Prince1999

Label:

Warner Bros. Records – 1-23720

Format:

2 x Vinyl , LP, Album , Jacksonville Pressing

Country:

US

Released:

Genre:

Pop

Style:

Minneapolis Sound

Tracklist

A1 1999
Lead Vocals [Co-Lead Vocal]Lisa*
Musician [All Music], Voice [All Voices]Prince
6:22
A2 Little Red Corvette
Lead Vocals [Co-Lead Vocal]Lisa*
Musician [All Music], Voice [All Voices]Prince
Soloist [Guitar Solos]Dez*
4:58
A3 Delirious
Backing Vocals [Background Vocal]Lisa*
Musician [All Music], Voice [All Voices]Prince
3:56
B1 Let's Pretend We're Married
Musician [All Music], Voice [All Voices]Prince
7:20
B2 D.M.S.R.
Backing Vocals [Backgroundsinging], HandclapsThe Count (7)
Musician [All Music], Voice [All Voices]Prince
8:05
C1 Automatic
Backing Vocals [Background Vocals]Lisa*
Musician [All Music], Voice [All Voices]Prince
9:24
C2 Something In The Water (Does Not Compute)
Musician [All Music], Voice [All Voices]Prince
4:00
C3 Free
Backing Vocals [Background Voices]Wendy*
Musician [All Music], Voice [All Voices]Prince
5:00
D1 Lady Cab Driver
Musician [All Music], Voice [All Voices]Prince
Voice Actor [Lady Cab Driver]J.J.*
8:25
D2 All The Critics Love U In New York
Musician [All Music], Voice [All Voices]Prince
5:55
D3 International Lover
Musician [All Music], Voice [All Voices]Prince
6:35

Companies, etc.

  • Record CompanyWarner Bros. Records Inc.
  • Record CompanyWarner Communications
  • Phonographic Copyright ℗Warner Bros. Records Inc.
  • Phonographic Copyright ℗WEA International Inc.
  • Copyright ©Warner Bros. Records Inc.
  • Copyright ©WEA International Inc.
  • Copyright ©Controversy Music
  • Published ByControversy Music
  • Recorded AtUptown (4)
  • Recorded AtSunset Sound
  • Mixed AtUptown (4)
  • Mixed AtSunset Sound
  • Mastered AtA&M Mastering Studios
  • Pressed ByCapitol Records Pressing Plant, Jacksonville

Credits

  • EngineerDon Batts
  • ManagementCavallo, Ruffalo & Fargnoli
  • Mastered ByBernie Grundman
  • Producer, Arranged By, Composed By, PerformerPrince
  • Recorded By, Mixed ByPeggy McCreary

Notes

© 1982 Warner Bros Records Inc. ℗ 1982 Warner Bros Records Inc.

Side B label is misprinted with "Made in S A" on top-left printing instead of "Made in U S A" correctly as on the lower printing.

This is a Jacksonville pressing plant variation and is identified by the "0" stamped in the etched runouts.
Not to be confused with:
Winchester pressing
Specialty Records Corp. (SRC) pressing
Allied Record Co. pressing

Catalog numbers appear as follows:
9 23720-1 F (spine)
9 23720-1 (inner sleeve, 'record one')
23720-1 (inner sleeve, 'record two')
1-23720 (labels)

Song lyrics are printed on inner sleeves

Inner sleeves:
All songs © 1982
Controversy Music ASCAP
All Rights Reserved.
Reprinted by Permission.

© 1982 Warner Bros. Records Inc. Made in U.S.A.

Barcode and Other Identifiers

  • Barcode (Text): 0 7599-23720-1
  • Barcode (Scanned): 0075992372015
  • Rights Society: ASCAP
  • Price Code (Spine): $10.98
  • Pressing Plant ID (Stamped in runouts): 0
  • Matrix / Runout (Runout, variant 1, side A): 1-23720-A-JW1 #1 0
  • Matrix / Runout (Runout, variant 1, side B): 1-23720-B-JW1 0
  • Matrix / Runout (Runout, variant 1, side C): 1-23720-C-JW2 #Y 0
  • Matrix / Runout (Runout, variant 1, side D): 1-23720-D-JW2 #2 0
  • Matrix / Runout (Runout, variant 2, side A): 1-23720-A-JW2 #2 0
  • Matrix / Runout (Runout, variant 2, side B): 1-23720-B-JW2 #3 0
  • Matrix / Runout (Runout, variant 2, side C): 1-23720-C-JW2 #1 0
  • Matrix / Runout (Runout, variant 2, side D): 1-23720-D-JW2 #2 0
  • Matrix / Runout (Runout, variant 3, side A): 1-23720-A-JW2 0
  • Matrix / Runout (Runout, variant 3, side B): 1-23720-B-JW1 0
  • Matrix / Runout (Runout, variant 3, side C): 1-23720-C-JW2 0
  • Matrix / Runout (Runout, variant 3, side D): 1-23720-D-JW2 0
  • Matrix / Runout (Runout, variant 4, side A): 1-23720-A-JW2 #2 0
  • Matrix / Runout (Runout, variant 4, side B): 1-23720-B-JW1 #1 0
  • Matrix / Runout (Runout, variant 4, side C): 1-23720-C-JW1 #2 0
  • Matrix / Runout (Runout, variant 4, side D): 1-23720-D-JW2 #6 0
  • Matrix / Runout (Runout, variant 5, side A): 1-23720-A-JW1 #1 0
  • Matrix / Runout (Runout, variant 5, side B): 1-23720-B-JW2 #3 0
  • Matrix / Runout (Runout, variant 5, side C): 1-23720-C-JW1 #1 0
  • Matrix / Runout (Runout, variant 5, side D): 1-23720-D-JW2 #3 0

