Dream TheaterOctavarium

Label:

Atlantic – R1 83793

Format:

2 x Vinyl , LP, Album, Reissue

Country:

US

Released:

Genre:

Rock

Style:

Heavy Metal

Tracklist

The Root Of All Evil
Lyrics ByMike Portnoy
Music ByDream Theater
(8:07)
A1.VI Ready
A1.VII Remove
A2 The Answer Lies Within
Lyrics ByJohn Petrucci
Music ByDream Theater
5:20
A3 These Walls
Lyrics ByJohn Petrucci
Music ByDream Theater
6:59
B1 I Walk Beside You
Lyrics ByJohn Petrucci
Music ByDream Theater
4:29
B2 Panic Attack
Lyrics ByJohn Petrucci
Music ByDream Theater
7:16
C1 Never Enough
Lyrics ByMike Portnoy
Music ByDream Theater
6:33
C2 Sacrificed Sons
Lyrics ByJames LaBrie
Music ByDream Theater
10:42
Octavarium
Music ByDream Theater
(24:00)
D1.I Someone Like Him
Lyrics ByJohn Petrucci
D1.II Medicate (Awakening)
Lyrics ByJames LaBrie
D1.III Full Circle
Lyrics ByMike Portnoy
D1.IV Intervals
Lyrics ByMike Portnoy
D1.V Razor's Edge
Lyrics ByJohn Petrucci

Companies, etc.

  • Phonographic Copyright ℗Atlantic Recording Corporation
  • Copyright ©Atlantic Recording Corporation
  • Manufactured ByRhino Entertainment Company
  • Marketed ByRhino Entertainment Company
  • Recorded AtThe Hit Factory
  • Mixed AtQuad Recording Studios
  • Mastered AtSterling Sound
  • Pressed ByRecord Technology Incorporated – 22258

Credits

  • Arranged By [Strings], Conductor [Strings]Jamshied Sharifi
  • Art Direction, Design, IllustrationHugh Syme
  • BassJohn Myung
  • BookingThe Agency Group
  • CelloRichard Locker (tracks: A2, C2, D1)
  • ConcertmasterElena Barere (tracks: C2, D1)
  • Contractor [Orchestral]Jill Dell'Abate
  • Design ConceptMike Portnoy
  • Drums, Vocals, PercussionMike Portnoy
  • EngineerDoug Oberkircher
  • Engineer [Assistant]Ryan Simms
  • FlutePamela Sklar (tracks: C2, D1)
  • French HornStewart Rose (tracks: C2, D1)
  • Guitar, VocalsJohn Petrucci
  • Keyboards, MIDI Controller [Continuum], Lap Steel GuitarJordan Rudess
  • ManagementFrank Solomon
  • Mastered ByGeorge Marino
  • Mixed ByMichael H. Brauer
  • Photography ByColin Lane (2)
  • ProducerMike Portnoy
  • ViolaVincent Lionti (tracks: A2, C2, D1)
  • ViolinYuri Vodovoz (tracks: C2, D1)
  • Violin [First]Elena Barere (tracks: A2)
  • Violin [Second]Carol Webb (tracks: A2)
  • VocalsJames LaBrie

Notes

Gatefold, 180 Gram pressing. Includes insert with lyrics.

Barcode and Other Identifiers

  • Barcode: 081227965617
  • Matrix / Runout: R1-83793-SIDE1 G-2 RM 22258.1(2)...
  • Matrix / Runout: R1-83793-SIDE2 G-2 RM 22258.2(3)...
  • Matrix / Runout: R1-83793-SIDE3 G-2 RM 22258.3(3)...
  • Matrix / Runout: R1-83793-SIDE4 G-2 RM 22258.4(3)...

