Bob Dylan – The Best Of The Cutting Edge 1965-1966
Label: |
Sony Music – 88875124431 |
|---|---|
Series: |
Audio-Sonic Sound Reproduction |
Format: |
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Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Tracklist
| A1 | Love Minus Zero / No Limit - Take 2 | |
| A2 | I'll Keep It With Mine - Take 1 | |
| A3 | Bob Dylan's 115th Dream - Take 2 | |
| A4 | She Belongs To Me - Take 1 | |
| A5 | Subterranean Homesick Blues - Take 1 | |
| A6 | Outlaw Blues - Take 2 | |
| A7 | On The Road Again - Take 4 | |
| B1 | Farewell, Angelina - Take 1 | |
| B2 | If You Gotta Go, Go Now - Take 2 | |
| B3 | You Don't Have To Do That - Take 1 | |
| B4 | California - Take 1 | |
| B5 | Mr. Tambourine Man - Take 3 | |
| B6 | It Takes A Lot To Laugh, It Takes A Train To Cry - Take 8 | |
| B7 | Sitting On A Barbed Wire Fence - Take 2 | |
| B8 | Medicine Sunday - Take 1 | |
| C1 | Like A Rolling Stone - Take 5 | |
| C2 | Like A Rolling Stone - Take 11 | |
| C3 | Desolation Row - Take 2 | |
| C4 | Desolation Row - Take 1 | |
| D1 | Tombstone Blues - Take 1 | |
| D2 | Positively 4th Street - Take 5 | |
| D3 | Can You Please Crawl Out Your Window? - Take 1 | |
| D4 | Just Like Tom Thumb's Blues - Take 3 | |
| D5 | Highway 61 Revisited - Take 3 | |
| E1 | Queen Jane Approximately - Take 5 | |
| E2 | Visions Of Johanna - Take 5 | |
| E3 | She's Your Lover Now - Take 6 | |
| E4 | Lunatic Princess - Take 1 | |
| E5 | Leopard-Skin Pill-Box Hat - Take 8 | |
| F1 | One Of Us Must Know (Sooner Or Later) - Take 19 | |
| F2 | Stuck Inside Of Mobile With The Memphis Blues Again - Take 13 | |
| F3 | Absolutely Sweet Marie - Take 1 | |
| F4 | Just Like A Woman - Take 4 | |
| F5 | Pledging My Time - Take 1 | |
| F6 | I Want You - Take 4 | |
| F7 | Highway 61 Revisited - Take 7 | |
| 1-1 | Love Minus Zero / No Limit - Take 2 Acoustic | |
| 1-2 | I'll Keep It With Mine - Take 1 Piano Demo | |
| 1-3 | Bob Dylan's 115th Dream - Take 2 Solo Acoustic | |
| 1-4 | She Belongs To Me - Take 1 Solo Acoustic | |
| 1-5 | Subterranean Homesick Blues - Take 1 Alternate Take | |
| 1-6 | Outlaw Blues - Take 2 Alternate Take | |
| 1-7 | On The Road Again - Take 4 Alternate Take | |
| 1-8 | Farewell, Angelina - Take 1 Solo Acoustic | |
| 1-9 | If You Gotta Go, Go Now - Take 2 Alternate Take | |
| 1-10 | You Don't Have To Do That - Take 1 Solo Acoustic | |
| 1-11 | California - Take 1 Solo Acoustic | |
| 1-12 | Mr. Tambourine Man - Take 3 With Band, Incomplete | |
| 1-13 | It Takes A Lot To Laugh, It Takes A Train To Cry - Take 8 Alternate Take | |
| 1-14 | Like A Rolling Stone - Take 5 Rehearsal | |
| 1-15 | Like A Rolling Stone - Take 11 Alternate Take | |
| 1-16 | Sitting On A Barbed Wire Fence - Take 2 Unreleased Take | |
| 1-17 | Medicine Sunday - Take 1 | |
| 1-18 | Desolation Row - Take 2 Piano Demo | |
| 1-19 | Desolation Row - Take 1 Alternate Take | |
| 2-1 | Tombstone Blues - Take 1 Alternate Take | |
| 2-2 | Positively 4th Street - Take 5 Alternate Take | |
| 2-3 | Can You Please Crawl Out Your Window? - Take 1 Alternate Take | |
| 2-4 | Just Like Tom Thumb's Blues - Take 3 Rehearsal | |
| 2-5 | Highway 61 Revisited - Take 3 Alternate Take | |
| 2-6 | Queen Jane Approximately - Take 5 Alternate Take | |
| 2-7 | Visions Of Johanna - Take 5 Rehearsal | |
| 2-8 | She's Your Lover Now - Take 6 Rehearsal | |
| 2-9 | Lunatic Princess - Take 1 | |
| 2-10 | Leopard -Skin Pill-Box Hat - Take 8 Alternate Take | |
| 2-11 | One Of Us Must Know (Sooner Or Later) - Take 19 Alternate Take | |
| 2-12 | Stuck Inside Of Mobile With The Memphis Blues Again - Take 13 Alternate Take | |
| 2-13 | Absolutely Sweet Marie - Take 1 Alternate Take | |
| 2-14 | Just Like A Woman - Take 4 Alternate Take | |
| 2-15 | Pledging My Time - Take 1 Alternate Take | |
| 2-16 | I Want You - Take 4 Alternate Take | |
| 2-17 | Highway 61 Revisited - Take 7 False Start |
Companies, etc.
