Prince – 1999
Label: |
Warner Bros. Records – 1-23720 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Pop |
Style: |
Minneapolis Sound |
Tracklist
A1 | 1999 | 6:22 | |
A2 | Little Red Corvette | 4:58 | |
A3 | Delirious | 3:56 | |
B1 | Let's Pretend We're Married | 7:20 | |
B2 | D.M.S.R. | 8:05 | |
C1 | Automatic | 9:24 | |
C2 | Something In The Water (Does Not Compute) | 4:00 | |
C3 | Free | 5:00 | |
D1 | Lady Cab Driver | 8:25 | |
D2 | All The Critics Love U In New York | 5:55 | |
D3 | International Lover | 6:35 |
Companies, etc.
- Record Company – Warner Bros. Records Inc.
- Record Company – Warner Communications
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Phonographic Copyright ℗ – WEA International Inc.
- Copyright © – Warner Bros. Records Inc.
- Copyright © – WEA International Inc.
- Copyright © – Controversy Music
- Published By – Controversy Music
- Recorded At – Uptown (4)
- Recorded At – Sunset Sound
- Mixed At – Uptown (4)
- Mixed At – Sunset Sound
- Mastered At – A&M Mastering Studios
- Pressed By – Capitol Records Pressing Plant, Jacksonville
Credits
- Engineer – Don Batts
- Management – Cavallo, Ruffalo & Fargnoli
- Mastered By – Bernie Grundman
- Producer, Arranged By, Composed By, Performer – Prince
- Recorded By, Mixed By – Peggy McCreary
Notes
© 1982 Warner Bros Records Inc. ℗ 1982 Warner Bros Records Inc.
Side B label is misprinted with "Made in S A" on top-left printing instead of "Made in U S A" correctly as on the lower printing.
This is a Jacksonville pressing plant variation and is identified by the "0" stamped in the etched runouts.
Not to be confused with:
• Winchester pressing
• Specialty Records Corp. (SRC) pressing
• Allied Record Co. pressing
Catalog numbers appear as follows:
9 23720-1 F (spine)
9 23720-1 (inner sleeve, 'record one')
23720-1 (inner sleeve, 'record two')
1-23720 (labels)
Song lyrics are printed on inner sleeves
Inner sleeves:
All songs © 1982
Controversy Music ASCAP
All Rights Reserved.
Reprinted by Permission.
© 1982 Warner Bros. Records Inc. Made in U.S.A.
Side B label is misprinted with "Made in S A" on top-left printing instead of "Made in U S A" correctly as on the lower printing.
This is a Jacksonville pressing plant variation and is identified by the "0" stamped in the etched runouts.
Not to be confused with:
• Winchester pressing
• Specialty Records Corp. (SRC) pressing
• Allied Record Co. pressing
Catalog numbers appear as follows:
9 23720-1 F (spine)
9 23720-1 (inner sleeve, 'record one')
23720-1 (inner sleeve, 'record two')
1-23720 (labels)
Song lyrics are printed on inner sleeves
Inner sleeves:
All songs © 1982
Controversy Music ASCAP
All Rights Reserved.
Reprinted by Permission.
© 1982 Warner Bros. Records Inc. Made in U.S.A.
