Radiohead – Kid A Mnesia
Label: |
XL Recordings – XL1166LPE |
|---|---|
Format: |
All Media
, Compilation, Limited Edition
|
Country: |
Japan |
Released: |
|
Genre: |
Rock |
Style: |
Experimental |
Tracklist
| Kid A | |||
| A1 | Everything In Its Right Place | ||
| A2 | Kid A | ||
| A3 | The National Anthem | ||
| A4 | How To Disappear Completely | ||
| A5 | Treefingers | ||
| B1 | Optimistic | ||
| B2 | In Limbo | ||
| B3 | Idioteque | ||
| B4 | Morning Bell | ||
| B5 | Motion Picture Soundtrack | ||
| Amnesiac | |||
| C1 | Packt Like Sardines In A Crushd Tin Box | ||
| C2 | Pyramid Song | ||
| C3 | Pulk/Pull Revolving Doors | ||
| C4 | You And Whose Army? | ||
| C5 | I Might Be Wrong | ||
| D1 | Knives Out | ||
| D2 | Morning Bell/Amnesiac | ||
| D3 | Dollars And Cents | ||
| D4 | Hunting Bears | ||
| D5 | Like Spinning Plates | ||
| D6 | Life In A Glasshouse | ||
| Kid Amnesiae | |||
| E1 | Like Spinning Plates ('Why Us?' Version) | ||
| E2 | Untitled V1 | ||
| E3 | Fog (Again Again Version) | ||
| E4 | If You Say The Word | ||
| E5 | Follow Me Around | ||
| F1 | Pulk/Pull (True Love Waits Version) | ||
| F2 | Untitled V2 | ||
| F3 | The Morning Bell (In The Dark Version) | ||
| F4 | Pyramid Strings | ||
| F5 | Alt. Fast Track | ||
| F6 | Untitled V3 | ||
| F7 | How To Disappear Into Strings |
Companies, etc.
- Phonographic Copyright ℗ – XL Recordings Ltd.
- Copyright © – XL Recordings Ltd.
- Published By – Warner/Chappell Music Publishing Ltd.
- Published By – Subito Music Corporation
- Mastered At – Abbey Road Studios
- Mastered At – Gateway Mastering
- Pressed By – Optimal Media GmbH – BL 35046
- Lacquer Cut At – Alchemy Mastering
Credits
- Artwork – Stanley*
- Composed By [Sample] – Paul Lansky (tracks: B3)
- Conductor – John Lubbock (tracks: A4, C2, D3, F4, F7)
- Directed By – Radiohead (tracks: A1 to D6)
- Directed By [Assistant to the Directors] – Gerard Navarro (tracks: A1 to D6)
- Engineer – Dan Grech-Marguerat (tracks: D6)
- Engineer [Additional Engineering] – Graeme Stewart (tracks: A1 to D5, E1 to F7)
- Engineer, Mixed By – Nigel Godrich
- Horns – Hook Horns (tracks: A3)
- Lacquer Cut By – Bazza*
- Leader [Bandleader] – The Humphrey Lyttleton Band* (tracks: D6)
- Mastered By – Chris Blair (tracks: A1 to B5)
- Producer – Nigel Godrich (tracks: E1 to F7)
- Sampler [Rhythm Sampling] – Henry Binns (tracks: A3)
- Score – Jonny Greenwood (tracks: A4, C2, D3, F4, F7)
- Strings – The Orchestra Of St. John's (tracks: A4, C2, D3, F4, F7)
- Written-By – Radiohead
Notes
Japanese Red Vinyl Edition with Obi.
"BAZZA ALCHEMY" denotes lacquer cut by Alchemy Mastering.
Barcodes are on both sides of the album stickered outside the shrinkwrap.
Catalog number "XL1166LPE" is found on barcode stickers and in runouts.
"BAZZA ALCHEMY" denotes lacquer cut by Alchemy Mastering.
Barcodes are on both sides of the album stickered outside the shrinkwrap.
Catalog number "XL1166LPE" is found on barcode stickers and in runouts.
Barcode and Other Identifiers
- Barcode: 191404116609
- Matrix / Runout (Side A runout, etched): XL 1166LPX-A1 BL 35046-01 A1
- Matrix / Runout (Side B runout, etched): XL 1166LPX-B2 BL 39637-02 B1
- Matrix / Runout (Side C runout, etched): XL 1166LPX-C2 BL 39637-02 C1
- Matrix / Runout (Side D runout, etched): XL 1166LPX-D2 BL 39637-02 D1
- Matrix / Runout (Side E runout, etched): XL 1166LPX-E1 BL 39390-01 E1
- Matrix / Runout (Side F runout, etched): XL 1166LPX-F1 BL 39390-01 F1
Other Versions (5 of 20)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Kid A Mnesia (All Media, Compilation, Limited Edition, LP, Album, Reissue, Red, LP, Album, Reissue, Red, LP, Compilation, Red) | XL Recordings | XL1166LPE | USA & Europe | 2021 | |||
| Kid A Mnesia (All Media, Compilation, UHQCD, CD, Album, Reissue, CD, Album, Reissue, CD, Compilation) | Beat Records | XL1166CDJP | Japan | 2021 | |||
|
Recently Edited
|
Kid A Mnesia (All Media, Compilation, CD, Album, Reissue, CD, Album, Reissue, CD, Compilation) | XL Recordings | XL1166CD | US | 2021 | ||
|
Recently Edited
|
Kid A Mnesia (LP, Album, Reissue, LP, Album, Reissue, LP, All Media, Compilation, Stereo, Half Speed Cut) | XL Recordings | XL1166LP | USA & Europe | 2021 | ||
| Kid A Mnesia (All Media, Compilation, Limited Edition, LP, Album, Reissue, Red, LP, Album, Reissue, Red, LP, Compilation, Red) | XL Recordings | XL1166LPE | Japan | 2021 |
Recommendations
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2017 UK, Europe & USVinyl —LP, Album, Deluxe Edition, Reissue
Reviews
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This may sound weird but I had never heard Kid A or Amnesiac before. I own everything else on vinyl except King of Limbs and Pablo Honey, and have a bunch of the Capital singles.
So naturally this was a perfect opportunity for me to round out my collection and finally get a copy and absorb the legendary Kid A.
After reading all the horrible reviews of US pressings, I bought this Japanese pressing, and this morning listened to Kid A on headphones.
The sound is great, the vinyl flat and quiet, and maybe because I'm not familiar with the music outside of this release , but I'm not noticing any really obvious IGD.
I'm happy with this purchase. -
My copy of this does have the high-end distortion on HTDC but other than that, it is flat and no other issues aside from the odd pop here and there that should go away with cleaning. -
Edited 3 years agoThe EU optimal pressing along with the Japanese pressing have been the best ones. This one may actually be the same one? Either way, happy with these. Went through a couple of United ones before settling on these. -
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Perfectly flat records, great sound, very minimal ticks but should go away after some cleaning. The OBI is a nice touch for collectors. I only wish it came with proper poly-lined inner sleeves. -
Edited 3 years agoI bought the U.S. pressing first… it was a disaster. Off-center, chipped, warped to oblivion, probably haunted. Returned that mess and went for this one from JetSet Records. The obi is neat, I understand that, but the pressing itself is phenomenal. Yes, there is some right channel distortion in the high frequencies on How to Disappear Completely towards the end, but outside of some random pops here and there, it’s exceptionally quiet. A wet clean might take care of that. Furthermore, the records are flat, pressed on-center, and clean. Of course, I am just one person, so it’s hard to say if these Japanese pressing are superior as a whole. But I’m certainly happy with mine. -
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