- Distributed By – Sony Music Entertainment
- Phonographic Copyright ℗ – Columbia Records
- Copyright © – Columbia Records
- Made By – Sony Music Entertainment International Services GmbH
- Mastered At – Sterling Sound
- Pressed By – Optimal Media GmbH – BF98987
- Glass Mastered At – Sony DADC – A0102571286-0102
- Glass Mastered At – Sony DADC – A0102571286-0202
Credits
- Art Direction, Design [Package Design] – Geoff Gans
- Compiled By – Jeff Rosen
- Design, Layout – Bryan Lasley
- Edited By [Editorial Supervision] – Jeremy Holiday
- Liner Notes – Sean Wilentz
- Liner Notes [Additional] – Ben Rollins
- Mastered By [Vinyl] – Ryan Smith (2)
- Mixed By – Steve Addabbo
- Mixed By [Rough Mixes] – Damian Rodriguez
- Photography By – Eugene Smith*
- Photography By [Courtesy Of] – Arie de Reus
- Producer [Bootleg Series] – Steve Berkowitz
- Producer [Original Recordings] – Tom Wilson (2)
- Project Manager – Jeroen van der Meer
- Research – Parker Fishel
- Written-By – Bob Dylan
Notes
180-gram 3-LP set featuring the best of Bob Dylan’s unreleased studio recordings from 1965 and 1966. Contains 60 page 12"x12" book
All tracks previously unreleased except:
LP 1 Side A track 2, Biograph; LP 1 Side B track 1, The Bootleg Series, Volumes 1-3
Recording Dates:
1/13/1965: A1 to A4, A6, B1, B3, B4
1/14/1965: A5, A7
1/15/1965: B2, B5
6/15/1965: B6, B7, C1
6/16/1965: C2
7/29/1965: D1, D2
7/30/1965: D3
8/2/1965: D4, D5, E1
8/4/1965: C3, C4
10/5/1965: B8
11/30/1965: E2
1/21/1966: E3
1/25/1966: F1
1/27/1966: E4
2/14/1966: E5
2/17/1966: F2
3/7/1966: F3
3/8/1966: F4, F5
3/10/1966: F6
8/2/1965: F7
Photographs:
Pages 2, 30, 42 and book cover: Jerry Schatzberg; inside front cover, pages 4-5, 6 (upper left), 10,23, 32-33: Daniel Kramer; page 6 (right column): Björn Larsson; pages 6 (bottom row), 8-9, 38-39: Jean-Marie Périer; pages 7, 34-35: Rex Features; pages 12, 36: Getty Images; Pages 14-15, 18-19, 20, 28-29, 41: Eugene Smith; pages 16, 37: Jan Persson; page 17: Dale Smith; page 25: John Rudoff; pages 26-27 Nat Finkelstein; pages 40-41, 49, 52-53 (background): Don Hunstein; pages 44-45: Mark Makin; page 46: courtesy of Arie de Reus; page 47: Jean-Pierre Leloir; page 51: Rowland Scherman; pages 54-55 Tony Frank.
