Roni Size / ReprazentNew Forms

Label:

Talkin' Loud – 5773719

Format:

2 x Vinyl , LP, Album, Deluxe Edition, Remastered

Country:

UK

Released:

Genre:

Electronic

Style:

Drum n Bass

Tracklist

A1 Railing
DrumsClive Deemer*
VoiceDynamite
Written-ByDominic Smith
A2 Brown Paper Bag
BassSi John
Guitar [Acoustic]Steve Graham
A3 Heroes
A4 Matter Of Fact
B1 New Forms
FeaturingBahamadia
Producer, Mixed BySuv
VocalsOnallee
Written-BySuv
B2 Digital
B3 Watching Windows
C1 Share The Fall (Full Vocal Mix)
DrumsClive Deemer*
SaxophoneAdrian Place
VocalsOnallee
Written-ByOnallee
C2 Beatbox
Effects [Sound + Effects]Suv
Written-BySuv
C3 Trust Me
C4 Destination
ProducerDie*
Written-ByTracey Thorn
D1 Morse Code
BassSi John
DrumsClive Deemer*
D2 Lets Get It On
Performer [Riffs]Vinnie And The Fat Man
D3 Change My Life

Companies, etc.

  • Copyright ©Mercury Records Ltd.
  • Phonographic Copyright ℗Mercury Records Ltd.
  • Remastered AtMetropolis Mastering
  • Pressed ByGZ Media – 160974E
  • Record CompanyUniversal Music Operations Ltd.

Credits

  • A&R [Original Release]Paul Martin
  • A&R [Reissue]Lewis Robinson (3)
  • Design [Additional]Tristan Manco
  • Design [Original Release]Intro (11)
  • Lacquer Cut ByStu*
  • Photography By [Photo Of Reprazent]Kevin Knight (3)
  • Photography [Inside Gatefold]Limbic Cinema
  • Producer [Additional]Suv
  • Producer, Mixed BySuv (tracks: B1)
  • Remastered ByStuart Hawkes
  • Sleeve NotesJoe Muggs
  • Written-By, Producer, Mixed ByRoni Size

Notes

20th anniversary deluxe edition. Records housed in a gatefold jacket. All tracks have been remastered. Includes a code for all tracks from the CD version.

Track C1 samples:
Flute from Luiz Arruda Paez - Upa Neguinho
Vocal from Moloko - Boo
Guitar from The Brand New Heavies - Brother Sister

Track C4 samples:
Horns from Everything But The Girl - Each And Every One

℗ 2017 Mercury Records Limited, a division of Universal Music Operations Limited.
© 2017 Mercury Records Limited, a division of Universal Music Operations Limited.
Made in the EU. - printed on cover and labels.

This differs from the one disc CD version in that 'Mad Cat' is not included, the running order is changed, and two tracks ('Trust Me' & 'Change My Life') have been included from CD 2 in the 2xCD edition. When compared to the original 4xLP version, this one has dropped 'Mat Cat' in favour of the two tracks mentioned above, as well as featuring 'Heroes' & 'Watching Windows'.

Barcode and Other Identifiers

  • Barcode: 6 0255773719 6
  • Label Code: LC 0268
  • Rights Society: BIEM/SDRM
  • Matrix / Runout (Side A, machine stamped): 160974E1/A 5773720-A [Hand-etched] STU
  • Matrix / Runout (Side B, machine stamped): 160974E2/A 5773720-B
  • Matrix / Runout (Side C, machine stamped): 160974E3/A 5773721-A
  • Matrix / Runout (Side D, machine stamped): 160974E4/A 5773721-B

Other Versions (5 of 37)

View All
Title (Format) Label Cat# Country Year
New Forms (2×CD, Album) Mercury 534 933-2 UK 1997
Recently Edited
New Forms (CD, Album, Stereo) Talkin' Loud 534 934-2 UK 1997
Recently Edited
New Forms (2×CD, Album) Talkin' Loud 534 933-2 UK 1997
Recently Edited
New Forms (2×CD, Album) Mercury 314 536 544-2 US 1997
Recently Edited
New Forms (5×12", Album, 45 RPM) Talkin' Loud 536 497-1 UK 1997

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Reviews

  • mr_a_jones's avatar
    mr_a_jones
    Seems like a pretty decent package. The first 5 minutes of side 1 seem bass light, then Brown Paper Bag kicks in and you know you're listening to '97 production. Narrow sound field and grainy samples. By the end of side one it seems much better balanced, wider sound stage continues throughout the rest of the album, highly focussed sub-bass lines, brittle snares and mushy hi hats. Layers of digital distortion baked in. To modern taste the kick lacks bass punch, there's plenty going on underneath that though. More like jazz bass lines, not the teeth rattling monster bass we get now.

    The packaging is very nice, quality pressing, pretty quiet background, flat/centred disks. Card inners sadly but with some interesting text and pics which make it forgivable. For once a record sleeve that you can get an inner in and out of without a fight.

    Mastering is focused and makes the most of the sampler based production, it's not loud despite being split over 4 sides. Roni Size was pushing the limits of the tech at the time and making it work, in '97 this album was on point, restrained and musical. Worth a punt for a trip back in time, it certainly doesn't sound modern.

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