Yes – Drama
Label: |
Warner Strategic Marketing – 8122-73795-2 |
|---|---|
Series: |
Expanded & Remastered |
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Prog Rock |
Tracklist
| 1 | Machine Messiah | 10:27 | |
| 2 | White Car | 1:21 | |
| 3 | Does It Really Happen? | 6:35 | |
| 4 | Into The Lens | 8:32 | |
| 5 | Run Through The Light | 4:42 | |
| 6 | Tempus Fugit | 5:21 | |
| Bonus Tracks | |||
| 7 | Into The Lens (I Am A Camera) (Single Version) | 3:47 | |
| 8 | Run Through The Light (Single Version) | 4:31 | |
| 9 | Have We Really Got To Go Through This | 3:43 | |
| 10 | Song No. 4 (Satellite) | 7:31 | |
| 11 | Tempus Fugit (Tracking Session) | 5:39 | |
| 12 | White Car (Tracking Session) | 1:11 | |
| 13 | Dancing Through The Light | 3:16 | |
| 14 | Golden Age | 5:57 | |
| 15 | In The Tower | 2:54 | |
| 16 | Friend Of A Friend | 3:38 |
Companies, etc.
- Phonographic Copyright ℗ – Elektra Entertainment
- Copyright © – Elektra Entertainment
- Manufactured By – Warner Strategic Marketing
- Marketed By – Warner Strategic Marketing
- Record Company – Warner Music Group
- Record Company – Time Warner
- Copyright © – Universal/Island Music Ltd.
- Copyright © – Topographic Music Ltd.
- Published By – Universal - Polygram International Publishing, Inc.
- Published By – WB Music Corp.
- Recorded At – The Town House
- Mixed At – Sarm Studios
- Designed At – GAPD
- Recorded At – Roundhouse Studios
- Recorded At – RAK Studios
- Mixed At – O.F.R., North Hollywood, CA
- Remastered At – DigiPrep
- Glass Mastered At – Cinram GmbH
- Pressed By – Cinram GmbH
Credits
- Bass, Vocals – Chris Squire
- Coordinator – Sandy Campbell
- Cover [Cover Designed By], Design – Magnetic Storm Ltd.
- Engineer [Rak Studios] – Pete Schwier
- Engineer [Roundhouse] – Ashley Howe
- Engineer [Sam Studios] – Julian Mendelsohn
- Engineer [Town House] – Hugh Padgham
- Guitar, Vocals – Steve Howe
- Keyboards, Vocoder – Geoff Downes (tracks: 1 to 12)
- Layout [Additional] – Greg Allen (7)
- Liner Notes – Brian Ives
- Management – Brian Lane (3)
- Management [Project Assistance] – Tim Scanlin
- Mixed By [Bonus Track Mixing And Tape Review] – Brian Kehew (tracks: 7 to 16)
- Painting [Cover Painting], Art Direction, Design, Design [Yes Logo Designed By] – Roger Dean (4)
- Percussion, Vocals – Alan White
- Photography By – Michael N. Marks*
- Photography By [Inside Back Cover] – David Clarke (9)
- Photography By [Page 2 And Inside Inlay] – Retna Ltd.*
- Producer – Roy Thomas Baker (tracks: 13 to 16)
- Producer [Backing Tracks] – Eddie Offord* (tracks: 1 to 12)
- Producer [Sound Reissue] – Bill Inglot
- Producer, Arranged By – Yes (tracks: 1 to 12)
- Product Manager – Marc Salata
- Remastered By – Dan Hersch
- Supervised By [Editorial Supervision] – Cory Frye
- Supervised By [Reissue Supervision] – Steve Woolard
- Tape Op – George Chambers
- Vocals – Trevor Horn (tracks: 1 to 12)
- Written-By – Trevor Horn (tracks: 1 to 8, 11, 12)
Notes
Released in a jewel case (clear tray) with a 16-page booklet including full original lyrics.
Sticker on jewel case: "The 1980 release with the Trevor Horn / Geoff Downes lineup. Expanded & Remastered featuring Machine Messiah and Tempus Fugit, plus 10 bonus tracks, 8 previously unissued!"
This reissue ℗ & © 1980 & 2004 Elektra Entertainment. Manufactured & marketed by Warner Strategic Marketing. Manufactured in the E.U.
Drama (tracks 1 to 6) was first issued as Atlantic #16019 (8/18/80).
Recorded at the Town House, London.
Mixed at Sam Studios, London.
Sticker on jewel case: "The 1980 release with the Trevor Horn / Geoff Downes lineup. Expanded & Remastered featuring Machine Messiah and Tempus Fugit, plus 10 bonus tracks, 8 previously unissued!"
This reissue ℗ & © 1980 & 2004 Elektra Entertainment. Manufactured & marketed by Warner Strategic Marketing. Manufactured in the E.U.
Drama (tracks 1 to 6) was first issued as Atlantic #16019 (8/18/80).
Recorded at the Town House, London.
Mixed at Sam Studios, London.
Barcode and Other Identifiers
- Barcode (Scanned, UPC-A): 081227379520
- Barcode (Text): 0 8122-73795-2 0
- Label Code: LC 02982
- Rights Society: GEMA/ BIEM
- Rights Society (Publishing): ASCAP
- Matrix / Runout (All Variants): [Warner logo] 812273795-2 01/04 V01
- Mastering SID Code (All Variants): IFPI L012
- Mould SID Code (Variant 1): IFPI 05N9
- Mould SID Code (Variant 2): IFPI 05T2
- Mould SID Code (Variant 3): IFPI 05L3
- Mould SID Code (Variant 4): IFPI 053Z
- Mould SID Code (Variant 5): IFPI 05R3
- Mould SID Code (Variant 6): IFPI 05L2
- Mould SID Code (Variant 7): IFPI 0576
- Mould SID Code (Variant 8): IFPI 05M3
- Mould SID Code (Variant 9): IFPI 05R1
- Mould SID Code (Variant 10): IFPI 059Z
- Mould SID Code (Variant 11): IFPI 05R7
- Mould SID Code (Variant 12): IFPI 05M1
- Mould SID Code (Variant 13): IFPI 055S
- Mould SID Code (Variant 14): IFPI 05M9
Other Versions (5 of 128)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Needs Changes
|
Drama (LP, Album, Gatefold) | Atlantic | K 50736 | UK | 1980 | ||
|
Recently Edited
|
Drama (LP, Album, Stereo, Gatefold) | Atlantic | ATL 50 736 | 1980 | |||
|
Recently Edited
|
Drama (LP, Album, AR, Gatefold) | Atlantic | SD 16019 | US | 1980 | ||
|
Recently Edited
|
Drama (LP, Album, Gatefold) | Atlantic | P-10854A | Japan | 1980 | ||
| Drama (LP, Album, Stereo, Gatefold) | Atlantic | ATL 50 736, SD 16019 | 1980 |
Recommendations
Reviews
-
I love this album. Just got it in the post today and listening now. Great production and I was curious what Trevor Horn would sound like on vocals only to be surprised that he was similar enough to the wonderful Jon Anderson. The 6 album tracks are engaging and solid with "Tempus Fugit" being a great stand out. The 10 bonus tracks are fantastic too. High quality masters of great material. This is magic stuff for fans of Yes and their great catalog. -
"Dancing Through The Light" sounds like a cool dub remix of "Run Through The Light" for the 12" b-side, of the type Trevor Horn could have done as a producer in the eighties (ZTT!). But it turns out it is actually an earlier instrumental recording of the song with Anderson and Wakeman, before the Buggles were even involved...
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