Tracklist
Baba O'Riley | 4:59 | ||
Bargain | 5:33 | ||
Love Ain't For Keeping | 2:11 | ||
My Wife | 3:35 | ||
Song Is Over | 6:16 | ||
Getting In Tune | 4:49 | ||
Going Mobile | 3:40 | ||
Behind Blue Eyes | 3:40 | ||
Won't Get Fooled Again | 8:31 |
Credits (13)
- John EntwistleBass, Brass, Vocals
- Pete TownshendComposed By
- John KoshDesign
- Keith MoonDrums, Percussion
- Chris StampExecutive-Producer
- Kit LambertExecutive-Producer
Notes
Fifth studio album by The Who, recorded April–June 1971, at Glyn Johns.
Released July/August 1971, and reached #1 in the U.K. charts, the only time an album by The Who topped the charts in any country. Reissued in 1995 as an expanded edition with bonus tracks, and again in 2003 as a deluxe edition.
The album was developed from an abandoned rock opera project called Lifehouse, conceived by Pete Townshend.
The front cover image was taken by photographer Ethan A. Russell on the way to a gig in Leicester, depicting the band having "urinated" on a concrete monolith in a slag heap, in a scene inspired by Stanley Kubrick's film 2001: A Space Odyssey.
Some versions exist omitting the track "Won't Get Fooled Again," and with different cover art and title (e.g., "Going Mobile," "Baba O'Riley," etc.).
Released July/August 1971, and reached #1 in the U.K. charts, the only time an album by The Who topped the charts in any country. Reissued in 1995 as an expanded edition with bonus tracks, and again in 2003 as a deluxe edition.
The album was developed from an abandoned rock opera project called Lifehouse, conceived by Pete Townshend.
The front cover image was taken by photographer Ethan A. Russell on the way to a gig in Leicester, depicting the band having "urinated" on a concrete monolith in a slag heap, in a scene inspired by Stanley Kubrick's film 2001: A Space Odyssey.
Some versions exist omitting the track "Won't Get Fooled Again," and with different cover art and title (e.g., "Going Mobile," "Baba O'Riley," etc.).
Versions
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487 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Who's Next
LP, Album
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Track Record – 2408 102 | UK | 1971 | UK — 1971 |
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Who's Next
LP, Album, Repress, Stereo, All Disc Pressing
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Decca – DL 79182 | US | 1971 | US — 1971 |
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Who's Next
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Polydor – 2480 056 | Israel | 1971 | Israel — 1971 |
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Who's Next
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Polydor – 2486056 | Colombia | 1971 | Colombia — 1971 |
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Who's Next
LP, Album, Export
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Track Record – 2408 102 | UK | 1971 | UK — 1971 |
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Who's Next
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Polydor – 23 83 085 | Spain | 1971 | Spain — 1971 |
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Who's Next
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Decca – DL 79182 | US | 1971 | US — 1971 |
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Who's Next
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Polydor – 2480 056★ | Scandinavia | 1971 | Scandinavia — 1971 | ||||
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Polydor – 2480 056 | Australia | 1971 | Australia — 1971 |
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Who's Next
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Polydor – 2484 026 | 1971 | — 1971 |
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Who's Next
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Decca – DL 79182 | Canada | 1971 | Canada — 1971 |
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Who's Next
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Polydor – 2480 056 | Austria | 1971 | Austria — 1971 |
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Nuevamente Los Who
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Polydor – 7229 | Venezuela | 1971 | Venezuela — 1971 |
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Who's Next
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Decca – DL 79182 | US | 1971 | US — 1971 |
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Who's Next
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Polydor – 2486 046 | Brazil | 1971 | Brazil — 1971 |
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Polydor – 2408 102 | South Africa | 1971 | South Africa — 1971 |
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Who's Next
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First Record – FL-2101 | Taiwan | 1971 | Taiwan — 1971 |
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Who's Next
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中聲 – CSJ-1158 | Taiwan | 1971 | Taiwan — 1971 |
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Who's Next
LP, Album, Unofficial Release
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Academy Record Company – HD 51 | South Korea | 1971 | South Korea — 1971 |
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Who's Next
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Track Record – 3191-005 | UK | 1971 | UK — 1971 |
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Who's Next
LP, Album, Stereo, Los Angeles Press
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Decca – DL 79182 | US | 1971 | US — 1971 |
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Who's Next
8-Track Cartridge, Album, Club Edition
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Decca – 79182-8 | US | 1971 | US — 1971 |
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Who's Next
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Polydor – 3194 051 | 1971 | — 1971 |
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Who's Next
LP, Album, Stereo, Pinckneyville Press
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Decca – DL 79182 | US | 1971 | US — 1971 |
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Who's Next
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Decca – 9182 | US | 1971 | US — 1971 |
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Who's Next
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Decca – DL 79182 | Canada | 1971 | Canada — 1971 |