Barcode and Other Identifiers
- Barcode (Text): 0 7599-23720-1
- Barcode (Scanned): 0075992372015
- Rights Society: ASCAP
- Price Code (Spine): $10.98
- Pressing Plant ID (Stamped in runouts): 0
- Matrix / Runout (Runout, variant 1, side A): 1-23720-A-JW1 #1 0
- Matrix / Runout (Runout, variant 1, side B): 1-23720-B-JW1 0
- Matrix / Runout (Runout, variant 1, side C): 1-23720-C-JW2 #Y 0
- Matrix / Runout (Runout, variant 1, side D): 1-23720-D-JW2 #2 0
- Matrix / Runout (Runout, variant 2, side A): 1-23720-A-JW2 #2 0
- Matrix / Runout (Runout, variant 2, side B): 1-23720-B-JW2 #3 0
- Matrix / Runout (Runout, variant 2, side C): 1-23720-C-JW2 #1 0
- Matrix / Runout (Runout, variant 2, side D): 1-23720-D-JW2 #2 0
- Matrix / Runout (Runout, variant 3, side A): 1-23720-A-JW2 0
- Matrix / Runout (Runout, variant 3, side B): 1-23720-B-JW1 0
- Matrix / Runout (Runout, variant 3, side C): 1-23720-C-JW2 0
- Matrix / Runout (Runout, variant 3, side D): 1-23720-D-JW2 0
- Matrix / Runout (Runout, variant 4, side A): 1-23720-A-JW2 #2 0
- Matrix / Runout (Runout, variant 4, side B): 1-23720-B-JW1 #1 0
- Matrix / Runout (Runout, variant 4, side C): 1-23720-C-JW1 #2 0
- Matrix / Runout (Runout, variant 4, side D): 1-23720-D-JW2 #6 0
- Matrix / Runout (Runout, variant 5, side A): 1-23720-A-JW1 #1 0
- Matrix / Runout (Runout, variant 5, side B): 1-23720-B-JW2 #3 0
- Matrix / Runout (Runout, variant 5, side C): 1-23720-C-JW1 #1 0
- Matrix / Runout (Runout, variant 5, side D): 1-23720-D-JW2 #3 0
Other Versions (5 of 267)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited
|
1999 (Cassette, Album) | Warner Bros. Records | 92. 3720-4, 923 720-4 | UK & Europe | 1982 | ||
1999 (2×LP, Album) | Warner Bros. Records | 23720-1 | Australia & New Zealand | 1982 | |||
1999 (2×LP, Album) | Warner Bros. Records | 92 37201 | Canada | 1982 | |||
Recently Edited
|
1999 (Cassette, Album) | Warner Bros. Records | 9 23720-4F, 4-23720 | US | 1982 | ||
Recently Edited
|
1999 (2×LP, Album, Stereo) | Warner Bros. Records | P-5617~8 | Japan | 1982 |
Recommendations
Reviews
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Edited 3 months agoThis is an Outstanding pressing. I don’t need to go into specifics, it just sounds So Damn Good! I have the remaster already but came across a Dream collection of “used” mint records and found this. I could not resist having a mint OG copy. Both this and the “remaster” are Bernie Grundman’s mastering, so sonically, the two are basically identical. But something about this just sounds more authentic to me. Many praise Purple Rain as his best album, and Sign ‘O The Times is also magnificent, but 1999 will Always be his Best album start to finish, in my opinion. Just Fantastic from beginning to end. And! I’m sorry but this album was always Far better than MJ’s Thriller.
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Great pressing! I found this for about $10 in great condition, and I am certainly not disappointed with my purchase. Full, spacious sound
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Edited 19 years ago'1999' is my favourite Prince album, more experimental and outrageous than the preceeding 'Dirty Mind'/'Controversy', and less eclectic than the follow-up, 'Purple Rain'. Plus I can't imagine the release of this album to have been better-timed as it came when very exciting things were happening in the scene, namely the emergence of Electro and a wider use of new technology. Despite most of the album being synthetic, it rarely sounds mechanical as Prince's ever-present funk sensibilities show through in a way where the songcraft is never overshadowed by neither the Linns or the Yamahas. Indeed, his use of the new technology simply take his compositions to a new level; the electronic underbellies of tracks like '1999', 'Let's Get Married' and 'D.M.S.R.' give the songs a unique robotic perfection which would not have been possible had they been solely recorded on real instruments (use your common sense when drawing the line between "real" and "fake" instruments). The whole album is a wet dream come true for anyone who digs on both classic groove and the angular perfection of MIDI. It has also proved to be my own personal bible when it comes to composing or producing. The sheer original brilliance of '1999' makes it perhaps the best funk album of the 80's; you're hard-pressed finding anything else as insatiable or unique.
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Edited 9 years ago1982, Prince invented House with this masterpiece new-wave-funk-rock double LP (check the first Jamie Principle or Jesse Saunders EPs to be sure).The Linn drum M-1 rhythm box is omnipresent, as Prince: doing all, singing all parts, playing all instruments (with a little help from The Revolution).So visionary at its time, so fresh and inventive 20 years later.
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