Moby – Destroyed
Label: |
Little Idiot – IDIOT010 |
|---|---|
Format: |
CD
, Album
|
Country: |
Europe |
Released: |
|
Genre: |
Electronic |
Style: |
Downtempo |
Tracklist
| 1 | The Broken Places | 4:09 | |
| 2 | Be The One | 3:29 | |
| 3 | Sevastopol | 4:20 | |
| 4 | The Low Hum | 4:12 | |
| 5 | Rockets | 4:47 | |
| 6 | The Day | 4:32 | |
| 7 | Lie Down In Darkness | 4:25 | |
| 8 | Victoria Lucas | 5:54 | |
| 9 | After | 5:29 | |
| 10 | Blue Moon | 3:30 | |
| 11 | The Right Thing | 4:25 | |
| 12 | Stella Maris | 5:13 | |
| 13 | The Violent Bear It Away | 6:50 | |
| 14 | Lacrimae | 8:05 | |
| 15 | When You Are Old | 2:18 |
Credits
- Artwork [Photo Retouching] – Eric White (11)
- Design [Graphic Design] – Chris Ritchie
- Mastered By – Joe Lambert
- Mixed By – Ken Thomas
- Mixed By [Assistant] – Ted Young
- Performer – Moby
- Photography By – Moby
- Producer – Moby
- Written By – Moby
Notes
All tracks recorded in UK & USA
℗ 2011 Little Idiot
© 2011 Little Idiot
Released in conjunction with Embassy of Music , Austria; Musikvertrieb Switzerland; Edel Italy, Portugal; PIAS BeNeLux, Spain.
Exclusively licensed to Mute for USA.
All rights reserved.
Cover photo taken from Moby's new photobook "Destroyed" released in conjunction with Damiani
℗ 2011 Little Idiot
© 2011 Little Idiot
Released in conjunction with Embassy of Music , Austria; Musikvertrieb Switzerland; Edel Italy, Portugal; PIAS BeNeLux, Spain.
Exclusively licensed to Mute for USA.
All rights reserved.
Cover photo taken from Moby's new photobook "Destroyed" released in conjunction with Damiani
Barcode and Other Identifiers
- Barcode (Text): 5 06023 6630469
- Barcode (Scanned): 5060236630469
- Label Code: 24833
- Matrix / Runout: AB28197-01
- Mastering SID Code: ifpi L574
- Mould SID Code: IFPI 9703
- Other: manufactured by opitimal media production
Other Versions (5 of 34)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Destroyed (CDr, Unofficial Release) | Not On Label (Moby) | none | US | 2011 | ||
|
Recently Edited
|
Destroyed (CD, Album, Limited Edition, Book) | Little Idiot | none | UK, Europe & US | 2011 | ||
|
New Submission
|
Destroyed (CD, Album, Limited Edition, Digibook) | Little Idiot | IDIOT010X | UK, Europe & US | 2011 | ||
| Destroyed (Deluxe Version) (16×File, AAC, Album, 256 kbps, 6×File, MPEG-4 Video, All Media, Deluxe Edition) | Little Idiot | none | 2011 | ||||
| Destroyed (16×File, AAC, Album, 256 kbps) | Little Idiot | none | 2011 |
Recommendations
Reviews
-
Edited 9 years agoThis is one of those albums where, when you listen to it again after a while, you'll think you have heard this music on some other cd of Moby somewhere. But it's actually only on this release. I think this describes the album best. It's nice to listen to the album as a whole, but there isn't much that will stick to you after the first few listens. It's not that the tracks are too simple. In fact they are a bit on the softer and more "simple" side, but that's not always a bad thing. He is bringing us beautiful and memorable music.
I'll give this album 4/5. It's better than most other Downtempo music and it's great on many occasions. But compared to his other works this is not outstanding. It's not as deeply melancholic as Wait For Me and it's not as joyfully everlasting as Play and 18.But if the man would release 10 more albums like this, I'd buy them all.
Like the person below me I'm also going to edit my review: The word "simple" might sound harsh describing this release. I meant it in a "less is more" kind of way. This has become my second favorite album of his after "Wait For Me". It's honest, pure and sensitive. I could listen to his music forever. -
Edited 13 years agoI think I know what he was trying to do but it didn't work out. I Always give him another shot to try in the future.
Update : liking it more. It actually might be the first album you play of his where if you don't pay attention to it it gets better. Most Moby music being in your face. This still is but the charm is more subliminal.
Might be moby's most interesting release he's done. Can't figure out whether its a his second peak of quality like in the early 90's. Forget his popular period
Release
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