Yes – Relayer
Label: |
Warner Strategic Marketing – 8122-73792-2 |
|---|---|
Series: |
Expanded & Remastered |
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Prog Rock |
Tracklist
| 1 | The Gates Of Delirium | 21:53 | |
| 2 | Sound Chaser | 9:25 | |
| 3 | To Be Over | 9:17 | |
| Bonus Tracks | |||
| 4 | Soon (Single Edit) | 4:17 | |
| 5 | Sound Chaser (Single Edit) | 3:13 | |
| 6 | The Gates Of Delirium (Studio Run-Through) | 21:13 |
Companies, etc.
- Phonographic Copyright ℗ – Elektra Entertainment
- Copyright © – Warner Strategic Marketing
- Copyright © – Topographic Music Ltd.
- Made By – Warner Music Manufacturing Europe
- Published By – WB Music Corp.
- Mixed At – Advision Studios
- Remastered At – DigiPrep
- Designed At – GAPD
- Glass Mastered At – WMME Alsdorf
Credits
- Art Direction [With], Design [With] – Bryan Lasley
- Art Direction, Design – Greg Allen (7)
- Artwork [Paste Up] – Mike Allison (2)
- Coordinator – Brian Lane (3)
- Design [Cover Designed By], Illustration [Cover Drawn By] – Roger Dean (4)
- Liner Notes – Glenn Gottlieb
- Lithography [Plates] – Mansell Litho
- Management [Project Assistance] – Tim Scanlin
- Performer – Steve Howe
- Photography By – Retna Ltd.*
- Photography By [Original Group Photograph] – Jean Ristori
- Producer – Yes
- Producer [Sound] – Bill Inglot
- Product Manager – Marc Salata
- Remastered By – Dan Hersch
- Sleeve Notes [In The Digipak] – Donald Lehmkuhl
- Supervised By [Editorial Supervision] – Cory Frye
- Supervised By [Reissue Supervision] – Steve Woolard
- Tape Op [Tapes] – Genaro Rippo
- Written-By, Arranged By – Yes
Notes
Issued in a 6- Digipak with clear tray on right-most , die-cut sleeve at left-most for booklet and a 12-page booklet all enclosed in an O-card.
Some copies issued with a round gray hype sticker with black font on the front cover:
"The 1974 Prog-Rock classic Expanded & Remastered, including 3 bonus tracks, one previously unissued!"
There are no track durations listed on this release.
Bonus Tracks:
Tracks 4 & 5: Atlantic single #3242 (1/8/75)
Track 6: previously unissued
Relayer was first issued as Atlantic #18122 (12/5/74).
Recorded on Eddie Offord's mobile equipment in England in late summer and autumn 1974.
Mixed at Advision.
Remastered at DigiPrep.
"The Gates Of Delirium" © 1974 (Renewed) Topographic Music Ltd. (ASCAP)
All rights istered by WB Music Corp.
"Sound Chaser" © 1974 (Renewed) Topographic Music Ltd. (ASCAP)
All rights istered by WB Music Corp.
"To Be Over" © 1974 (Renewed) Topographic Music Ltd. (ASCAP)
All rights istered by WB Music Corp.
All Songs Copyright Renewed.
All Rights Reserved.
International Copyright Secured.
Used by Permission.
Patrick Moraz appears by courtesy of Charisma Records Ltd.
On rear: This reissue ℗ 1974 & 2003 Elektra Entertainment. © 2003 Warner Strategic Marketing. Warner Music Group, an AOL Time Warner Company.
Made In by Warner Music Manufacturing Europe.
On CD: This reissue ℗ 1974 & 2003 Elektra Entertainment. Warner Music Group, an AOL Time Warner Company. Made in .
Some copies issued with a round gray hype sticker with black font on the front cover:
"The 1974 Prog-Rock classic Expanded & Remastered, including 3 bonus tracks, one previously unissued!"
There are no track durations listed on this release.
Bonus Tracks:
Tracks 4 & 5: Atlantic single #3242 (1/8/75)
Track 6: previously unissued
Relayer was first issued as Atlantic #18122 (12/5/74).
Recorded on Eddie Offord's mobile equipment in England in late summer and autumn 1974.
Mixed at Advision.
Remastered at DigiPrep.
"The Gates Of Delirium" © 1974 (Renewed) Topographic Music Ltd. (ASCAP)
All rights istered by WB Music Corp.
