Pink FloydThe Division Bell

Label:

EMI United Kingdom – EMD 1055

Format:

Vinyl , LP, Album , Gatefold

Country:

UK & Europe

Released:

Genre:

Rock

Style:

Prog Rock

Tracklist

A1 Cluster One
Music ByWright*
A2 What Do You Want From Me
Lyrics BySamson*
Music ByWright*
A3 Poles Apart
Lyrics BySamson*
Music ByGilmour*
A4 Marooned
Music ByWright*
A5 A Great Day For Freedom
Lyrics BySamson*
Music ByGilmour*
A6 Wearing The Inside Out
Lyrics ByMoore*
Music ByWright*
B1 Take It Back
Lyrics BySamson*
Music ByGilmour*
B2 Coming Back To Life
Music By, Lyrics ByGilmour*
B3 Keep Talking
Lyrics BySamson*
Music ByWright*
Voice [Synthesised Vocal, Uncredited]Stephen Hawking
B4 Lost For Words
Lyrics BySamson*
Music ByGilmour*
B5 High Hopes
Lyrics BySamson*
Music ByGilmour*

Companies, etc.

  • Phonographic Copyright ℗Pink Floyd Music (1987) Ltd.
  • Copyright ©Pink Floyd Music (1987) Ltd.
  • Licensed ToEMI Records Ltd.
  • Marketed ByEMI
  • Distributed ByEMI
  • Recorded AtAstoria (2)
  • Recorded AtBritannia Row Studios
  • Recorded AtAbbey Road Studios
  • Recorded AtMetropolis Studios
  • Recorded AtThe Creek Recording Studios
  • Mastered AtThe Mastering Lab

Credits

  • Arranged By [Orchestra]Michael Kamen
  • Artwork [Sculptures]John Robertson (5)
  • Backing VocalsSam Brown
  • BassGuy Pratt
  • Cover [Cover Design], Design [Cover Design]Storm Thorgerson
  • Drums, PercussionNick Mason
  • Engineer [Assistant @ Astoria]Jules Bowen
  • Engineer [Recording & Mixing]Andrew Jackson*
  • Engineer [The Creek]Keith Grant
  • GraphicsPeter Curzon
  • GuitarTim Renwick
  • Guitar, Vocals, Bass, Keyboards, Programmed ByDavid Gilmour
  • IllustrationSally Norris
  • Keyboards, PercussionBob Ezrin
  • Keyboards, VocalsRichard Wright
  • ManagementSteve O'Rourke (2)
  • Mastered ByJames Guthrie
  • Mixed ByDavid Gilmour
  • Noises [Earth Noises]G William Forgey*
  • Orchestrated ByMichael Kamen
  • Painting [Sculpture Drawings]Keith Breeden
  • Percussion, Drum Programming [Percussion]Gary Wallis
  • Photography ByTony May (4)
  • ProducerDavid Gilmour
  • Programmed By, Keyboards [Additional]Jon Carin
  • Recorded By [Orchestra]Steve McLaughlin*
  • Technician [Drum Technician]Clive Brooks
  • Technician [General Technical & Musical Instrument Supervision]Phil Taylor (5)
  • Tenor SaxophoneDick Parry

Notes

Recorded at:
Astoria recording studio, London
Brittania Row recording studios
Abbey Road recording studios
Metropolis studios
The Creek recording studios

Mixing assisted by the EFOST monitoring system.

Mastered at the Mastering Lab, L.A.

Release Information: Shortened version with songs edited from CD release (Poles Apart, Marooned, Wearing the Inside Out, Coming Back to Life, Lost for Words, and High Hopes).
Description: Gatefold cover.
Front Cover: Two faces facing each other. Issued with both laminated and matt covers. Daytime photo (the US release has a photo taken at dawn with the lights on)
Back Cover: Two faces facing each other. Song titles. Printed in U.K.
Inner Sleeve: Art inner sleeve with lyrics.
Labels: Picture label.
Text around the edge of the label says:

℗ 1994 Copyright in this sound recording is owned by Pink Floyd Music (1987) Ltd. under license to EMI Records Ltd.
© 1994 Pink Floyd Music (1987) Ltd.
Made in the U.K.

Track durations are not listed on this release.

Run-out grooves: "FLOYD-A" & "FLOYD-B" are etched, all else is stamped.

Barcode and Other Identifiers

  • Barcode (Text): 7 24382 89841 2
  • Barcode (Scanned, UPC A): 724382898412
  • Label Code: LC 0542
  • Price Code (I): 068
  • Price Code (F): PM 518
  • Rights Society: BIEM/MS
  • Matrix / Runout (Label side A): 7243 8 28984 1 2 A
  • Matrix / Runout (Label side B): 7243 8 28984 1 2 B
  • Matrix / Runout (A-side runout, variant 1): 8289841 A-1-2-1 FLOYD-A TML-M
  • Matrix / Runout (B-side runout, variant 1): 8289841 B-2-1-1 FLOYD-B TML-X
  • Matrix / Runout (A-side runout, variant 2): 8289841 A-2-2-1 FLOYD-A TML-X
  • Matrix / Runout (B-side runout, variant 2): 8289841 B-1-1-1 TML-M FLOYD-B
  • Matrix / Runout (A-side runout, variant 3): 8289841 A-2-1-2 FLOYD-A TML-X
  • Matrix / Runout (B-side runout, variant 3): 8289841 B-2-1-1 FLOYD-B TML-X
  • Matrix / Runout (A-side runout, variant 4): 8289841 A-1-1-2 FLOYD-A TML-M
  • Matrix / Runout (B-side runout, variant 4): 8289841 B-2-1-1 FLOYD-B TML-X
  • Matrix / Runout (A-side runout, variant 5): 8289841 A-2-2-1 FLOYD-A TML-X
  • Matrix / Runout (B-side runout, variant 5): 8289841 B-2-1-1 FLOYD-B TML-X

