Shelly Manne & His FriendsModern Jazz Performances Of Songs From My Fair Lady

Label:

Contemporary Records – C 3527

Format:

Vinyl , LP, Album, Repress, Mono , Hollywood Pressing, Vol 2 On Jacket

Country:

US

Released:

Genre:

Jazz

Style:

Hard Bop

Tracklist

A1 Get Me To The Church On Time 4:21
A2 On The Street Where You Live 5:37
A3 I've Grown Accustomed To Her Face 3:21
A4 Wouldn't It Be Loverly 5:33
B1 Ascot Gavotte 4:17
B2 Show Me 3:40
B3 With A Little Bit Of Luck 6:01
B4 I Could Have Danced All Night 3:00

Companies, etc.

  • Recorded AtContemporary's Studio
  • Pressed ByRCA Records Pressing Plant, Hollywood
  • Copyright ©Contemporary Records
  • Published ByChappell & Co.

Credits

  • Adapted By [Book By], Lyrics ByAlan Jay Lerner
  • BassLeroy Vinnegar
  • DesignTri-Arts
  • DrumsShelly Manne
  • Engineer, Recording Supervisor [Technical]Roy DuNann
  • Liner NotesLester Koenig
  • Music ByFrederick Loewe
  • Photography By [Cover Photo]Phil March
  • PianoAndre Previn*
  • ProducerLester Koenig

Notes

Front cover variation, with large text on the jacket front with "My Fair Lady" in bold text and does not have the white banner at the bottom with 'HIGH FIDELITY' and cat. #/logos. Secondary artists and catalog number on the front jacket bottom right corner.

Back of the jacket states "Shelly Manne and His Friends, Vol. 2" with no mention of 'My Fair Lady", and has pink border separators. This is the second jacket.

"H" stamped in runouts denotes RCA Records Pressing Plant, Hollywood, pressing. Remainder of runouts stamped.

"Deep groove" High Fidelity pressing.
A repressing of Modern Jazz Performances From The Hit Musical 'My Fair Lady' with new mother stampers D10 / D10-D11 as well as the new jacket, released prior to zipcodes, 1963.

Catalog number C3527 on labels.
Catalog number C 3527 on jacket.

Artist/title on front cover:
Shelly Manne & his Friends* modern jazz performances of songs from My Fair Lady
*André Previn And Leroy Vinnegar
Vol.2
Artist/title on spine:
Shelly Manne & His Friends, Vol. 2: "My Fair Lady"
Artist/title on labels:
From The Musical, "My Fair Lady"
Shelly Manne & His Friends
Volume 2

Recorded August 17, 1956 at Contemporary's Studio in Los Angeles. Contemporary recorded all their post Capitol Melrose studio recordings in both mono and stereo beginning July 1956. "They bought their own Ampex 350-2 portable tape recorder and started recording in the back storeroom of the Contemporary/Good Time Jazz offices."

Also released in 1958 in stereo on Stereo Records (4) as catalog number S-7002, and later reissued post-1960 as Contemporary # S7527. See above note as to why they would have stereo recordings.

Barcode and Other Identifiers

  • Rights Society (Jacket back): ASCAP
  • Pressing Plant ID (Deadwax stamped): H
  • Matrix / Runout (A label): LKL 12-93
  • Matrix / Runout (B label): LKL 12-94
  • Matrix / Runout (Runout side A, variant 1): LKL. 12. 93. D10 H
  • Matrix / Runout (Runout side B, variant 1): LKL. 12. 94. D10 H
  • Matrix / Runout (Runout side A, variant 3): LKL- 12-93-D10 H
  • Matrix / Runout (Runout side B, variant 3): LKL- 12 - 94-D11 H
  • Matrix / Runout (Runout side A, variant 4): LKL.12.93.D8 H
  • Matrix / Runout (Runout side B, variant 4): LKL.12.94.D8

Other Versions (5 of 82)

View All
Title (Format) Label Cat# Country Year
New Submission
Modern Jazz Performances Of Songs From My Fair Lady (Reel-To-Reel, 7 ½ ips, ¼", 2-Track Mono, Album) Contemporary Records CT-4 US 1956
Modern Jazz Performances From The Hit Musical 'My Fair Lady' (LP, Album, Mono, Hollywood Pressing, Vol. 2 On Back) Contemporary Records C3527 US 1956
Modern Jazz Performances Of Songs From My Fair Lady (LP, Album, Mono, Original cover) Contemporary Records C3527, C 3527 US 1956
Modern Jazz Performances Of Songs From My Fair Lady Vol. 2 (LP, Album, Reissue, Mono) Contemporary Records LAC 12100, LAC.12100 UK 1958
New Submission
Modern Jazz Performances Of Songs From My Fair Lady (LP, Album, Stereo) Stereo Records (4) S7002 US 1958

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Reviews

  • Dillpc's avatar
    Dillpc
    my copy is pretty wrecked and still plays pretty decent. There are some records where surface noise and pops don't bother me, and this is one of them. Not sure why.

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