All tracks previously unreleased except:
LP 1 Side A track 2, Biograph; LP 1 Side B track 1, The Bootleg Series, Volumes 1-3
Recording Dates:
1/13/1965: A1 to A4, A6, B1, B3, B4
1/14/1965: A5, A7
1/15/1965: B2, B5
6/15/1965: B6, B7, C1
6/16/1965: C2
7/29/1965: D1, D2
7/30/1965: D3
8/2/1965: D4, D5, E1
8/4/1965: C3, C4
10/5/1965: B8
11/30/1965: E2
1/21/1966: E3
1/25/1966: F1
1/27/1966: E4
2/14/1966: E5
2/17/1966: F2
3/7/1966: F3
3/8/1966: F4, F5
3/10/1966: F6
8/2/1965: F7
Photographs:
Pages 2, 30, 42 and book cover: Jerry Schatzberg; inside front cover, pages 4-5, 6 (upper left), 10,23, 32-33: Daniel Kramer; page 6 (right column): Björn Larsson; pages 6 (bottom row), 8-9, 38-39: Jean-Marie Périer; pages 7, 34-35: Rex Features; pages 12, 36: Getty Images; Pages 14-15, 18-19, 20, 28-29, 41: Eugene Smith; pages 16, 37: Jan Persson; page 17: Dale Smith; page 25: John Rudoff; pages 26-27 Nat Finkelstein; pages 40-41, 49, 52-53 (background): Don Hunstein; pages 44-45: Mark Makin; page 46: courtesy of Arie de Reus; page 47: Jean-Pierre Leloir; page 51: Rowland Scherman; pages 54-55 Tony Frank.
Barcode and Other Identifiers
- Barcode (text): 8 88751 24431 3
- Barcode: 88875124431
- Label Code: LC00162
- Rights Society: BIEM/GEMA
- Matrix / Runout (Side A runout, etched): 88875124431-A BF98987-01 A1 RKS
- Matrix / Runout (Side B runout, etched): 88875124431-B BF98987-01 B1 RKS
- Matrix / Runout (Side C runout, etched): 88875124431-C BF98987-02 C1 RKS
- Matrix / Runout (Side D runout, etched): 88875124431-D BF98987-02 D1 RKS
- Matrix / Runout (Side E runout, etched): 88875124431-E BF98987-03 E1 RKS
- Matrix / Runout (Side F runout, etched): 88875124431-F BF98987-03 F1 RKS
- Matrix / Runout (All sides runout, stamped): STERLING
- Mastering SID Code (CD1): IFPI L555
- Mould SID Code (CD1): IFPI 84Y7
- Matrix / Runout (CD1): Sony DADC A0102571286-0102 A00
- Mastering SID Code (DC2): IFPI L555
- Mould SID Code (CD2): IFPI 94Y5
- Matrix / Runout (CD2): Sony DADC A0102571285-0202 15 A01
- Other (CD1): 88875124431-1
- Other (CD2): 88875124431-2
- Other (Side A label): 88875124431A
- Other (Side B label): 88875124431B
- Other (Side C label): 88875124431C
- Other (Side D label): 88875124431D
- Other (Side E label): 88875124431E
- Other (Side F label): 88875124431F
Other Versions (5 of 16)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The Best Of The Cutting Edge 1965-1966 (3×LP, Compilation, Stereo, 180 gram, 2×CD, Compilation, Stereo, Box Set, Compilation) | Legacy | 88875124431 | US | 2015 | |||
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Recently Edited
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The Best Of The Cutting Edge 1965-1966 (2×CD, Album, Stereo) | Legacy | 88875124422 | US | 2015 | ||
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New Submission
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The Best Of The Cutting Edge 1965-1966 (2×CD, Album, Stereo, Mono) | Sony Music | 88875124422 | Europe | 2015 | ||
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Recently Edited
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The Cutting Edge 1965 – 1966: The Bootleg Series Vol.12: Collector's Edition (18×CD, Album, 9×7", Mono, Misprint, Box Set, Limited Edition, Numbered) | Columbia | 88875124402I8 | US | 2015 | ||
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New Submission
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The Cutting Edge 1965 – 1966 (6×CD, Album, Box Set, Deluxe Edition) | Legacy | 88875124412 | US | 2015 |
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Reviews
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Edited 2 years agoWhen I bought this from Amazon UK, all 111 tracks that make up the 6 CD box were included as a . I'm assuming that's still the deal/delightful Amazon cock-up. See also: the Trouble No More triple LP set... plus 102 track . -
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Decent collection but they really should have included Visions of Johanna take 14, Can You Please Crawl Out Your Window? take 17 and Stuck Inside of Mobile take 5 on this vinyl set. Shame.
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