"Sound Chaser" © 1974 (Renewed) Topographic Music Ltd. (ASCAP)
All rights istered by WB Music Corp.
"To Be Over" © 1974 (Renewed) Topographic Music Ltd. (ASCAP)
All rights istered by WB Music Corp.
All Songs Copyright Renewed.
All Rights Reserved.
International Copyright Secured.
Used by Permission.
Patrick Moraz appears by courtesy of Charisma Records Ltd.
On rear: This reissue ℗ 1974 & 2003 Elektra Entertainment. © 2003 Warner Strategic Marketing. Warner Music Group, an AOL Time Warner Company.
Made In by Warner Music Manufacturing Europe.
On CD: This reissue ℗ 1974 & 2003 Elektra Entertainment. Warner Music Group, an AOL Time Warner Company. Made in .
Barcode and Other Identifiers
- Barcode (Text): 0 8122-73792-2 3
- Barcode (Scanned - UPC_A): 081227379223
- Label Code: LC 02982
- Rights Society: GEMA/BIEM
- Rights Society: ASCAP
- Matrix / Runout (Variant 1): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 1): IFPI L011
- Mould SID Code (Variant 1): IFPI 055S
- Matrix / Runout (Variant 2): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 2): IFPI L011
- Mould SID Code (Variant 2): IFPI 05R3
- Matrix / Runout (Variant 3): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 3): IFPI L011
- Mould SID Code (Variant 3): IFPI 05N9
- Matrix / Runout (Variant 4): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 4): IFPI L011
- Mould SID Code (Variant 4): IFPI 0575
- Matrix / Runout (Variant 5): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 5): IFPI L011
- Mould SID Code (Variant 5): IFPI 05M4
- Matrix / Runout (Variant 6): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 6): IFPI L011
- Mould SID Code (Variant 6): IFPI 05N0
- Matrix / Runout (Variant 7): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 7): IFPI L011
- Mould SID Code (Variant 7): IFPI 05M9
- Matrix / Runout (Variant 8): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 8): IFPI L011
- Mould SID Code (Variant 8): IFPI 05N5
- Matrix / Runout (Variant 9): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 9): IFPI L011
- Mould SID Code (Variant 9): IFPI 05R2
- Matrix / Runout (Variant 10): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 10): IFPI L011
- Mould SID Code (Variant 10): IFPI 05P3
- Matrix / Runout (Variant 11): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 11): IFPI L011
- Mould SID Code (Variant 11): IFPI 0777
- Matrix / Runout (Variant 12): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 12): IFPI L011
- Mould SID Code (Variant 12): IFPI 05P1
- Matrix / Runout (Variant 13): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 13): IFPI L011
- Mould SID Code (Variant 13): IFPI 0598
- Matrix / Runout (Variant 14): [Warner 'W' logo] 812273792-2.2 07/03 V01
- Mastering SID Code (Variant 14): IFPI L011
- Mould SID Code (Variant 14): IFPI 05L2
Other Versions (5 of 228)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Relayer (LP, Album, Gatefold) | Atlantic | ATL 50096 | Portugal | 1974 | ||
| Relayer (LP, Album, Stereo, Hub Pressing, Gatefold) | Atlantic | SD 18122 | US | 1974 | |||
|
Recently Edited
|
Relayer (LP, Album, Gatefold) | Atlantic | K 50096, SD 18122 | Italy | 1974 | ||
|
Recently Edited
|
Relayer (LP, Album, Stereo, Gatefold) | Atlantic | SD 18122 | New Zealand | 1974 | ||
|
Recently Edited
|
Relayer (LP, Album, Gatefold) | Atlantic | SD 18122 | Australia | 1974 |
Recommendations
Reviews
-
Perhaps their best album, certainly the most groundbreaking musically, the one that was most ahead of its time. The whole musical landscape of "The Gates of Delirium" goes far beyond the mid-seventies in some ways, pointing forward to acts like Die Krupps, early Nick Cave and the Bad Seeds or even Metallica. The other two songs are very innovative too and beautiful compositions in their own right. Steve Howe's guitar playing is fantastic all through the album (and sounds very different from what he had been doing two years earlier), Alan White provides outstanding drumming, and the rest of the band are outdoing themselves as well.
The production and engineering were masterful already on the original album - must have been a very tricky job with such a packed and rumbling sonic image - and the Rhino reissue puts in a great effort again, keeping the edge and vitality of the playing but giving that extra touch of clarity. An essential piece in the catalogue of a great band. -
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