Other Versions (5 of 50)

View All
Title (Format) Label Cat# Country Year
Octavarium (CD, Album) Atlantic 7567-83793-2 Europe 2005
Recently Edited
Octavarium (CD, Album) Atlantic 83793-2 US 2005
Recently Edited
Octavarium (CD, Album) Atlantic 7567837932 Australia 2005
Octavarium (CD, Album) Atlantic CD83793, CD 83793 Canada 2005
New Submission
Octavarium (CD, Album) Warner Music WPCR-12079 Japan 2005

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Reviews

  • rikiheck's avatar
    rikiheck
    I have to agree with those who say this is not a great pressing. The music sounds compressed, and I have a fair bit of surface noise. Not clicks or pops but just a low whooshing kind of sound that's audible in quiet ages. The soundstage is generally quite flat and not as wide as I'm used to hearing.

    Musically, I find this album to be a mixed bag. There is great stuff here, like "The Root of All Evil", "Panic Attack", and "Sacrificed Sons". But I find some of the songs to be a bit preachy in the lyrics, with music that is trying to be uplifting but ends up sounding canned. I guess everyone has off days.

    Maybe this one could get the Music On Vinyl treatment?
    • stika1103's avatar
      stika1103
      Edited 8 months ago
      The music itself is spot on and a great listen as is the pressing. It’s very quiet with no pops or clicks. But sadly, not sure if it’s the mixing or mastering, but it sounds extremely…”crunchy” and compressed. (Especially on the Octavarium track). There always was a little bit of it on the cd, as well, but this release amplifies it quite a bit.
      • Mydogatemylantern's avatar
        This record sucks lol. How did the band allowed this to go through?
        • snake_rica's avatar
          snake_rica
          Like most of the reviews for this pressing, I have to agree with them that the sound of it is really flat with no dynamics at all. Portnoy's drums are buried in the mix, even Myung's bass intro for Panic Attack sounded really weak.
          • Sieroy's avatar
            Sieroy
            I had no problem with surface noise on this record, i think it sound really nice.
            • RedXD001's avatar
              RedXD001
              Edited 3 years ago
              dmstewart51502112 said it best. Cutting out a significant amount of the between track sound effects was foolish. They should of let it play all the way through then cut it off. The songs themselves (except Octavarium) are decent, just barely out perform the CD counterpart. Only distortion I had was the 2nd half of “Sacrificed Sons”. My favorite songs I felt was the vinyls strengths was “Root of All Evil” and “Panic Attack” those really earthquake my house!

              The song Octavarium was an absolute nightmare. Did Rick Reuben snuck in while everyone was on lunch break? Surface noises was so bad I screamed like Crash Bandicoot. Ever drag a inflated balloon on a chalk board? It’s like that. Intro was flatter then A cups and muffled like a pit bull wanted to bark. Keyboards is fogged up with compression. There’s is no color or atmosphere.
              James’s vocal sound stage got croak as if the Joker stab his neck with a pencil. Not trying to be funny. It’s that bad.
              Overall this is a marginal pressing that should be avoided. It’s collective material for fans. Get the CD and you will be okay.

              Edit: I strongly suggest to get the BMG club CD. It’s the best CD version to listen to Octavarium.
              • Lianna84's avatar
                Lianna84
                Hi! i just buy the vinyl, do anyone knows what the dead zone code means? is there any digital identifier in wich i put the dead zone code, and it gives me back info about the vinyl?
                • dmstewart51502112's avatar
                  Pretty mediocre sound quality. They also cut out a significant amount of the between track sound effects.
                  Some else commented that they are there, but they are not. Some are but the most important sections are faded out without you ever getting to hear them… that included the ending of Octavarium.

                  I get that it’s hard to fit a song that size on an album, but still.
                  When every other DT album has had at least one great pressing. It’s very very disappointing that one of their best is also their worst pressed album.

                  Hopefully they reissue a totally new pressing soon because this one is a big step down from the usual DT pressings.
                  • dontschnow's avatar
                    dontschnow
                    sounds just fine to me, tie breaker puts good press in the lead
                    • noahgrubb's avatar
                      noahgrubb
                      Unfortunately, I have to reiterate what others have expressed here. Fairly flat sound, and although there are not many outright flaws like pops, cracks, surface noise, etc., it just does not have much in the way of dynamics. I'd ascertain this was pressed using the same files used for the CD.

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