Lana Del ReyDid You Know That There's A Tunnel Under Ocean Blvd

Label:

Interscope Records – 00602455533968

Format:

2 x Vinyl , LP, Album , Explicit Alternative Artwork

Country:

Worldwide

Released:

Genre:

Pop

Style:

Indie Pop

Tracklist

A1 The Grants
Acoustic GuitarMike Hermosa
Backing VocalsShikena Jones
BassZach Dawes*
Electric GuitarBenji Lysaght
EngineerMichael Harris (10)
Engineer [Assistant Engineers]Mark Aguilar (3)
Mastered ByRuairi O'Flaherty
Mixed ByDean Reid
Piano, Synth [Synth Bass], Synth [Prophet], Organ [Hammond B3], Strings, Arranged By [String Arrangement]Drew Erickson
ProducerZach Dawes*
Vocals, Backing VocalsLana Del Rey
Written-ByMike Hermosa
4:55
A2 Did You Know That There's A Tunnel Under Ocean Blvd
Acoustic GuitarMike Hermosa
Acoustic Guitar, Effects [Sound Effects]Benji Lysaght
Backing VocalsVoncielle Faggett
CelloJake Braun*
Clarinet, SaxophoneLogan Hone
DrumsJim Keltner
Drums, Programmed By, Bass [Juno Bass], Electric GuitarJack Antonoff
EngineerMichael Harris (10)
Engineer [Assistant Engineers]Megan Searl
Mastered ByRuairi O'Flaherty
Mixed ByLaura Sisk
Piano, Synth [Moog Bass], Conductor, Arranged By [String Arrangement]Drew Erickson
ProducerZach Dawes*
ViolinWynton Grant
Vocals, Backing VocalsLana Del Rey
Written-ByMike Hermosa
4:45
A3 Sweet
CelloJake Braun*
EngineerMichael Harris (10)
Engineer [Assistant Engineers]Jon Sher
Mastered ByRuairi O'Flaherty
Mixed ByMichael Harris (10)
Piano, Organ [Hammond B3], Bass [Prophet Bass], Conductor, Arranged By [String Arrangement]Drew Erickson
ProducerLana Del Rey
ViolinWynton Grant
Vocals, Backing VocalsLana Del Rey
Written-ByLana Del Rey
3:35
A4 A&W
Backing VocalsSam Dew
Drums, Programmed By, Acoustic Guitar, 12-String Acoustic Guitar, Chimes, Piano, Synth [Moog Bass], Synth [Juno], Synth [Moog FX], MellotronJack Antonoff
Engineer [Assistant Engineers]Rémy Dumelz
Mastered ByRuairi O'Flaherty
Mixed ByLaura Sisk
ProducerLana Del Rey
Recorded ByLaura Sisk
Vocals, Backing Vocals, GlockenspielLana Del Rey
Written-ByLana Del Rey
7:13
B1 Candy Necklace
Arranged By [Strings Arranged By]Ian Doerr
Double BassBrian Long (7)
Electric GuitarWill Worden
Electric Piano [Rhodes], Mellotron, CelestaIan Doerr
EngineerKaleb Rollins
Engineer [Assistant Engineers]Gregg White (3)
FeaturingJon Batiste
Lead Guitar [Lead Electric Guitar]Nick Waterhouse (2)
Mastered ByRuairi O'Flaherty
Mixed ByDean Reid
Pedal Steel Guitar, Baritone Guitar, Acoustic GuitarConnor Gallaher
PianoJon Batiste
ProducerZach Dawes*
Producer [Additional Production]Nick Waterhouse (2)
Twelve-String Guitar [12 String Electric Guitar]Jackson Macintosh
Violin, CelloFelix Havstad Ziska
VocalsLana Del Rey
Written-ByLana Del Rey
5:14
B2 Jon Batiste Interlude
Bass, Drums, Electric Guitar, Mellotron, Piano, Programmed ByJack Antonoff
EngineerLaura Sisk
Engineer [Assistant Engineers]Megan Searl
Mastered ByRuairi O'Flaherty
Mixed ByLaura Sisk
ProducerZach Dawes*
VocalsLana Del Rey
Vocals, PianoJon Batiste
Written-ByLana Del Rey
3:33
B3 Kintsugi
Drums, Piano, Acoustic Guitar, Synth [Prophet]Jack Antonoff
EngineerLaura Sisk
Engineer [Assistant Engineers]Megan Searl
Mastered ByRuairi O'Flaherty
Mixed ByLaura Sisk
ProducerLana Del Rey
Vocals, WhistleLana Del Rey
Written-ByLana Del Rey
6:18
C1 Fingertips
EngineerMichael Harris (10)
Engineer [Assistant Engineer]Jon Sher
Mastered ByRuairi O'Flaherty
Mixed ByDean Reid
Piano, Organ [Hammond B3], Synth [Prophet Bass], Synth [Prophet Pad], Electric Piano [Wurlitzer], Mellotron [Mellotron Choir], Strings, Arranged By [String Arrangement]Drew Erickson
