The Beatles – Rubber Soul
Label: |
Parlophone – PMC 1267 |
|---|---|
Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Pop |
Style: |
Pop Rock |
Tracklist
| A1 | Drive My Car | |
| A2 | Norwegian Wood | |
| A3 | You Won't See Me | |
| A4 | Nowhere Man | |
| A5 | Think For Yourself | |
| A6 | The Word | |
| A7 | Michelle | |
| B1 | What Goes On | |
| B2 | Girl | |
| B3 | I'm Looking Through You | |
| B4 | In My Life | |
| B5 | Wait | |
| B6 | If I Needed Someone | |
| B7 | Run For Your Life |
Companies, etc.
- Printed By – Garrod & Lofthouse
- Record Company – The Gramophone Co. Ltd.
Credits
- Lacquer Cut By – Hazel Yarwood
- Photography By – Robert Freeman (4)
- Producer – George Martin
- Written-By – Starkey* (tracks: B1)
Notes
This 3rd pressing has a Garrod & Lofthouse front laminated flip back sleeve. The flip backs have rounded corners at the spine end.
Matrix numbers printed on the labels are mis-aligned to the left of the datestamp.
Black & yellow Parlophone labels with silver "Sans Serif" text.
Label perimeter text starts with 'THE GRAMOPHONE CO LTD' & ends with 'COPYING OF THIS RECORD PROHIBITED'.
Lacquer cut by Hazel Yarwood
Matrix numbers printed on the labels are mis-aligned to the left of the datestamp.
Black & yellow Parlophone labels with silver "Sans Serif" text.
Label perimeter text starts with 'THE GRAMOPHONE CO LTD' & ends with 'COPYING OF THIS RECORD PROHIBITED'.
Lacquer cut by Hazel Yarwood
Barcode and Other Identifiers
- Matrix / Runout (Label side A): (XEX.579)
- Matrix / Runout (Label side B): (XEX.580)
- Matrix / Runout (Runout side A, stamped - variant 1): XEX 579-5
- Matrix / Runout (Runout side B, stamped - variant 1): XEX 580-5
- Matrix / Runout (Runout side A, stamped - variant 2): XEX 579-5 H 2
- Matrix / Runout (Runout side B, stamped - variant 2): XEX 580-5 L 1
- Other (UK purchase tax code): KT
Other Versions (5 of 956)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Rubber Soul (LP, Album, Repress, Mono, Ernest J. Day print) | Parlophone | PMC 1267 | UK | 1965 | ||
| Rubber Soul (LP, Stereo, Album, 1st) | Parlophone | PCS 3075 | UK | 1965 | |||
|
Recently Edited
|
Rubber Soul (LP, Album, Stereo) | Odeon | SMO 84 066 | 1965 | |||
|
Recently Edited
|
Rubber Soul (LP, Album, Mono) | Parlophone | PMCM 1267 | New Zealand | 1965 | ||
|
Recently Edited
|
Rubber Soul (LP, Album, Mono) | Parlophone | PMC 1267 | Scandinavia | 1965 |
Recommendations
Reviews
-
Best sounding pressing of this iconic record. If you can find a clean -5 Yarwood mono at a decent price grab it. It’s a revelation. Won’t be long before they become more expensive. -
Believe the hype - the 1966 -5 / -5 "Yarwood" variants are everything everyone claims they are. The first listen of a clean copy delivered a more clinical experience than her -4 / -4 pressing variant. At times forgot this press is mono listening to highly detailed guitar strings or percussive strikes that could have been performed a few feet away. The Yarwood is the RS og of choice.
11/11 pressing.
Pro-Ject X1B + Sumiko Wellfleet / Schiit Mani 2 / Musical Fidelity M5si / Dali Oberon 7's -
-5/-5, this is the best original mono cut of their albums. It sounds very natural, smooth and clean. Does have some tad bit of distortion though, could it just be my copy? I still prefer the 2014 but this is a great alternative.
Release
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New Submission
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Sell a copy
4 copies from $27.01