Cowboy Junkies – The Trinity Session
Label: |
RCA – 8568-1-R |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Country Rock |
Tracklist
| A1 | Mining For Gold | 1:34 | |
| A2 | Misguided Angel | 4:58 | |
| A3 | I Don't Get It | 4:34 | |
| A4 | I'm So Lonesome I Could Cry | 5:24 | |
| A5 | To Love Is To Bury | 4:47 | |
| B1 | 200 More Miles | 5:29 | |
| B2 | Dreaming My Dreams With You | 4:28 | |
| B3 | Sweet Jane | 3:41 | |
| B4 | Postcard Blues | 3:28 | |
| B5 | Walking After Midnight | 5:54 |
Companies, etc.
- Record Company – BMG
- Record Company – RCA Corporation
- Phonographic Copyright ℗ – BMG Music Canada Inc.
- Phonographic Copyright ℗ – BMG Canada Inc.
- Copyright © – BMG Music Canada Inc.
- Recorded At – Church Of The Holy Trinity, Toronto
- Lacquer Cut At – Sterling Sound
- Pressed By – Hauppauge Record Manufacturing Ltd.
- Manufactured By – BMG Music
- Distributed By – BMG Music
Credits
- Arranged By – Cowboy Junkies (tracks: A2 to B6)
- Art Direction – Pietro Alfieri
- Bass – Alan Anton
- Drums – Peter Timmins
- Edited By [Assisted By], Mastered By [Assisted By] – Perren Baker
- Edited By, Mastered By – Peter Moore
- Guitar – Michael Timmins
- Guitar, Backing Vocals – John Timmins
- Layout [Original Cover Layout] – Joanne Castrucci
- Pedal Steel Guitar, Dobro, Slide Guitar [Bottleneck Slide] – Kim Deschamps
- Photography By [Cover Photo] – Noel Archambault
- Producer – Peter Moore
- Vocals – Margo Timmins
Notes
Hauppauge Record Manufacturing Ltd. pressing denoted by ᐉ stamp (isosceles triangle on its side with a dot inside) in runouts. Remainder of runouts etched, mastering stamped.
Captured live at the Church of the Holy Trinity, Toronto, Canada, on November 27, 1987.
A Digital R-Dat Recording, using only a Calrec Ambisonic Microphone.
An MDI Production • Edited and Mastered Digitally.
A Latent Recording
©1987, BMG Music, New York, N.Y.
℗1988 BMG Music Canada Inc.
Made in U.S.A.
Printed in U.S.A.
BMG and RCA logos on back cover. RCA only on labels.
Issued in company inner sleeve, catalog number BMG-1, ©1987, BMG Music, New York, NY.
Hype sticker affixed to shrinkwrap, with catalog number:
Featuring Sweet Jane "The Best & Most Authentic Version Of Sweet Jane That I Have Ever Heard." —Lou Reed
Captured live at the Church of the Holy Trinity, Toronto, Canada, on November 27, 1987.
A Digital R-Dat Recording, using only a Calrec Ambisonic Microphone.
An MDI Production • Edited and Mastered Digitally.
A Latent Recording
©1987, BMG Music, New York, N.Y.
℗1988 BMG Music Canada Inc.
Made in U.S.A.
Printed in U.S.A.
BMG and RCA logos on back cover. RCA only on labels.
Issued in company inner sleeve, catalog number BMG-1, ©1987, BMG Music, New York, NY.
Hype sticker affixed to shrinkwrap, with catalog number:
Featuring Sweet Jane "The Best & Most Authentic Version Of Sweet Jane That I Have Ever Heard." —Lou Reed
Barcode and Other Identifiers
- Pressing Plant ID (In runouts): ᐉ
- Barcode (Text): 0 7863-58568-1 1
- Barcode (Scanned): 078635856811
- Matrix / Runout (Label A): 8568-1-R-A
- Matrix / Runout (Label B): 8568-1-R-B
- Matrix / Runout (Runout A, variant 1): A-1 ᐉ H. 8568-1-R-A STERLING
- Matrix / Runout (Runout B, variant 1): A-1 ᐉ H. 8568-1-R-B STERLING
- Matrix / Runout (Runout A, variant 2): A-2 ᐉ H. 8568-1-R-A STERLING
- Matrix / Runout (Runout B, variant 2): A-2 ᐉ H. 8568-1-R-B STERLING
- Matrix / Runout (Runout A, variant 3): A-1 ᐉ H. 8568-1-R-A STERLING
- Matrix / Runout (Runout B, variant 3): A-2 ᐉ H. 8568-1-R-B STERLING
Other Versions (5 of 86)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Trinity Session (LP, Album) | RCA Victor | 8568-1-R, 8568 1 R | Canada | 1988 | |||
|
Recently Edited
|
The Trinity Session (CD, Album, Club Edition) | BMG | D 101043 | Canada | 1988 | ||
|
Recently Edited
|
The Trinity Session (CD, Album) | RCA | 8568-2-R | US | 1988 | ||
| The Trinity Session (CD, Album, Sonopress) | RCA | PD 88568, PD88568 | Europe | 1988 | |||
|
Recently Edited
|
The Trinity Session (LP, Album) | Cooking Vinyl | COOK 011 | UK | 1988 |
Recommendations
Reviews
-
The 2016 Analogue Productions remaster is now the standard by which all versions of this album are measured. These 1988 originals are nothing to sneeze at though. This one sounds fantastic when you really turn up the volume. In fact, on "Misguided Angel" you can hear a backbeat stomp on the floor low in the mix, but on the AP remaster (which is much louder) that stomp is absent. I'm sure there are other differences in the mixes, but that one really stood out when I A/B compared them. Worth noting, the original vinyl versions omit "Blue Moon Revisited" and "Working On A Building" which appear on the CD, digital, and newer double vinyl reissue(s).
Release
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