ProducerDrew Erickson
VocalsLana Del Rey
Written-ByLana Del Rey
5:48
C2 Paris, Texas
Acoustic Guitar, Electric Guitar, Mellotron, Piano, Synth [Moog Bass]Jack Antonoff
EngineerLaura Sisk
Engineer [Assistant Engineers]Megan Searl
FeaturingSYML
Mastered ByRuairi O'Flaherty
Mixed ByLaura Sisk
PianoBrian Fennell
ProducerLana Del Rey
VocalsLana Del Rey
Written-ByLana Del Rey
3:26
C3 Grandfather Please Stand On The Shoulders Of My Father While He's Deep-Sea Fishing
Drums, Electric Guitar, Synth [Korg Synth], Mellotron, Synth [Juno Bass], Synth [Korg Bass]Jack Antonoff
EngineerLaura Sisk
Engineer [Assistant Engineers]Megan Searl
FeaturingRiopy
Mastered ByRuairi O'Flaherty
Mixed ByLaura Sisk
PianoJean-Phillipe Riopy*
ProducerLana Del Rey
SaxophoneEvan Smith (2)
VocalsLana Del Rey
Written-ByRiopy
4:00
C4 Let The Light In
12-String Acoustic Guitar, Acoustic Guitar, Electric GuitarBenji Lysaght
Acoustic Guitar, PianoMike Hermosa
BassZach Dawes*
EngineerMichael Harris (10)
Engineer [Assistant Engineers]Mark Aguilar (3)
FeaturingFather John Misty
Mastered ByRuairi O'Flaherty
Mixed ByDean Reid
Piano, Drums, Organ [Hammond B3], Synth [Prophet], Strings, Arranged By [String Arrangement]Drew Erickson
ProducerMike Hermosa
VocalsJosh Tillman*
Vocals, Backing VocalsLana Del Rey
Written-ByMike Hermosa
4:38
D1 Margaret
EngineerLaura Sisk
Engineer [Assistant Engineers]Megan Searl
FeaturingBleachers
Guitar, SynthMikey Freedom Hart
Mastered ByRuairi O'Flaherty
Mixed ByLaura Sisk
PercussionMike Riddleberger*
ProducerLana Del Rey
Recorded By [Evan Smith's Performance Recorded By]Evan Smith (2)
Recorded By [Mike Riddleberger's Performance Recorded By]Mike Riddleberger*
Recorded By [Mikey Freedom Hart's Performance Recorded By]Mikey Freedom Hart
Recorded By [Sean Hutchinson's Performance Recorded By]Sean Hutchinson (3)
Recorded By [Zem Audu's Performance Recorded By]Zem Audu
SaxophoneZem Audu
Vocals, Backing VocalsLana Del Rey
Vocals, Backing Vocals, Bass, Electric Guitar, Drums, Programmed By, Piano, Mellotron, Omnichord, Acoustic Guitar, 12-String Acoustic Guitar, BanjoJack Antonoff
Written-ByLana Del Rey
5:39
D2 Fishtail
Drums, Synth [Moog Bass], Programmed By, Piano, Omnichord, Mellotron, Electric Guitar, 12-String Acoustic GuitarJack Antonoff
EngineerLaura Sisk
Engineer [Assistant Engineers]Megan Searl
Mastered ByRuairi O'Flaherty
Mixed ByLaura Sisk
ProducerLana Del Rey
VocalsLana Del Rey
Voice [Talking]Chuck Grant*
Written-ByLana Del Rey
4:02
D3 Peppers
Acoustic GuitarMike Hermosa
Bass, KeyboardsGus Seyffert
DrumsCarla Azar
Electric Guitar, Acoustic Guitar, Chimes, Drums, Programmed By, Synth [Moog Model D]Jack Antonoff
EngineerMichael Harris (10)
Engineer [Assistant Engineers]Megan Searl
FeaturingTommy Genesis
GuitarBenji Lysaght
Mastered ByRuairi O'Flaherty
Mixed ByLaura Sisk
Mixed By [Tommy Genesis's Performance Mixed By], Mastered By [Tommy Genesis's Performance Mastered By]Matthew Harvey*
OmnichordPhoenix Grant
ProducerLana Del Rey
Producer [Tommy Genesis's Performance Produced By]Father (11)
VocalsTommy Genesis
Vocals, Backing VocalsLana Del Rey
Written-ByTommy Genesis
Written-By [Tommy Genesis's Performance Written By]Tommy Genesis
4:08
D4 Taco Truck x VB
Electric Guitar, Programmed By, Backing Vocals, Synth [Moog Bass], Synth [Juno Bass], Piano, Drums, Keyboards, Mellotron, Synth [Korg M1]Jack Antonoff
EngineerLaura Sisk
Engineer [Assistant Engineers]Megan Searl
Mastered ByRuairi O'Flaherty
Mixed ByLaura Sisk
ProducerLana Del Rey
Vocals, Backing VocalsLana Del Rey
Voice [Talking]Margaret Qualley
Written-ByMike Hermosa
5:53

