Peter Gabriel – UP
Tracklist
| .A1 | Darkness | 6:51 | |
| A2 | Growing Up | 7:33 | |
| B1 | Sky Blue | 6:37 | |
| B2 | No Way Out | 7:53 | |
| C1 | I Grieve | 7:24 | |
| C2 | The Barry Williams Show | 7:16 | |
| D1 | My Head Sounds Like That | 6:29 | |
| D2 | More Than This | 6:02 | |
| E1 | Signal To Noise | 7:36 | |
| E2 | The Drop | 3:03 |
Companies, etc.
- Phonographic Copyright ℗ – Peter Gabriel Ltd.
- Copyright © – Peter Gabriel Ltd.
- Pressed By – Record Industry – 15480
- Recorded At – Real World Studios
- Recorded At – Air Lyndhurst Hall
- Recorded At – Hype Studios, Singapore
- Mixed At – Real World Studios
- Mastered At – Metropolis Mastering
- Lacquer Cut At – Alchemy Mastering
Credits
- Coordinator [Co-ordination, Planning & General Advice] – Michael Thomas (10)
- Design [Design Co-ordination] – Susie Millns
- Design [Design Concept] – Peter Gabriel
- Design [Graphic Design] – Marc Bessant
- Engineer [Additional Engineer] – Richard Evans (3)
- Engineer [Assistant] – Edel Griffith
- Engineer [Co-engineering], Recorded By [Band Recording Session] – Ben Findlay
- Lacquer Cut By – Matt Colton
- Mastered By – Tony Cousins
- Mixed By – Tchad Blake (tracks: A1 to B2, C2 to E1)
- Mixed By [Additional Mix Assistance] – Paul Grady
- Mixed By [Mix Assistant] – Claire Lewis
- Other [Assistant To Peter Gabriel] – Annie Parsons
- Photography By – Susan Derges
- Photography By [Sleeve Photography] – Susan Derges
- Recorded By, Engineer, Supervised By [Mastering] – Richard Chappell
- Research [Photography Research], Coordinator [Photography Co-ordination] – Dilly Gent
- Words By, Music By, Producer – Peter Gabriel
Notes
The album has been Half-Speed Remastered and cut to lacquers at 45RPM to deliver maximum dynamic range in the sound.
The vinyl was cut by Matt Colton at Alchemy Mastering, mastered by Tony Cousins at Metropolis and overseen by Peter’s main sound engineer Richard Chappell.
Gatefold sleeves utilise imagery from the original LP inner bags and all images are newly re-scanned.
The album also contains a card with a choice of digital (Hi-Res 24bit/48k or 16bit/44.1k).
The album is a Limited Edition and individually numbered.
Recorded and mixed at Real World Studios, Box, England.
Additional recording on the Meduse and Real World Mobile Recorder in Senegal and .
Additional recording and engineering:
The London Session Orchestra recorded at Air Lyndhurst, England.
The Blind Boys Of Alabama recorded at Hype Studios, Singapore.
The Black Dyke Band recorded at Air Lyndhurst, England.
Manufactured in the EU.
Comes with 7" 24-page colored booklet with credits & pictures.
The vinyl was cut by Matt Colton at Alchemy Mastering, mastered by Tony Cousins at Metropolis and overseen by Peter’s main sound engineer Richard Chappell.
Gatefold sleeves utilise imagery from the original LP inner bags and all images are newly re-scanned.
The album also contains a card with a choice of digital (Hi-Res 24bit/48k or 16bit/44.1k).
The album is a Limited Edition and individually numbered.
Recorded and mixed at Real World Studios, Box, England.
Additional recording on the Meduse and Real World Mobile Recorder in Senegal and .
Additional recording and engineering:
The London Session Orchestra recorded at Air Lyndhurst, England.
The Blind Boys Of Alabama recorded at Hype Studios, Singapore.
The Black Dyke Band recorded at Air Lyndhurst, England.
