Beck – Colors
Label: |
Capitol Records – B002678501 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
New Wave |
Tracklist
A1 | Colors | |
A2 | Seventh Heaven | |
A3 | I'm So Free | |
A4 | Dear Life | |
A5 | No Distraction | |
B1 | Dreams | |
B2 | Wow | |
B3 | Up All Night | |
B4 | Square One | |
B5 | Fix Me |
Companies, etc.
- Phonographic Copyright ℗ – Fonograf Records
- Copyright © – Fonograf Records
- Licensed To – UMG Recordings, Inc.
- Published By – Youthless
- Published By – Kobalt Music Publishing
- Published By – Kurstin Music
- Published By – EMI April Music Inc.
- Published By – White Bull Music Group
- Published By – Downtown DMP Songs
- Published By – Digital Jazz
- Published By – Beggars Music
- Manufactured By – Furnace MFG
- Manufactured By – Pallas Group
- Manufactured For – Capitol Records
- Pressed By – Schallplattenfabrik Pallas GmbH – 44624
Credits
- Backing Vocals – Roger Joseph Manning Jr. (tracks: A1-A3, A5)
- Bass [Additional] – Dwayne Moore (tracks: B1)
- Design [Assistance] – Christopher Lee Lyons
- Design, Art Direction – Steve Stacey
- Drums – Ilan Rubin (tracks: A3)
- Engineer – Julian Burg
- Guitar, Piano, Organ, Synthesizer, Bass, Percussion, Drums, Clavinet, Piano [Rhodes], Mellotron, Marimba – Greg Kurstin
- Lacquer Cut By [Lacquers By] – Chris Bellman
- Mastered By – Tom Coyne
- Mixed By – Serban Ghenea (tracks: A1-A3, A5, B2, B4, B5)
- Photography By [Cover] – Peter Hapak*
- Photography By [Interior] – Elliot Lee Hazel
- Producer – Greg Kurstin (tracks: A1-A5, B1, B3, B4)
- Vocals – Feist (tracks: A3)
- Vocals, Guitar, Piano, Piano [Rhodes], Organ, Synthesizer, Bass, Glockenspiel, Percussion – Beck Hansen
- Written-By – Greg Kurstin (tracks: A1-A5, B1-B4)
Notes
Catalog Number "B002678501" on spine of cover and rim of label.
℗ © 2017 Fonograf Records
Manufactured in by Capitol Records
Comes with 2-page insert with lyrics and card for entire release in digital format - MP3 or WAV
In the runouts, B002678501 CB are etched and P. USA -44624- are stamped.
℗ © 2017 Fonograf Records
Manufactured in by Capitol Records
Comes with 2-page insert with lyrics and card for entire release in digital format - MP3 or WAV
In the runouts, B002678501 CB are etched and P. USA -44624- are stamped.
Barcode and Other Identifiers
- Barcode (Text): 6 02557 17680 3
- Barcode (Scanned): 602557176803
- Matrix / Runout (A-side label): B002678501-A
- Matrix / Runout (B-side label): B002678501-B
- Matrix / Runout (Side A variant 1): B002678501-A2 CB P. USA -44624-
- Matrix / Runout (Side B variant 1): B002678501-B2 CB P. USA -44624-
- Matrix / Runout (Side A variant 2): B002678501-A1 CB P. USA -44624-
- Matrix / Runout (Side B variant 2): B002678501-B2 CB P. USA -44624-
- Other (On hype sticker): B002678501
- Other (On card): B002716101
- Rights Society: ASCAP
- Rights Society: BMI
- Rights Society: SESAC
Other Versions (5 of 25)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Colors (CD, Album, CDA Pressing) | Capitol Records | B002716202 | US | 2017 | |||
New Submission
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Colors (LP, Album, Limited Edition, 180 Gram, Yellow) | Capitol Records | 00602557882209 | Europe | 2017 | ||
New Submission
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Colors (LP, Album, Red) | Capitol Records | 00602557176803 | Europe | 2017 | ||
New Submission
|
Colors (CD, Album) | Hostess Entertainment Unlimited | HSE-6963 | Japan | 2017 | ||
New Submission
|
Colors (2×12", 45 RPM, Album, Deluxe Edition, Limited Edition, Red, 180g) | Capitol Records | B002716101 | US | 2017 |
Recommendations
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2020 USA & EuropeLP, Album, Reissue, Remastered, Stereo
Reviews
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Have had this since it came out and it sounds phenomenal. Chris Bellman’s initials are in the deadwax. Wide soundstage, awesome bottom end and the mastering really compliments the style of music on the album. My copy has always played clean. Recommended.
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As a collection of songs it’s fun and interesting. It is unlike any of Beck’s other albums, which is what you would expect from the chameleon that is Beck. The Sonics of the album are great as well. My only complaint is that the vinyl has a significant amount of surface noise. Good album.
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Spotify played Up All Night one time when I was shuffling, I was instantly in love. I was about to get the deluxe 2xLP but the standard version was only 12 bucks on Amazon, I had to grab it. Kept myself without listening to the whole album until the vinyl came to me. I was blown away, what an album! Pop perfection as it's best. My only complaint is that plastic sticker with the album name on it, I wanted to keep it so bad but I messed up when I tried to unglue it.
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Edited 6 years agoGot this today - decided to check this out on the strength of the über-catchy "Dreams". Nice packaging - the sexy opaque cherry-red vinyl is housed in a poly-lined inner and the lyrics are in an artfully-designed 2-page booklet.
The German Pallas-pressed wax is flat and fairly quiet, aside from some not-so-inconspicuous rumble audible in between tracks (and a quick pop-like burst of crackles every revolution at the very end of side 2, going into the runout). In fact, every new Pallas pressing I've gotten (the others would be Physical Graffiti by Led Zeppelin and Hot Rats by Frank Zappa) seems to be consistently rumbly in comparison to records from other plants, despite there not being any orange-peel texture on the record surfaces... perhaps it's a tracking anomaly of the 0.6 mil conical stylus of my AT-91?
Sonically, this is a nice, punchy Chris Bellman master with clear, full bass definition and a strong emphasis on high frequencies - strong enough in fact to perhaps be considered excessive in some parts, but well-balanced enough not to detract from the overall sound quality.
The production overall has a somewhat hot and compressed sound, and some of the songs on side 1 (most noticeably "Dear Life") become quite congested in the loudest/densest sections. Luckily, the mastering is well-done enough that the compression (a common feature of modern EDM) doesn't negatively affect the immediacy and intensity of the whole thing - AT ALL. Overall, I'd even say it trumps Humanz by Gorillaz in of 'jumping out of the speakers'.... despite being on only ONE record. (Some songs are mastered better than others, "Dreams" standing out in particular.)
Simply put, despite those moments of sonic congestion, it doesn't sound repressed or blanketed, unlike some other audibly compressed records I own.
It may not be as airy as some of Bellman's other vinyl masters, such as the amazing job he did on Arctic Monkeys' AM, but given how much of a 'dancefloor-ready' style Beck was going for on this record, I'd say the hot sound is rather well-suited to the overall flair of the music. It's probably more of... you know... a stylistic choice on Beck's part. Audiophiles, don't come here with the expectation of immaculate transparency and clarity of individual instruments - the production is what it is, and it works perfectly fine.
Musically, while longtime Beck fans may be dismayed at the loss of his trademark weirdness with this album, I like this new direction he's going in.... and what can go wrong especially when "Dreams" caught the attention of so many of us when it first came on the radio a few years back? Recommended.
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