Bill EvansQuintessence

Label:

Fantasy – F-9529

Format:

Vinyl , LP, Album, Stereo , Terre Haute Pressing

Country:

US

Released:

Genre:

Jazz

Style:

Modal

Tracklist

A1 Sweet Dulcinea
Written-ByKen Wheeler*
6:05
A2 Martina
Written-ByLegrand*
8:15
A3 Second Time Around
Written-ByCahn-Van Heusen*
3:50
B1 A Child Is Born
Written-ByThad Jones
7:33
B2 Bass Face
Written-ByKenny Burrell
10:09

Companies, etc.

  • Mastered AtFantasy Studios
  • Remixed AtFantasy Studios
  • Recorded AtFantasy Studios
  • Phonographic Copyright ℗Fantasy Records
  • Pressed ByColumbia Records Pressing Plant, Terre Haute

Credits

  • Art DirectionPhil Carroll
  • BassRay Brown
  • DrumsPhilly Joe Jones*
  • EngineerPhil Kaffel
  • GuitarKenny Burrell
  • Mastered By, Lacquer Cut By [Runout Etching Eyes With Eyebrows]David Turner (2)
  • Photography By [Front Cover]Galen Rowell
  • Photography By [Liner Photos]Phil Bray
  • PianoBill Evans
  • ProducerHelen Keane
  • Tenor SaxophoneHarold Land

Notes

Recorded May 1976
Remixed and mastered at Fantasy Studios, Berkley.
Special Thanks to Terrie Hinte.
℗ 1977 Fantasy Records

Barcode and Other Identifiers

  • Matrix / Runout (Label side A): F-9529-A
  • Matrix / Runout (Label side B): F-9529-B
  • Matrix / Runout (Runout side A, variant 1): TI F9529A-1 [Eyes With Eyebrows] FML31677 DT P CRPTH#I A
  • Matrix / Runout (Runout side B, variant 1): TI F9529B-2 [Eyes With Eyebrows] FML31777 DT P CRPTH#B I
  • Matrix / Runout (Runout side A, variant 2): T1 F9529A-1 [Eyes With Eyebrows] FML31677 DT P CRPTH#I
  • Matrix / Runout (Runout side B, variant 2): T1 F9529B-2 [Eyes With Eyebrows] FML31777 DT P CRPTH#D1

Other Versions (5 of 34)

View All
Title (Format) Label Cat# Country Year
New Submission
Quintessence (LP, Album, Stereo) Fantasy 5968 1977
New Submission
Quintessence (LP, Album, Stereo) Fantasy SMJ-6165 Japan 1977
New Submission
Quintessence (Cassette, Album) Fantasy 5F-9529 US 1977
New Submission
Quintessence (LP, Album, Promo) Fantasy SMJ-6165 Japan 1977
New Submission
Quintessence (LP, Album, Santa Maria Pressing) Fantasy F-9529 US 1977

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Reviews

  • robsteijger's avatar
    robsteijger
    Phenominal. The piano tinkles your eardrums and the bass kicks you in the belly – in a pleasant way. Bill at his best (but I yet have to hear the first record where he wasn’t at his best). Cristal clear recording, broad sound stage (no extreme pannings, like on some oldies, thankfully), full dynamics and dead quit pressing.
    • cjanderson79's avatar
      cjanderson79
      Astonishingly good. Why hadn't I listened to this before?? Bill's trios are amazing, obviously, but this may be my favorite Evans record. Kenny Burrell and Harold Land are on fire. My copy is pristine, bought for a pittance. It is easily among the best sounding records in my collection. Not sure which pressing I have though. My etched runout has "PIT" in it. Not seeing a Pitman pressing listed.
      • mikeSF_'s avatar
        mikeSF_
        Edited one year ago
        Not your typical Bill Evans record, he meets up with Harold Land, Kenny Burrell, Ray Brown, and Philly Joe Jones for a very special quintet recording, 1977. I'm just excited to hear Kenny Burrell playing with Bill Evans; that is a treat.

        Recording is great. Nice separation of instruments and good definition. Drums sound natural. They also managed to accurately capture Ray's right hand finger(s) slapping on the fingerboard, which is emblematic of his sound. Just hearing the recording, you know it's Ray Brown.

        My favorite tune here is "Bass Face", as everybody gets to stretch and it has a great swingin' groove.

        Pressing is great. 4.5 stars. Recommended.
        • Austintayeshus's avatar
          Austintayeshus
          bill steps away from his working trio at the time and s forces with kenny burrell and the most underrated GOAT harold land and they just cook up some serious business. the reading of 'a child is born' included here is perfection. this is the album for people who think all bill evans albums "sound the same." absolute classic.

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