Companies, etc.

  • Phonographic Copyright ℗Lana Del Rey
  • Copyright ©Lana Del Rey
  • Licensed ToUniversal Music Operations Ltd.
  • Record CompanyUniversal International Music B.V.
  • Published ByCopyright Control
  • Published ByDucky Donath Music
  • Published BySony/ATV Songs LLC
  • Published ByNaht Jona LLC
  • Published ByBLF Music Group
  • Published ByIncognito Street Music
  • Mastered AtNomograph Mastering
  • Pressed ByGZ Media – 262254E
  • Pressed ByGZ Media – 262253E
  • Lacquer Cut AtSterling Sound

Credits

  • Artwork [Artwork Produced At]Cineaste
  • Artwork [Artwork Producer]Taylor Vandegrift
  • DesignNeil Krug
  • Design Concept [Art Concept]Neil Krug
  • IllustrationKaiman Kazazian
  • Lacquer Cut ByJN-H*
  • Photography ByNeil Krug

Notes

Store exclusive, explicit cover edition in a gatefold sleeve.
This release does not feature the track "Judah Smith Interlude" like the other versions of the album.
Includes printed inner sleeves.
Although a few retailers marketed this as 'Limited' the official webstore did not.

Sticker attached to the rear shrink wrap: "Made In Czech Republic".

A Polydor Records Release / An Interscope Records Release in the USA. ℗ & © 2023 Lana Del Rey under exclusive license to Universal Music Operations Limited.
Made in the EU. Universal International Music B.V., 's-Gravelandseweg 80, 1217 EW Hilversum, Netherlands.

Photographed in Los Angeles in the summer of 2022

The Grants:
Published by Copyright Control
Mastered... at Nomograph Mastering, Los Angeles CA

Did You Know That There's A Tunnel Under Ocean Blvd:
Published by Copyright Control
Mastered... at Nomograph Mastering, Los Angeles CA

Sweet:
Published by Copyright Control
Mastered... at Nomograph Mastering, Los Angeles CA

A&W:
Published by Copyright Control / Ducky Donath Music (BMI) istered by Sony/ATV Songs LLC
Mastered... at Nomograph Mastering, Los Angeles CA

Candy Necklace:
Published by Copyright Control and Naht Jona LLC
Mastered... at Nomograph Mastering, Los Angeles CA
Jon Batiste appears courtesy of Verve Records

Jon Batiste Interlude:
Published by Copyright Control and Naht Jona LLC
Mastered... at Nomograph Mastering, Los Angeles CA

Kintsugi:
Published by Copyright Control / Ducky Donath Music (BMI) istered by Sony/ATV Songs LLC
Mastered... at Nomograph Mastering, Los Angeles CA

Fingertips:
Published by Copyright Control
Mastered... at Nomograph Mastering, Los Angeles CA

Paris, Texas:
Published by Copyright Control / BLF Music Group (BMI). istered by Incognito Street Music
Mastered... at Nomograph Mastering, Los Angeles CA
SYML's performance recorded at Black Door Studios in Sammamish, WA
SYML appears courtesy of Nettwerk Music Group

