Miles Davis – Sketches Of Spain
Tracklist
| A1 | Concierto De Aranjuez | 16:19 | |
| A2 | Will O' The Wisp | 3:50 | |
| B1 | The Pan Piper | 3:53 | |
| B2 | Saeta | 5:08 | |
| B3 | Solea | 12:14 |
Companies, etc.
- Printed By – Imperial Paper Box Corp.
- Published By – Sociedad General De Autores Y Editores
- Published By – Gillian Music
Credits
- Arranged By, Conductor – Gil Evans
- Liner Notes – Nat Hentoff
- Producer – Teo Macero
- Trumpet – Miles Davis
Notes
Original "6-eye" deep groove label variation. Unidentified Columbia pressing plant. Runouts are stamped, hashes etched.
This version:
Side indicators with full capitalization.
Larger-sized side indicators ("1" and "2" are bigger than "SIDE").
Orchestra credit on labels is abbreviated.
Writing credit for A1 aligned with track title.
"2" printed on jacket back bottom corner denotes jacket fabrication by Imperial Paper Box Corp., of Brooklyn, N.Y.
Artist name appears as "Miles Davis" on jacket spine, back and labels.
Track A2: From ''El Amor Brujo''
Publishers:
Side I is S. G. A. E. (ASCAP)
Side II is Gillian Music (BMI)
Recorded 11/20/59 and 03/10-11/60 in New York City.
Liner notes by Co-Editor of "The Jazz Review."
This version:
Side indicators with full capitalization.
Larger-sized side indicators ("1" and "2" are bigger than "SIDE").
Orchestra credit on labels is abbreviated.
Writing credit for A1 aligned with track title.
"2" printed on jacket back bottom corner denotes jacket fabrication by Imperial Paper Box Corp., of Brooklyn, N.Y.
Artist name appears as "Miles Davis" on jacket spine, back and labels.
Track A2: From ''El Amor Brujo''
Publishers:
Side I is S. G. A. E. (ASCAP)
Side II is Gillian Music (BMI)
Recorded 11/20/59 and 03/10-11/60 in New York City.
Liner notes by Co-Editor of "The Jazz Review."
Barcode and Other Identifiers
- Rights Society: ASCAP
- Rights Society: BMI
- Other (Bottom right corner of back cover): 2
- Matrix / Runout (Side A label): x"Lp"49956
- Matrix / Runout (Side B label): x"Lp"49957
- Matrix / Runout (Side A runout, variant 1): XLP49956-1A
- Matrix / Runout (Side B runout, variant 1): XLP49957-1A
- Matrix / Runout (Side A runout, variant 2): XLP49956-1F
- Matrix / Runout (Side B runout, variant 2): XLP49956-1L
- Matrix / Runout (Side A runout, variant 3): XLP49956-1F
- Matrix / Runout (Side B runout, variant 3): XLP49956-1D
- Matrix / Runout (Side A runout, variant 4): XLP49956-1G II
- Matrix / Runout (Side B runout, variant 4): XLP49957-1AC III
- Matrix / Runout (Side A runout, variant 5): XLP49956-1J
- Matrix / Runout (Side B runout, variant 5): XLP49957-1AC
- Matrix / Runout (Side A runout, variant 6): XLP 49956-1F II
- Matrix / Runout (Side B runout, variant 6): XLP 49957-1L II
Other Versions (5 of 369)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Sketches Of Spain (LP, Album, Stereo) | Coronet (2) | KLLS 1645 | New Zealand | 1960 | ||
|
Recently Edited
|
Sketches Of Spain (LP, Album, Mono) | Columbia | CL 1480 | Canada | 1960 | ||
|
New Submission
|
Sketches Of Spain (LP, Album, Mono) | Fontana | 682 079 TL, TFL 5100 | UK | 1960 | ||
|
Recently Edited
|
Sketches Of Spain (LP, Album, Stereo) | Fontana | 885 122 TY, 885 122 | Netherlands | 1960 | ||
|
New Submission
|
Sketches Of Spain (LP, Album, Promo, Mono) | Columbia | CL 1480 | US | 1960 |
Recommendations
Reviews
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Miles Davis, Gil Evans, and an expanded brass and woodwind ensemble entered the studio to record one of jazz's most beloved treasures. Sketches of Spain.
Inspired by a flamenco performance Davis attended with his wife, s, and helped largely by the arrangements of the genius himself, Gil Evans, 'Sketches of Spain' is an incredibly intricate, emotive and picturesque journey through some of Davis' most meticulous, memorable and experimental work ever. A great album that demonstrates Miles' first attempt at creating a unique atmosphere in his music. There are influences from classical music here with the opener, 'Concierto de Aranjuez: Adagio' containing orchestra instruments such the oboe, and flute which are generally not heard in jazz recordings. -
Release
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