Manfred Mann Chapter Three – Manfred Mann Chapter Three
Tracklist
| A1 | Travelling Lady | |
| A2 | Snakeskin Garter | |
| A3 | Konekuf | |
| A4 | Sometimes | |
| A5 | Devil Woman | |
| B1 | Time | |
| B2 | One Way Glass | |
| B3 | Mister You're A Better Man Than I | |
| B4 | Ain't It Sad | |
| B5 | A Study In Inaccuracy | |
| B6 | Where Am I Going |
Companies, etc.
- Record Company – Philips Records
- Recorded At – Maximum Sound Studios
- Lacquer Cut At – Phonodisc Ltd.
- Pressed By – Phonodisc Ltd.
Credits
- Arranged By [Additional Brass] – Derek Wadsworth
- Design [Sleeve Design] – Jack Levy
- Drums – Craig Collinge
- Electric Bass [Fender], Guitar, Harp – Steve York
- Engineer, Producer – Dave Hadfield
- Flute [Alto] – Bernie Living
- Organ, Whistle [Police], Arranged By [Brass] – Manfred Mann (2)
- Photography By – Johnny Clamp
- Piano, Vocals, Arranged By [Brass] – Mike Hugg
Notes
Recorded at Maximum Sound Studios between June and October 1969.
Released in a gatefold sleeve on a 'swirl' Vertigo label.
Runouts are stamped.
Released in a gatefold sleeve on a 'swirl' Vertigo label.
Runouts are stamped.
Barcode and Other Identifiers
- Matrix / Runout (Side B label): 847 902 2 Y
- Matrix / Runout (Runout side A, variant 1): 847902 1 Y // 3 ▽ 420 1 1 5
- Matrix / Runout (Runout side B, variant 1): 847902 2 Y // 3 ▽ 420 1 1 1
- Matrix / Runout (Runout side A, variant 2): 847902 1 Y // 3 ▽ 420 1 1 5
- Matrix / Runout (Runout side B, variant 2): 847902 2 Y // 3 ▽ 420 1 1 5
- Matrix / Runout (Runout side A, variant 3): 847902 1 Y // 3 ▽ 420 1 2 2
- Matrix / Runout (Runout side B, variant 3): 847902 2 Y // 3 ▽ 420 1 1 1 5
- Matrix / Runout (Runout side A, variant 4): 847902 1 Y // 3 ▽ 420 1 1 7
- Matrix / Runout (Runout side B, variant 4): 847902 2 Y // 3 ▽ 420 1 1 2
- Matrix / Runout (Runout side A, variant 5): 847902 1 Y // 3 ▽ 420 1 1 4
- Matrix / Runout (Runout side A, variant 5): 847902 1 Y // 3 ▽ 420 1 1 6
- Matrix / Runout (Runout side A, variant 6): 847902 1 Y // 3 ▽ 420 1 1 3
- Matrix / Runout (Runout side B, variant 6): 847902 2 Y // 3 ▽ 420 1 1 3
- Matrix / Runout (Runout side A, variant 7): 847902 1 Y // 3 ▽ 420 1 1 2
- Matrix / Runout (Runout side B, variant 7): 847902 2 Y // 3 ▽ 420 1 1 1
Other Versions (5 of 36)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Manfred Mann Chapter Three (LP, Album, Stereo, Monarch) | Polydor | 24-4013 | US | 1969 | ||
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New Submission
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Manfred Mann Chapter Three (LP, Album, Gatefold) | Philips | SFX-7200 | Japan | 1969 | ||
|
Recently Edited
|
Manfred Mann Chapter Three (LP, Album, Stereo) | Polydor | 24-4013 | US | 1969 | ||
|
New Submission
|
Manfred Mann Chapter Three (LP, Album, Stereo) | Fontana | 847 902 VTY | Australia | 1969 | ||
|
Recently Edited
|
Manfred Mann Chapter Three (LP, Album, Stereo, Terre Haute Pressing) | Polydor | 24-4013 | US | 1969 |
Recommendations
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1969 UKVinyl —LP, Album, Stereo -
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Reviews
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This is hands down a great record. Odd, but great! A must have if you're into the genre.
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I just played the Unofficial Vertigo vinyl on my system and it sounds great no complaints, I'm not saying its as good a release as the original pressing's as i hav'nt heard a first release but hey try and get a playable copy and a nice clean cover for a reasonable price ?? Regarding the music it's fantastic a couple of the old jazz'ers in there Huggs voice fits the sounds for me. -
What a brilliant album .musicians with the shackles taken of .produce a masterpiece .A must have album -
Edited 6 years agoQuoting marcelrecords' review: '...this album makes for uneasy listening' - guess that is why I like it so much. It is very 'claustrophobic', or really, claustrophilic! I enjoy how they pulled off such a purposefully obtuse album, without being obviously experimental, as in it remains within the confines of 'normal music' but just gets rights up to the very edge of what that means - and I mean right on the very bloody edge. That is what I like about it. That takes extreme precision & accuracy; difficult to do in any art. Plus coming from musicians mostly known for pop works, this is bloody gutsy too - though that reputation is incorrect, see Manfred Mann - Machines, they really were a bunch of Jazz cats playing pop music. -
Edited 12 years agoManfred Mann, major poppifier of Dylan, lost grip on the dying market for their kind of brew and disbanded in june 1969. A second incarnation of just Mann and Mike Hugg resulted in a flopped single and some advertising music. Small wonder that they claim on the first release of their third incarnation: ''This LP represents in general what we personally have been wanting to do for some years''. Well, what they wanted to do for years turned out to be a pretty claustrophobic affair. Two keyboards at once, the vocals of Mike Hugg, who whispers and groans more than that he sings, and the somewhat cluttered production produce a sombre and at times difficult to penetrate sound. Main disadvantage seems to be the poor integration of rock drums in a setting that suggests jazz more than anything else. Shreds of Dr. John and of Soft Machine keep popping up, but the uncanny atmosphere is pretty unique nonetheless.. Very dense and here and there even strictly non-commercial, this album makes for uneasy listening.
Release
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