Bob Dylan – The Best Of The Cutting Edge 1965-1966
Label: |
Sony Music – 88875124422 |
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Series: |
The Bootleg Series (2) – Vol. 12 |
Format: |
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Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Tracklist
1-1 | Love Minus Zero / No Limit - Take 2, Acoustic | 3:09 | |
1-2 | I'll Keep It With Mine - Take 1, Piano Demo | 4:10 | |
1-3 | Bob Dylan's 115th Dream - Take 2, Solo Acoustic | 6:15 | |
1-4 | She Belongs To Me - Take 1, Solo Acoustic | 2:56 | |
1-5 | Subterranean Homesick Blues - Take 1, Alternate Take | 2:37 | |
1-6 | Outlaw Blues - Take 2, Alternate Take | 3:28 | |
1-7 | On The Road Again - Take 4, Alternate Take | 2:31 | |
1-8 | Farewell, Angelina - Take 1, Solo Acoustic | 5:27 | |
1-9 | If You Gotta Go, Go Now - Take 2, Alternate Take | 2:49 | |
1-10 | You Don't Have To Do That - Take 1, Solo Acoustic | 0:49 | |
1-11 | California - Take 1, Solo Acoustic | 3:04 | |
1-12 | Mr. Tambourine Man - Take 3, With Band, Incomplete | 3:23 | |
1-13 | It Takes A Lot To Laugh, It Takes A Train To Cry - Take 8, Alternate Take | 3:27 | |
1-14 | Like A Rolling Stone - Take 5, Rehearsal | 1:43 | |
1-15 | Like A Rolling Stone - Take 11, Alternate Take | 5:55 | |
1-16 | Sitting On A Barbed Wire Fence - Take 2, Unreleased Take | 3:58 | |
1-17 | Medicine Sunday - Take 1, Early Version Of Temporary Like Achilles | 1:00 | |
1-18 | Desolation Row - Take 2, Piano Demo | 1:59 | |
1-19 | Desolation Row - Take 1, Alternate Take | 11:16 | |
2-1 | Tombstone Blues - Take 1, Alternate Take | 7:28 | |
2-2 | Positively 4th Street - Take 5, Alternate Take | 4:22 | |
2-3 | Can You Please Crawl Out Your Window? - Take 1, Alternate Take | 4:03 | |
2-4 | Just Like Tom Thumb's Blues - Take 3, Rehearsal | 5:38 | |
2-5 | Highway 61 Revisited - Take 3, Alternate Take | 3:28 | |
2-6 | Queen Jane Approximately - Take 5, Alternate Take | 6:01 | |
2-7 | Visions Of Johanna - Take 5, Rehearsal | 7:39 | |
2-8 | She's Your Lover Now - Take 6, Rehearsal | 4:57 | |
2-9 | Lunatic Princess - Take 1 | 1:19 | |
2-10 | Leopard-Skin Pill-Box Hat - Take 8, Alternate Take | 3:26 | |
2-11 | One Of Us Must Know (Sooner Or Later) - Take 19, Alternate Take | 5:09 | |
2-12 | Stuck Inside Of Mobile With The Memphis Blues Again - Take 13, Alternate Take | 4:02 | |
2-13 | Absolutely Sweet Marie - Take 1, Alternate Take | 5:00 | |
2-14 | Just Like A Woman - Take 4, Alternate Take | 5:18 | |
2-15 | Pledging My Time - Take 1, Alternate Take | 3:21 | |
2-16 | I Want You - Take 4, Alternate Take | 2:51 | |
2-17 | Highway 61 Revisited - Take 7, False Start | 0:32 |
Companies, etc.
