The Avalanches – Since I Left You
Label: |
XL Recordings – XLLP 138 |
|---|---|
Format: |
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Country: |
UK & Europe |
Released: |
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Genre: |
Electronic |
Style: |
Abstract |
Tracklist
| A1 | Since I Left You | |
| A2 | Stay Another Season | |
| A3 | Radio | |
| A4 | Two Hearts In 3/4 Time | |
| B1 | Avalanche Rock | |
| B2 | Flight Tonight | |
| B3 | Close To You | |
| B4 | Diners Only | |
| B5 | A Different Feeling | |
| C1 | Electricity | |
| C2 | Tonight May Have To Last Me All My Life | |
| C3 | Pablo's Cruise | |
| C4 | Frontier Psychiatrist | |
| D1 | Etoh | |
| D2 | Summer Crane | |
| D3 | Little Journey | |
| D4 | Live At Dominoes | |
| D5 | Extra Kings |
Companies, etc.
- Mixed At – Sing Sing Studios
- Pressed By – Optimal Media GmbH – BB59771
- Lacquer Cut At – Optimal Media GmbH
- Phonographic Copyright ℗ – Modular Recordings Pty. Ltd.
- Phonographic Copyright ℗ – XL Recordings
- Copyright © – XL Recordings Ltd.
- Licensed To – XL Recordings Ltd.
Credits
- Engineer [Assistant] – Matt Maddock
- Lacquer Cut By – MK*
- Mastered By – Mike Marsh
- Mixed By – Tony Espie (tracks: 1 to 17)
- Performer [Animals, Westerns] – Dexter*
- Performer [Halo's, Heartstrings] – The Villain Tony.D*
- Piano, Percussion – Gordon McQuilten
- Producer, Mixed By – The Viking Bobby.C*
- Recorded By – The Avalanches
- Sampler – Bobby*
- Technician [Protools Transfer, Mac Overhauls] – Chris Scallan*
Notes
This is the 2016 reissue on XL Recordings, domestic to UK and Europe.
All barcodes, matrices, stamper codes, and labels are identical to those of the 2012 reissue on XL recordings. Runouts are stamped.
It is only distinguishable by its inner sleeves: those of the 2016 reissue were white, as opposed to the black of the 2012 issue.
-The back sleeve lists "Bobby Dazzler Productions", "Modular", "XL Recordings"
-The websites "www.modularpeople.com" and "xlrecordings" are printed above the barcode
-The gatefold contains an extensive sample list on the right-hand
-Track C2/11 is listed as "Tonight" on the sleeve, but "Tonight May Have To Last Me All My Life" on the side C label
-The gatefold spine is blue
-The inner sleeves are white
-The XL and Modular logos and websites are printed on sides A,B,C, and D labels; there are no white rings bordering the labels
Sample notes:
-Uses the ORIGINAL SAMPLES version of "Frontier Psychiatrist"
FOOTNOTE
The following is true for every vinyl pressing of "Since I Left You" (except the Rex Records test pressing):
"Since I Left You" and "Live At Dominoes" do not contain the "younger than springtime" sample from Rodgers/Hammerstein.
"Summer Crane" and "Extra Kings" do not contain the flute sample from War's "H2Overture"
"Radio" does not contain the "Johnny!" dialogue at the beginning
"Diners Only" does not contain the "good evening gentlemen" dialogue at the beginning
All barcodes, matrices, stamper codes, and labels are identical to those of the 2012 reissue on XL recordings. Runouts are stamped.
It is only distinguishable by its inner sleeves: those of the 2016 reissue were white, as opposed to the black of the 2012 issue.
-The back sleeve lists "Bobby Dazzler Productions", "Modular", "XL Recordings"
-The websites "www.modularpeople.com" and "xlrecordings" are printed above the barcode
-The gatefold contains an extensive sample list on the right-hand
-Track C2/11 is listed as "Tonight" on the sleeve, but "Tonight May Have To Last Me All My Life" on the side C label
-The gatefold spine is blue
-The inner sleeves are white
-The XL and Modular logos and websites are printed on sides A,B,C, and D labels; there are no white rings bordering the labels
Sample notes:
-Uses the ORIGINAL SAMPLES version of "Frontier Psychiatrist"
FOOTNOTE
The following is true for every vinyl pressing of "Since I Left You" (except the Rex Records test pressing):
"Since I Left You" and "Live At Dominoes" do not contain the "younger than springtime" sample from Rodgers/Hammerstein.
"Summer Crane" and "Extra Kings" do not contain the flute sample from War's "H2Overture"
"Radio" does not contain the "Johnny!" dialogue at the beginning
"Diners Only" does not contain the "good evening gentlemen" dialogue at the beginning
Barcode and Other Identifiers
- Barcode: 634904013813
- Matrix / Runout (Side A runout): BB59771-01 A1 MK
- Matrix / Runout (Side B runout): BB59771-01 B2 MK
- Matrix / Runout (Side C runout): BB59771-02 C1 MK
- Matrix / Runout (Side D runout): BB59771-02 D1 MK
Other Versions (5 of 54)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Since I Left You (2×LP, Album, Stereo, Gatefold) | Modular Recordings | MODVL004 | Australia | 2000 | ||
|
Recently Edited
|
Since I Left You (CD, Album, Digipak) | Modular Recordings | MODCD009 | Australia | 2000 | ||
|
Recently Edited
|
Since I Left You (CD, Album, Promo, Card Sleeve) | Modular Recordings | MODPR015 | Australia | 2000 | ||
|
Recently Edited
|
Since I Left You (CD, Album, Digipak) | Modular Recordings | MODCD009 | Australia | 2000 | ||
|
New Submission
|
The Album (CDr, Album, Promo) | Zomba | none | UK | 2000 |
Recommendations
Reviews
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Edited 2 months agoI've had this copy from August 2016. Mine sounds great. I wonder (as it's still being pressed now 8 years later) if the later copies are not as good? Is it pressed from the same plate? With people saying it doesn't sound good?? Just a thought. -
Edited 8 months agoI think this sounds great. I read the negative reviews and took a chance on a used copy. You never see this in shops. Majority of the “surface noise” is from the sampling, durr. And clean your records.
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good press. has the original samples of frontier psychiatrist unlike the new ttl color pressing. the only noise/crackling i noticed on this is the noise that you can also hear on the digital versions, meaning that it comes from the original vinyl samplings and does not speak to the quality of this pressing
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Cover Art: 10/10
Sound Quality: 9/10
Packaging: 10/10 (gatefold)
Total: 10/10, Reccomended Masterpiece. -
I don't have the earlier pressings, but this sounds pretty good. They did remove some samples so some songs sound a bit different (to spotify, to my ears at least) but still this is a great album and it's nice getting a different take on the album. -
The sound is disappointing. First time I didn’t enjoy listening of this great album. Refrain from buying of this pressing.
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Great album, bad pressing. A lot of clicks and pops. Brushing, zero stat, master sleeves don't help at all. Such a shame. -
Great legendary album but this ain't a good pressing. Sound is far from being sharp or clean, plenty of distortion. I'm using a Rega P8 + Apheta II and sounds better when streaming through Spotify. Another disappointing XL Recording pressing. -
Not noticed any samples missing. Does anyone have a list of exactly the differences and sources and track times from the original LP press. Sounds as I .
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