Manufactured in the EU.
Comes with 7" 24-page colored booklet with credits & pictures.
Barcode and Other Identifiers
- Barcode (Scanned, UPC-A): 884108004432
- Barcode (Text): 8 84108 00443 2
- Matrix / Runout (Side A runout, etched / stamped): PGLPR11X A1 = MATT @ ALCHEMY = 15480 1A 00884108004432
- Matrix / Runout (Side B runout, etched / stamped): PGLPR11X B1 15480 1B 00884108004432
- Matrix / Runout (Side C runout, etched / stamped): PGLPR11X C1 = MATT @ ALCHEMY = 15480 1C 00884108004432
- Matrix / Runout (Side D runout, etched / stamped): PGLPR11X D1 15480 1D 00884108004432
- Matrix / Runout (Side E runout, etched / stamped): PGLPR11X E1 = MATT @ ALCHEMY = 15480 1E 00884108004432
Other Versions (5 of 58)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Up (CD, Album, Enhanced) | Geffen Records | 0694933882 | US | 2002 | ||
| Up (CD, Album, Enhanced) | Virgin | PGCD11, 7243 813062 08 | Europe | 2002 | |||
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Recently Edited
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Up (2×LP, Album, Quiex SV-P Gatefold, 7", Single) | Classic Records | PGDLP11, 7243 813062 15 | US | 2002 | ||
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Recently Edited
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Up (CD, Promo, Copy Protected, Album, Digipak) | Virgin | PGCDJ11, INTF-10790-2 | UK & Europe | 2002 | ||
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Recently Edited
|
Up (2×LP, Album, Stereo, Quiex SV Gatefold) | Virgin | PGDLP11, 7243 8 13062 15 | US | 2002 |
Recommendations
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2016 UKVinyl —LP, 45 RPM, Album, Deluxe Edition, Limited Edition, Numbered, Reissue, Remastered -
2015 UK, Europe & USVinyl —LP, 45 RPM, Album, Limited Edition, Numbered, Reissue, Stereo -
2015 UK, Europe & USVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered -
2015 USA, Canada & EuropeVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered -
2015 USA, Canada & EuropeVinyl —12", 45 RPM, Album, Limited Edition, Numbered, Reissue, Remastered -
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Reviews
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Sound wise a pleasure, breathtaking bass and detail. But it is a shame that the discs are warped and not centered. The latter is audible at 45 rpm
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Edited 7 years agoThis edition could have done with better quality control. The first copy I got had pimples on side C. The second copy had a visible and audible scratch on side B. The third copy is warped on the first record. It's a small but quick warp. I had to increase the tracking mass to stop/minimise a bumping sound at the beginning of both sides. So it appears for me to be a case of getting a copy that will do rather than a getting great copy. It sounds great though.
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Additionally, this recording has very little dynamic range compression (1.2 as measured by DRC-Meter). -
These limited edition, numbered, 45 rpm half-speed master editions are awesome. They are whisper quiet and have a very strong signal (+1.5 dB on my scale). They also come with a free digital and you can select 24-bit, 48 kHz hi-resolution versions. In addition the LPs come in beautiful gatefold jackets (even if the original album was not gatefold). They are produced directly by Peter Gabriel’s company and so they are done right. These albums are my most prized and loved possessions.
I am a huge Peter Gabriel fan and had to get them all. Up is an album that I grew to like more, the more I listened to it. My favorite track is “Growing Up” but I also quite like the humorous “The Barry Williams Show”. As with all the others the production and mastering on this version is precisely perfect—a joy to listen to.
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Have to say, the quality of these reissues is simply fabulous. The sound is breathtaking. Begs the question, if this level of sound can be achieved, why isn't every vinyl release like this? Are we buying substandard most of the time?! -
This is actually 3xLP, not 2xLP, according to the sticker on the front of mine. So is the new issue of US as well - the So issue is 2xLP.
Release
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Recently Edited
Recently Edited
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