Other Versions (5 of 267)

View All
Title (Format) Label Cat# Country Year
Recently Edited
1999 (Cassette, Album) Warner Bros. Records 92. 3720-4, 923 720-4 UK & Europe 1982
1999 (2×LP, Album) Warner Bros. Records 23720-1 Australia & New Zealand 1982
1999 (2×LP, Album) Warner Bros. Records 92 37201 Canada 1982
Recently Edited
1999 (Cassette, Album) Warner Bros. Records 9 23720-4F, 4-23720 US 1982
Recently Edited
1999 (2×LP, Album, Stereo) Warner Bros. Records P-5617~8 Japan 1982

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Reviews

  • Vinyl-TP's avatar
    Vinyl-TP
    Edited 3 months ago
    This is an Outstanding pressing. I don’t need to go into specifics, it just sounds So Damn Good! I have the remaster already but came across a Dream collection of “used” mint records and found this. I could not resist having a mint OG copy. Both this and the “remaster” are Bernie Grundman’s mastering, so sonically, the two are basically identical. But something about this just sounds more authentic to me. Many praise Purple Rain as his best album, and Sign ‘O The Times is also magnificent, but 1999 will Always be his Best album start to finish, in my opinion. Just Fantastic from beginning to end. And! I’m sorry but this album was always Far better than MJ’s Thriller.
    • Scrade's avatar
      Scrade
      Great pressing! I found this for about $10 in great condition, and I am certainly not disappointed with my purchase. Full, spacious sound
      • mikejohnson22's avatar
        mikejohnson22
        Great Album! Love the original vinyl by Prince. So much talent!
        • Boloe's avatar
          Boloe
          Great sounding press. Better than other versions that I’ve heard.
          • That_guy_'s avatar
            That_guy_
            umm, what does the 'jacksonville' marking mean in the format desc.?
            • Lionel_Vinyl's avatar
              Lionel_Vinyl
              Edited 10 years ago
              I don't care what anyone says... this is my favorite Prince record!
              • soundandlight's avatar
                soundandlight
                Now if we could only get a remastered version.....
                • Danny-Z's avatar
                  Danny-Z
                  Edited 19 years ago
                  '1999' is my favourite Prince album, more experimental and outrageous than the preceeding 'Dirty Mind'/'Controversy', and less eclectic than the follow-up, 'Purple Rain'. Plus I can't imagine the release of this album to have been better-timed as it came when very exciting things were happening in the scene, namely the emergence of Electro and a wider use of new technology. Despite most of the album being synthetic, it rarely sounds mechanical as Prince's ever-present funk sensibilities show through in a way where the songcraft is never overshadowed by neither the Linns or the Yamahas. Indeed, his use of the new technology simply take his compositions to a new level; the electronic underbellies of tracks like '1999', 'Let's Get Married' and 'D.M.S.R.' give the songs a unique robotic perfection which would not have been possible had they been solely recorded on real instruments (use your common sense when drawing the line between "real" and "fake" instruments). The whole album is a wet dream come true for anyone who digs on both classic groove and the angular perfection of MIDI. It has also proved to be my own personal bible when it comes to composing or producing. The sheer original brilliance of '1999' makes it perhaps the best funk album of the 80's; you're hard-pressed finding anything else as insatiable or unique.
                  • aka_dmsr's avatar
                    aka_dmsr
                    Edited 9 years ago
                    1982, Prince invented House with this masterpiece new-wave-funk-rock double LP (check the first Jamie Principle or Jesse Saunders EPs to be sure).The Linn drum M-1 rhythm box is omnipresent, as Prince: doing all, singing all parts, playing all instruments (with a little help from The Revolution).So visionary at its time, so fresh and inventive 20 years later.

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