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Polydor – 2480056 | Greece | 1971 | Greece — 1971 | ||||
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Who's Next
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Polydor – MP 2205 | Japan | 1971 | Japan — 1971 |
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Who's Next
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Decca – C113612 | US | 1971 | US — 1971 |
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Who's Next
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Track Record – 3834 005 | UK | 1971 | UK — 1971 |
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Who's Next
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Polydor – 2408 102 | Scandinavia | 1971 | Scandinavia — 1971 |
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Who's Next
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Track Record – 2408 102 | UK | 1971 | UK — 1971 |
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Track Record – 2408 102 | UK | 1971 | UK — 1971 |
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Who's Next
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Decca – SW-93884 | US | 1971 | US — 1971 | ||||
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Who's Next
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Polydor – 2480 056 | 1971 | — 1971 |
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Who's Next
LP, Album, Stereo, Deutsche Grammophon
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Polydor – 2480 056 | 1971 | — 1971 |
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Who's Next
LP, Album, Repress
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Polydor – 2480 056 | 1971 | — 1971 |
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Who's Next
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Polydor – 75025 | Ecuador | 1971 | Ecuador — 1971 |
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Who's Next
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Polydor – 3194 051 | Italy | 1971 | Italy — 1971 | ||||
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Who's Next
LP, Album, Stereo, Gloversville Press
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Decca – DL 79182 | US | 1971 | US — 1971 |
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Recommendations
Reviews
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Edited 6 days ago
referencing Who's Next (LP, Album, Export) 2408 102
I would like to give my insight into this release,
Now most people still go to that outdated Hoffman forum Thread which has good info but is very inaccurate when it comes to the first pressing of Who’s Next, this was mastered by Doug sax as the tape box says but there is no etching of any kind like the Decca or the first side of the Uk, which doesn’t mean anything since all the Who’s first pressings all had the catalog number stamped along with an A/1 B/1 before 1973 when you started to see TML in deadwax this version is very much a hidden gem of this record and is the best of the best the 2005 Classic records cut is the only one that comes close. It’s not as hot as the Decca but more like the UK but imo it’s got more detail and openness. I’d really recommend getting this over spending 2x more for the made in the UK press. -
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Wow, this is terrible. All due respect to Miles, and as Nick said below, this album has always had audiophile issues? and I am sure he did the best he could? but wow does it lacks punch, clarity, you name it. The sad thing is — because of Rhino HiFi, we KNOW this could sound amazing AND at the same price point. Oh well.
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referencing Who's Next (LP, Album, Stereo) 2480 056
Out of many German pressings, this one has phenomenal dynamic range and powerful sonic purity. This is a good 'un. Get a super clean one and you're set for life. -
Edited one month ago
referencing Who's Next (LP, Album, Stereo) DL 79182
Any evidence this is a west-coast 1st press from the OG master? -
I already own a couple of versions of this classic but i saw this going ridiculously cheap and it looked great..A real result as it's probably the best sounding quality picture disc I've ever heard..a lovely surprise with virtually no background noise..better than many black vinyl versions
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referencing Who's Next (LP, Album, Reissue) 2408 102
Why is this a reissue? With original A//1, B//2 runouts? This must be wrong. -
referencing Who's Next (LP, Album) 2408 102
Hi All,
I have disc matrix / runout :
Sida 1 : 2408102 A//1 1 1 10 MG-12888
Side 2 : 2408102 B//2 ▽ 420 11 8 04
Is it this version ?
It seems to have retouched US cat # DL 79182 is barely visible on the top left corner of the front cover.
Kind regards,
Flavien -
Edited one month agoI bought this shortly after receiving the stand alone "Who's Next" blu ray. As a recent convert to multi channel home audio, I've been snapping up discs that I missed early on, and WN(and "Quadrophenia" as well) was on my most wanted list, since it's been top favorite of mine since buying it as a teen on release day(I've been a fan of the band since the late 60's as a pre teen). Well, suffice to say that the blu ray completely knocked me out. Especially the 5.1 and original mixes. Enough so that I had to jump on this box. Found a decently priced option and now I sit listening to disc 2 of the demo's, reading Pete's notes and once again shaking my head at awe at the pure and simple(well, complex also) genius of this man. The box itself it a treasure trove of delights. I've been strictly vinyl for years, and so haven't been collecting the discs both legal and boot that have some of this stuff already on it, so it's all brand new to me. And I'm simply stunned, song after song. And the book. That book is worth the price of the box for me. Plus the live stuff, the singles, all of it. I own a lot of box sets, and most have been worthy of purchase. But this one is one of those rare one's that will constantly being pulled out to listen to again and again. It's that great.
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The US W1/W2’s sound great, but a UK first is how this should sound, both sides - more presence, clarity - everything.
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