Grandfather Please Stand On The Shoulders Of My Father While He's Deep-Sea Fishing:
Published by Copyright Control
Mastered... at Nomograph Mastering, Los Angeles CA
Contains a sampled extract of the recording "Flo" by RIOPY licensed courtesy of Parlophone Records Limited trading as Warner Classics

Let The Light In:
Published by Copyright Control
Mastered... at Nomograph Mastering, Los Angeles CA
Father John Misty appears courtesy of Sub Pop Records

Margaret:
Published by Copyright Control / Ducky Donath Music (BMI) istered by Sony/ATV Songs LLC
Mastered... at Nomograph Mastering, Los Angeles CA
Bleachers appears courtesy of RCA Records

Fishtail:
Published by Copyright Control / Ducky Donath Music (BMI) istered by Sony/ATV Songs LLC
Mastered... at Nomograph Mastering, Los Angeles CA

Peppers:
Published by Copyright Control
Mastered... at Nomograph Mastering, Los Angeles CA
Tommy Genesis's performance originally released on "Tommy Genesis - World Vision"...

Taco Truck x VB:
Published by Copyright Control / Ducky Donath Music (BMI) istered by Sony/ATV Songs LLC
Mastered... at Nomograph Mastering, Los Angeles CA

Runouts are stamped except for 'JN-H' and the 5553394-_ (I) piece at the end.

Barcode and Other Identifiers

  • Barcode (Text): 6 02455 53396 8
  • Barcode (Scanned): 602455533968
  • Label Code: LC 00309
  • Rights Society: BIEM/SDRM
  • Matrix / Runout (Side A runout, variant 1): 262253E1 1655515 STERLING JN-H 5553394-A 5553394-A (I)
  • Matrix / Runout (Side B runout, variant 1): 262253E2 1656816 STERLING JN-H 5553394-B 5553394-B (I)
  • Matrix / Runout (Side C runout, variant 1): 262254E1 1629100 STERLING JN-H 5553395-A 5553395-C (I)
  • Matrix / Runout (Side D runout, variant 1): 262254E2 1629095 STERLING JN-H 5553395-B 5553395-D (I)
  • Matrix / Runout (Side A runout, variant 2): 262253E1 1623500 STERLING JN-H 5553394-A 5553394-A (I)
  • Matrix / Runout (Side B runout, variant 2): 262253E2 STERLING JN-H 1628778 5553394-B 5553394-B (I)
  • Matrix / Runout (Side C runout, variant 2): 262254E1 1629097 STERLING JN-H 5553395-A 5553395-C (I)
  • Matrix / Runout (Side D runout, variant 2): 262254E2 1629094 STERLING JN-H 5553395-B 5553395-D (I)
  • Matrix / Runout (Side A runout, variant 3): 262253E1 1652784 STERLING JN-H 5553394-A 5553394-A (I)
  • Matrix / Runout (Side B runout, variant 3): 262253E2 1628778 STERLING JN-H 5553394-B 5553394-B (I)
  • Matrix / Runout (Side C runout, variant 3): 262254E1 1648058 STERLING JN-H 5553395-A 5553395-C (I)
  • Matrix / Runout (Side D runout, variant 3): 262254E2 1648057 STERLING JN-H 5553395-B 5553395-D (I)

Other Versions (5 of 35)

View All
Title (Format) Label Cat# Country Year
New Submission
Did You Know That There's A Tunnel Under Ocean Blvd (2×LP, Album, Limited Edition, Pink [Light Pink], Alternative Artwork, 180 Gram) Interscope Records 4859194, 00602448591944 Worldwide 2023
Did You Know That There's A Tunnel Under Ocean Blvd (2×LP, Album, Limited Edition, Green, Alternative Artwork) Interscope Records 4859195, 0060244891951 Worldwide 2023
Recently Edited
Did You Know That There's A Tunnel Under Ocean Blvd (2×LP, Album, Limited Edition, Dark Pink, Alternative Artwork) Interscope Records 4859193, 00602448591937 Worldwide 2023
New Submission
Did You Know That There's A Tunnel Under Ocean Blvd (16×File, AAC, Album, 256 kbps) Interscope Records none Worldwide 2023
New Submission
Did You Know That There's A Tunnel Under Ocean Blvd (2×LP, Album, Limited Edition, Picture Disc) Interscope Records 4859197, 00602448591975 Worldwide 2023

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Reviews

  • congress_records's avatar
    My sister flew into town and brought her 3 copies, together between us and another friend of mine we had each of the 8 pressings of this album on vinyl and spent some time over the next few evenings shooting them out with three different styluses and a couple different preamps. We also ripped Candy Necklace from each copy as lossless flac files which were then loaded into our DAW (Adobe Audition) and sync'd up in the multitracker so we could toggle between the 8 different rips of Candy Necklace from each of the 8 different pressings on hand, as well as have a visual manifestation of the waveforms.

