Tracklist
Elevation | 18:26 | ||
Greeting To Saud (Brother McCoy Tyner) | 4:15 | ||
Ore-Se-Rere (Nigerian Juju HiLife) | 5:44 | ||
The Gathering | 14:09 | ||
Spiritual Blessing | 6:20 |
Credits (9)
- Tim Bryant (2)Design [Album]
- Baker BigsbyEngineer [Recording]
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Kathryn KingEngineer [Recording]
- Ken CaillatEngineer [Recording]
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Myles WeinerEngineer [Recording]
- Stephen JarvisEngineer [Recording]
Versions
Filter by
17 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Version Details | Data Quality | |||
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Elevation
LP, Album, Quadraphonic, Terre Haute Pressing
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ABC Records – AS-9261 | US | 1974 | US — 1974 |
Recently Edited
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Elevation
LP, Album, Quadraphonic
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Impulse! – AS-9261 | 1974 | — 1974 |
New Submission
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Elevation
LP, Album, Stereo
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ABC Records – IMJ-80001 | Japan | 1974 | Japan — 1974 |
New Submission
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Elevation
LP, Album, Promo, Quadraphonic
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ABC Records – AS-9261 | US | 1974 | US — 1974 |
New Submission
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Elevation
LP, Album, Promo, Stereo, Gatefold
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ABC Records – IMJ-80001 | Japan | 1974 | Japan — 1974 |
New Submission
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Elevation
8-Track Cartridge, Album, Stereo
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Impulse! – 8027-9261 | US | 1974 | US — 1974 |
New Submission
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Elevation
CD, Album, Limited Edition, Reissue, Remastered, Paper Sleeve
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Impulse! – MVCZ-121 | Japan | 1997 | Japan — 1997 |
Recently Edited
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Elevation
CD, Album, Reissue, Stereo, Paper Sleeve
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Impulse! – AS-9261 | Japan | 2003 | Japan — 2003 |
Recently Edited
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Elevation
CD, Album, Reissue, Remastered, Club Edition, Digipak
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Impulse! – AS-9261 | US | 2005 | US — 2005 |
New Submission
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Elevation
CD, Album, Reissue, Remastered
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Impulse! – 0602498842263 | Europe | 2005 | Europe — 2005 |
Recently Edited
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Elevation
CD, Album, Reissue, Remastered, Digipak
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Impulse! – AS-9261 | US | 2005 | US — 2005 |
New Submission
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Elevation
CD, Album, Reissue, Remastered, Paper Sleeve
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Impulse! – AS-9261 | Japan | 2007 | Japan — 2007 |
New Submission
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Elevation
2×LP, Album, Reissue, 180gr
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Universal Sound – USLP55 | UK | 2013 | UK — 2013 |
New Submission
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Elevation
CD, Album, Reissue
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Universal Sound – US CD55 | UK | 2013 | UK — 2013 |
New Submission
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Elevation
CD, Album, Limited Edition, Reissue, SHM-CD
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Impulse! – UCCI-9371 | Japan | 2021 | Japan — 2021 |
New Submission
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Elevation
LP, Album, Club Edition, Quadraphonic
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Impulse! – AS-9261 | US | US |
New Submission
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Elevation
LP, Album, Reissue, Quadraphonic
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Impulse! – AS-9261 | US | US |
New Submission
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Recommendations
Reviews
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Absolutely essential recording of Pharoah Sanders at the height of his powers in 1973 Los Angeles.
Melodic, moving, explosive, absorbing, sensitive, enveloping. Highly recommended. -
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Great great record. Runouts on my copy differ: A side: T\ AS-9261A-2 KENDUN A1 , B side : T \ AS-9261B-2 KENDUN C1
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Anyone know if the Japanese Stereo is a totally different mix than the quad or is just folded down into two channels?
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Edited 2 years agoAside from the top left side corner being used as a cat scratching pad, my copy is STRONG VG+ and sounds awesome! The bass is strong and present on the title track Elevation and the music is just flawless gorgeous perfect Pharoah. I just listened to my Thembi OG 1971 press and it had a much higher noise floor and some of bells/whistles were so shrill.... Elevation is a completely UNDERRATED PHAROAH LP.
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Seeing these multiple recording dates at The Ash Grove, the mind reels to think that multiple complete live Pharoah shows were actually recorded in their entirety. And had not the entire Impulse catalog been melted in that big fire, if we might have one day had something like "The Complete Lee Morgan at the Lighthouse" box. Alas.
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My copy sounds quiete awful, thin and flat. Also the record has not been well kept, so maybe affects(?).
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referencing Elevation (2×LP, Album, Reissue, 180gr) USLP55
By the $140 price tag, I can see that is gouge o'clock... -
How does the original pressing sound? The running time on the album is extremely long for a single album. I usually go for the originial but I am a little doubtful in this case.
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referencing Elevation (2×LP, Album, Reissue, 180gr) USLP55
On this and the Michael White pressing they have excessively cranked up the volume and we all know how this ends up sounding like. It's like listening to Judas Priest's Painkiller but on a jazz record.
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