I like the album, but it's not the punk revolution it promised to be. I'm all for musicians breaking the mold and innovation in general but if you call a minivan a sports car, gear heads are going to still call it a minivan despite their ments.
            • ccfixx's avatar
              ccfixx
              Correct me if I'm wrong, but there haven't been any remastered CD releases of this album, have there? There's a 96kHz/24bit of the album from the 2010 remaster available from Pono, HDTracks, etc., but I just wanted to confirm that outside of the LP reissues the 2010 remaster isn't available on a physical format?
              • Maffew's avatar
                Maffew
                Edited 18 years ago
                Quite possibly the most influential release in the 90's on the current main stream hard rock/metal sound, which can be heard in bands such as The Used, Hawthorne Heights and countless others. This album combined elements of traditional breakdown hardcore with screamo while retaining song composition, the likes that hasnt been seen since the early days of Bad Brains. While "humble" wouldnt describe the bands effort here, they certainly werent above stepping outside the boundaries of the traditional format of the days hardcore elements.

                This sociopolitical laden concept album sacrifices nothing in the way of auditory complexity. Songs like "The Shape of Punk to Come" reveal layer after layer of sonic depth. Tracks flow into each other and create a non-stop experience that makes it hard to listen to just one song. The album provides a great commentary on the current climate that is still relevant 10 years after the fact.

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