Pink Floyd – The Final Cut
Label: |
Harvest – 3C 064-65 042 |
|---|---|
Format: |
|
Country: |
Italy |
Released: |
|
Genre: |
Rock |
Style: |
Psychedelic Rock |
Tracklist
| A1 | The Post War Dream | 3:02 | |
| A2 | Your Possible Pasts | 4:22 | |
| A3 | One Of The Few | 1:23 | |
| A4 | The Hero's Return | 2:56 | |
| A5 | The Gunners Dream | 5:07 | |
| A6 | Paranoid Eyes | 3:40 | |
| B1 | Get Your Filthy Hands Off My Desert | 1:19 | |
| B2 | The Fletcher Memorial Home | 4:11 | |
| B3 | Southampton Dock | 2:13 | |
| B4 | The Final Cut | 4:46 | |
| B5 | Not Now John | 5:01 | |
| B6 | Two Suns In The Sunset | 5:14 |
Companies, etc.
- Lacquer Cut At – The Mastering Lab
Credits
- Artwork – Artful Dodgers*
- Composed By [All Tracks Composed By] – Roger Waters
- Conductor, Arranged By [Orchestra] – Michael Kamen
- Design [Sleeve] – Roger Waters
- Drums – Andy Newmark (tracks: B6)
- Electric Organ [Hammond] – Andy Bown
- Engineer – James Guthrie
- Engineer [Assistant] – Mike Nocito
- Mastered By – Doug Sax
- Orchestra – The National Philharmonic Orchestra*
- Percussion – Ray Cooper
- Performer [Performed By] – Pink Floyd
- Performer [Pink Floyd] – Roger Waters
- Photography By – Willie Christie
- Piano, Harmonium – Michael Kamen
- Producer – Roger Waters
- Tenor Saxophone [Tenor Sax] – Raphael Ravenscroft
Notes
Recorded in England at Mayfair, Olympic, Abbey Road, Eel Pie, Audio International, Rak, Hookend and The Billiard Room between July and December 1982.
1st press got date 2-3-83 I on runout of the vinyl
Generic Inner sleeve.
1st press got date 2-3-83 I on runout of the vinyl
Generic Inner sleeve.
Barcode and Other Identifiers
- Matrix / Runout (Label side A): 3C 064-65042/A
- Matrix / Runout (Label side B): 3C 064-65042/B
- Matrix / Runout (Etched Runout Side A variant 1 ): 65042-A 2-3-83 I
- Matrix / Runout (Etched Runout Side B variant 1 ): 65042-B 2-3-83 I
- Matrix / Runout (Etched Runout Side A variant 2): 65042-A 7-3-83 III
- Matrix / Runout (Etched Runout Side B variant 2): 65042-B 7-3-83 III
- Matrix / Runout (Etched Runout Side A variant 3): 65042-A 10-3-83 IV
- Matrix / Runout (Etched Runout Side B variant 3): 65042-B 11-3-83 V
- Matrix / Runout (Etched Runout Side A variant 4): 65042-A 2-3-83 I
- Matrix / Runout (Etched Runout Side A variant 4): 65042-B 11-3-83 V
- Other (Etching side A): TML-S
- Other (Etching side B): TML-X
- Rights Society (On labels): S.I.A.E.
Other Versions (5 of 398)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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The Final Cut (LP, Album, Test Pressing, Stereo, Carrollton Pressing ) | Columbia | none | US | 1982 | ||
|
Recently Edited
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The Final Cut (Cassette, Album) | Harvest | 1C 264-65 042 | Europe | 1983 | ||
|
Recently Edited
|
The Final Cut (LP, Album, Stereo, Gatefold) | Harvest | 2C 070-65 042, 2C 070-65042 | 1983 | |||
| The Final Cut (LP, Album, Stereo, Gatefold) | Harvest | 1C 064-65042 | Europe | 1983 | |||
|
Recently Edited
|
The Final Cut (CD, Album) | Columbia | CK 38243 | US | 1983 |
Recommendations
Reviews
-
Domenica durante il solito tour dei mercatini. The Final Cut non lo avevo, era il periodo
d'oro del CD e i stampavano pochi vnili fino a non farne più. Il disco mi ricorda il fantastico
lavoro, che ho su CD : - "Amused to death" di Roger Water solista. -
How can you follow up on Animals and The Wall (not to mention DOTM and Wish you Were Here) without slipping, repeating yourself? And at the same time how many bands today could produce a record like that?
Release
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Recently Edited
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