Lou ReedSally Can't Dance

Label:

RCA Victor – L1-0611

Format:

Vinyl , LP, Album, Stereo , Hollywood Pressing, Dynaflex

Country:

US

Released:

Genre:

Pop

Style:

Pop Rock

Tracklist

A1 Ride Sally Ride 4:00
A2 Animal Language 3:00
A3 Baby Face 5:01
A4 N.Y. Stars 3:59
B1 Kill Your Sons
DrumsRichie Dharma*
3:35
B2 Ennui
DrumsRichie Dharma*
MellotronMichael Fonfara
3:37
B3 Sally Can't Dance 4:07
B4 Billy
Acoustic GuitarLou Reed
BassDoug Yule
SaxophonePaul Fleisher
5:01

Companies, etc.

  • Record CompanyRCA Corporation
  • Produced ForAnxiety Productions Ltd.
  • Phonographic Copyright ℗RCA Records
  • Copyright ©RCA Records
  • Published ByOakfield Avenue Music Ltd.
  • Published ByDunbar Music, Inc.
  • Recorded AtElectric Lady Studios
  • Mastered AtRCA Studios, Toronto
  • Lacquer Cut AtRCA Studios, Toronto
  • Pressed ByRCA Records Pressing Plant, Hollywood

Credits

  • Arranged By [Horns, With]Katz*
  • Arranged By [Horns]Lew Soloff
  • Art DirectionAcy Lehman
  • Artwork [Cover Art]David Byrd*
  • Backing VocalsMichael Wendroff
  • Bass, Backing VocalsPrakash John
  • Design Concept [Cover Concept]Dennis Katz
  • DrumsWhitey Glan
  • Engineer [Re-mix]Ralph Moss
  • Engineer [Recording]Mike Stone
  • Graphics [Representation And Graphics]Transformer (15)
  • Guitar, Tambourine, Backing VocalsDanny Weis
  • HarmonicaSteve Katz
  • HornsTrevor Koehler
  • Illustration [Back Cover]René De La Bush
  • Keyboards, Backing VocalsMichael Fonfara
  • Mastered ByGeorge Semkiw
  • Photography By [Back Cover Illustration From A Photograph By]Lou Reed
  • Photography By [Front Cover Illustration From A Photograph By]Mick Rock
  • ProducerSteve Katz
  • Recorded By [Recordist]Dave Whitman*
  • Written-ByLou Reed

Notes

Produced for Anxiety Productions Ltd.

Recorded at Electric Lady, N.Y.C.
Recording engineer: Mike Stone, courtesy Trident Studios, London.
Mastering at RCA Studios, Toronto.

© 1974, RCA Records (...) Printed in U.S.A.
All songs published by Oakfield Avenue Music Ltd./Dunbar Music, Inc.

Michael Wendroff appears through the courtesy of Buddah Records

Dynaflex
TM(s) ® RCA Corp. - Made in U.S.A.
℗ 1974 RCA Records

Includes printed inner sleeve.

RCA on sleeve, RCA Victor on labels.

Barcode and Other Identifiers

  • Price Code (On spine): 0698
  • Rights Society: BMI
  • Matrix / Runout (Side A label): L1-0611-A
  • Matrix / Runout (Side B label): L1-0611-B
  • Matrix / Runout (Side A, hand-etched [H stamped] - variant 1): L1-0611-A-2 ZDT H
  • Matrix / Runout (Side B, hand-etched [H stamped] - variant 1): L1-0611-B-2 ZDT H
  • Matrix / Runout (Side A, hand-etched [H stamped] - variant 2): L1-0611A-² ZDT. H
  • Matrix / Runout (Side B, hand-etched [H stamped] - variant 2): L1-0611B. ZDT. H

Other Versions (5 of 70)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Sally Can't Dance (LP, Album, Stereo) RCA Victor L1-0611, L 10611 Netherlands 1974
Recently Edited
Sally Can't Dance (LP, Album) RCA Victor APL1-0611, APL1 0611 UK 1974
Sally Can't Dance (LP, Album) RCA Victor 104.4055 Brazil 1974
New Submission
Sally Can't Dance (Cassette, Album) RCA APK1 0611 UK 1974
New Submission
Sally Can't Dance (LP, Album) RCA Victor L1-0611 Italy 1974

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Reviews

  • CriticalMaasCollect's avatar
    Edited 2 years ago
    This is arguably the best sounding recording of Lou Reed's 1970s output. I only have this regular Dynaflex US pressing, but the recording sounds good enough to match some Steely Dan recordings of the same period. A few cringe moments here & there, but it's still Lou Reed, backed by some very good studio aces.
    • U-Funk's avatar
      U-Funk
      Alright, it’s NOT Lou at his best, but to my ears it sounds like the perfect stepping stone between Berlin and Coney Island Baby. And it displays elements of both (of course it does!). The live LPs that bookend this release almost seem like the work of another artist, featuring Reed’s Transformer/ Berlin touring ensemble.
      In the studio Lou displays a more forward-facing momentum. A movement that doesn’t NEED to reference his past, except as a stylistic musical journey, updating from the past, morphing not the future. This momentum is certainly laid back in places (of course it is - it’s 1974 baby!) in other places he shows his dark side (Kill Your Sons) as well as his funkier side (Sally Can’t Dance). And it’s all a hip NY style that musically underpins much of this LP and it’s studio follow up, Coney island Baby.
      That he pre-empted Bowie and all of the “Plastic Soul” bandwagon jumpers is just Lou: ahead of the curve, as he had been since the start of his career. After all he lived in the most influential, decadent, and vital city on the planet in 1974.
      So he was there at cultural ground zero, from the VU onwards. Now I think it’s time to re-evaluate SCD. It’s high time all us listeners open our ears to Lou’s “where-I’m-at-in-’74” LP with a fresh perspective, unhindered by out-of-date standards.
      Who knows, you might even consider giving it 4 stars.
      And maybe even shake your ass a little to Lou’s funk.
      Maybe?
      • alexpopp's avatar
        alexpopp
        My original USA copy is a cut out ( bottom left) still shrink wrapped with a black&white RCA sticker top right. Underrated Lou Reed album. Choice cuts'Kill Your Sons"&Billy.

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