    We were unanimous in finding this version's soundstage superior, absolute silence in the deadwax, no stereo image interference, a rather impressive job on this particular pressing. Speculative, but it's possible this version of Candy Necklace stood out above the others thanks to the omission of Judah Smith Interlude, which reduces the playtime on side B of this particular pressing down to 15:05 (compared to 19:41 on side B for the other 7 pressings which include the Judah Interlude). At 15:05, the runtime on side B doesn't exceed the 17:43 shelving limitation where groove density begins to compromise and affect both volume and bass dynamics as well elevate the noise floor and artifact density instances.

    My only regret is I wish I'd ordered a backup as I didn't realize these were so expensive now. I really enjoy this album. It's no Ultraviolence or Born to Die but it's an impressive return to form after BB and COTCC, two records that don't do much for me. This album has an adventurous and ambitious quality that somewhat feels like the sister album to Lust for Life, spanning a wide range of moods and atmosphere. Definitely one my favorite albums of hers.
    • PoisonVelour's avatar
      PoisonVelour
      The best alternate cover, the best sounding pressing. Just wish it had a cooler gatefold, maybe a black and white version of the target gatefold? I just think there’s so much more they could’ve done for a such a sick alternate cover. The center lables being colored totally throws off the whole b&w vibe going on. It would’ve been the perfect milky clear pressing… especially because of that cover 😍😍😍
      • fabguy's avatar
        fabguy
        Her most beautiful cover ever… so intense, fragile, delicate. This is THE alternative cover for DYKTTATUOB
        • papastylianou's avatar
          papastylianou
          This is not a good pressing. Crackles and noise throughout. A lot of distortion on B3 as well. Only worth for the cover.
          • abstemiousrascal's avatar
            Pressing for this is perfect *for me* - quiet, lots of negative space, minimal crackles (much less than two of the other variants I've heard). It suits the brooding reflection really nicely, but won't be for you if you prefer more bombast and energy. As an aside avoid the green pressing if you can, really hideous, like it misinterprets the album's strengths and has basic errors (cracking, noise saturation) as well. Hope this helps someone and hopefully the inflated prices come back to normalcy!
            • loysir's avatar
              loysir
              This is my favorite variant/pressing off this album. Got no complaints about pops/cracks (compared to my white variant copy), especially on the silent parts of a song. Glad that I picked a copy of this when it was up for sale at Lana's shop.
              • 6ben6nowak6's avatar
                6ben6nowak6
                Edited one year ago
                Sounds incredible. The cover art is so stunning. One of my favs in my collection.
                • scottiusmaximusone's avatar
                  Edited one year ago
                  Sides A and B are the noisiest for me. There are crackles throughout, and A&W suffers from some kind of strange distortion near the end of the track. All the tracks are still listenable, but it's annoying that a new vinyl like this would be so poorly pressed. Sides C and D have almost no noise, so that's a plus! Despite the vinyl quality, it's a truly fantastic album. Lana really outdid herself. And of course, the album cover rules!
                  • Paracklyd's avatar
                    Paracklyd
                    I have all 6 editions of this album on vinyl (white, two Black editions, pink-purple, green and red). Compared by sound. For me, the best sound is in white and pink-purple, they are the cleanest, without unfilled places, without noise. The noisiest are the two black vinyls editions - Like wood in a fireplace. Green and red vinyls have a lot of unfilled places, this can be clearly heard between tracks. I recommend white vinyl and pink-purple vinyl (from Amazon Exclusive) to Your collection. You will enjoy from listening these two vinyls editions.
                    • weekdaynachoss's avatar
                      weekdaynachoss
                      Also could just be me but is anyone’s else copy pretty quiet I feel like I had to turn up my speakers way up to hear this in my room lol

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