Other Versions (5 of 283)

View All
Title (Format) Label Cat# Country Year
Recently Edited
The Division Bell (CD, Album) EMI United Kingdom CDEMD 1055, 7243 8 28984 2 9 Europe 1994
Recently Edited
The Division Bell (CD, Album, Stereo) Columbia CK 64200 US 1994
Recently Edited
The Division Bell (Cassette, Album) Sony Music 476581 4 UK 1994
Recently Edited
The Division Bell (Cassette, Album) EMI United Kingdom 7243 8 28984 4 3, TC EMD 1055, TCEMD 1055 UK 1994
The Division Bell (CD, Album) EMI United Kingdom 7243 8 28984 2 9, CD EMD 1055 UK & Europe 1994

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Reviews

  • DarkChocky's avatar
    DarkChocky
    Does the 2014 LP even exist? I've bought three so far from three different sellers and they have all been 2016.
    • ian1989's avatar
      ian1989
      I have an unofficial version on blue wax that’s not listed anywhere. The reason I’m commenting on this version is that it has the exact matrix and barcode but the whole matrix is stamped not stamped and etched. It comes with a plain white inner and separate printed lyric sheet. Has anyone else seen this version before?
      • DENOVO's avatar
        DENOVO
        Referring to the 1st UK press, to the sleeve type in circulation, the one with the glossy sleeve was the first one to be put out on the market, the other, with a matte sleeve, was the second one (most common, as it seems, to me).
        Somewhere, it was also stated, but I no longer , where I read it(it was a few years ago).
        An apposite entry should be created, perhaps.
        • RareVinylCD's avatar
          RareVinylCD
          Edited one year ago
          The edited version of "Coming Back to Life" and "High Hopes" on this orginal press completely spoiled the album. They've shortened the final guitar solo of both songs which are the best guitar solo songs on the album for 1 minute each! That's enough reason for me to look for the reissued version.
          • DBMartin's avatar
            DBMartin
            Edited 2 years ago
            A beautiful album and a great pressing! Of course it's too long for a single record, but it still sounds great if you manage to get a very clean copy and crank up the volume. I actually prefer it to my 2016 double record remaster, the dynamics and tonality are stunning on this original. I used to have a VG copy of this that was quite noisy and had some minor issues, and apart from the pleasure of owning an original, I kinda regretted the expensive purchase it was. Having another copy now that actually looks and plays NM is an absolute delight, and I know they're very pricey, but it was certainly worth it. Overall grade for this original UK pressing: 9/10
            • omission's avatar
              omission
              Being in the minority that thinks this is a good album, a lot of what pisses Floyd and general rock fans off about it actually endears me to it. Some of it is painfully overwrought, and has that sort of tacky, Phil Collins-y plasticness to it, but it's a good chunk of that spacey ambient-rock that is right up my alley, especially "Poles Apart", "Take it Back", and "Wearing the Inside Out". The latter is easily my favorite here. Mostly because of the super smooth synths and bass, and Richard Wright's distinctive voice here shows his age; he really sounds like an old hermit. "Cluster One" and "Marooned" are almost pure ambient, not what a typical Floyd fan wants, and I don't understand why, because a lot of their music is very atmospheric. Songs like "Echoes" and "Dogs" have a sensibility towards atmosphere and quasi-musical soundscapes that ambient music does. So these two tracks are an exercise in that, and love them. "What Do You Want From Me" is a pretty vanilla bluesy rock song, but I like the strain in Gilmour's voice. "A Great Day For Freedom", "Coming Back to Life", and "Keep Talking" were the three songs I always tended to ignore because of that aforementioned stadium rock veneer.

              What's strange is that, as divisive as this album is, "High Hopes" seems to be even a fan favorite, and looks like a lot of people consider it a decent enough sign-off. So it's like they were going out with a whimper but turned it around in the last 9 minutes.
              • MuchoNada
                Long time fan of Pink Floyd. The first time I heard the Division Bell, I was in Old Mexico and the music was coming from the USA!! I was on a fishing trip with 6-7 buddies & just before we rowed our boat across the Rio Grande River & onto the Mexico side....I pulled the cellophane off of my new CD & pushed it I to our stereo & cranked the decibels. What a pleasant surprise as the music was better than my fishing. I labeled it their modern "Dark side of the Moon" based mostly on the fact there were no undesirable songs!! My 2nd fave Pink Floyd album.
                • BlowByBlow's avatar
                  BlowByBlow
                  I must emphasize that some of the comments are utterly misleading.
                  I suspect they are just trying to decrease the value of this beautiful pressing.
                  It is crystal clear and dynamic.
                  • Andrewslattery's avatar
                    Andrewslattery
                    Don't pay the stupid scalper prices. The in print version is split over 2 discs, so sounds better and is still all analogue mastered by Doug Sax.
                    • zafispan's avatar
                      zafispan
                      Crystal, rich and clear sound in this version. Absolutely amazing pressing, the best quality record in my collection.

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