- Record Company – Sony Music Entertainment International Services GmbH
- Distributed By – Sony Music Entertainment
- Phonographic Copyright ℗ – Columbia Records
- Copyright © – Columbia Records
- Glass Mastered At – Sony DADC – A0102571286-0102
- Glass Mastered At – Sony DADC – A0102571286-0202
Credits
- Liner Notes – Sean Wilentz
- Producer – Tom Wilson (2) (tracks: 1-1 to 1-12, 1-14, 1-15)
- Written-By – Bob Dylan
Notes
2-CD featuring the best of Bob Dylan's unreleased studio recordings from 1965 and 1966, Includes alternate versions of songs such as 'Like A Rolling Stone', 'Desolation Row', 'Visions Of Johanna' and 'Highway 61 Revisited'. Packaged with a 60-page booklet with exclusive photography and liner notes. All in cardboard slipcase.
Barcode and Other Identifiers
- Barcode (Printed - sticker): 8 88751 24422 1
- Barcode (Scanned - sticker): 888751244221
- Label Code: LC 00162
- Rights Society: BIEM / GEMA
- Matrix / Runout (CD1 variant 1, 3): Sony DADC A0102571286-0102 15 A00
- Matrix / Runout (CD1 variant 2): Sony DADC A0102571286-0102 15 A01
- Matrix / Runout (CD1 variant 4): Sony DADC A0102571286-0202 15 A03
- Mastering SID Code (CD1 variant 1 to 4): IFPI L555
- Mould SID Code (CD1 variant 1, 3): IFPI 94Z5
- Mould SID Code (CD1 variant 2): IFPI 94Y7
- Mould SID Code (CD1 variant 4): IFPI 94W7
- Matrix / Runout (CD2 variant 1): Sony DADC A0102571286-0202 15 A00
- Matrix / Runout (CD2 variant 2): Sony DADC A0102571286-0202 15 A03
- Matrix / Runout (CD2 variant 3): Sony DADC A0102571286-0202 15 A02
- Matrix / Runout (CD2 variant 4): Sony DADC A0102571286-0202 15 A01
- Mastering SID Code (CD2 variant 1 to 4): IFPI L555
- Mould SID Code (CD2 variant 1): IFPI 944Q
- Mould SID Code (CD2 variant 2): IFPI 942Q
- Mould SID Code (CD2 variant 3): IFPI 94W5
- Mould SID Code (CD2 variant 4): IFPI 94Y5
Other Versions (5 of 16)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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The Best Of The Cutting Edge 1965-1966 (3×LP, Compilation, Stereo, 180 gram, 2×CD, Compilation, Stereo, Box Set, Compilation) | Legacy | 88875124431 | US | 2015 | |||
Recently Edited
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The Best Of The Cutting Edge 1965-1966 (2×CD, Album, Stereo) | Legacy | 88875124422 | US | 2015 | ||
Recently Edited
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The Cutting Edge 1965 – 1966: The Bootleg Series Vol.12: Collector's Edition (18×CD, Album, 9×7", Mono, Misprint, Box Set, Limited Edition, Numbered) | Columbia | 88875124402I8 | US | 2015 | ||
Recently Edited
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The Best Of The Cutting Edge 1965-1966 (3×LP, Compilation, 180 Gram, 2×CD, Compilation, Box Set, ) | Sony Music | 88875124431 | Europe | 2015 | ||
New Submission
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The Cutting Edge 1965 – 1966 (6×CD, Album, Box Set, Deluxe Edition) | Legacy | 88875124412 | US | 2015 |
Recommendations
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2019 EuropeAlbum, Stereo, Mono
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Reviews
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Edited 5 years agoNone of these tracks are as good as the finished versions. It's fairly interesting to listen to them once but after that I would always go back to the originals. I know Dylan scholars are drooling over this, but for me it's merely an academic exercise.
I was initially tempted by the 6 CD effort - but I'm glad I saved my money. Life is too short to wade through 20 versions of Like a Rolling Stone - only to discover the the original, finished version was the best all along.
The best two tracks - I'll Keep it With Mine and She's Your Lover Now - have both been issued before as well, adding insult to injury.
There's other, much better volumes in the Bootleg series.
** Four years later and I just picked up the 6 CD version second hand. Maybe they picked the wrong versions on the Best Of 2 CD set but I'm really enjoying the expanded version. Or maybe my tastes just changed. I wonder what the 18 CD versions like.
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